This is Cubby, über-hound, chillaxing on the cool wood floor on a balmy late-spring day. Sprawled out in sharp symmetry, almost X-shaped, he looks like a doggie cookie-cutter, or the puppy piece in Monopoly, or a pendant dangling from the neck of a dog lover of strenuous devotion. In a word, he looks amazing. Like an artwork Jeff Koons could only dream of, or a taxidermist’s dampest fantasy. He would look stunning on a mantel, a small, regal canine, with a muzzle oh-so fluffily bearded.
Cubby knows none of this. If he had heard the above during his spread-out siesta, he’d be all, “Enough. Leave me alone. I am napping on the cool floor, dreaming of squirrels, fire hydrants, and fat kielbasas. You are a ridiculous man. Be gone … zzzzz.”
What we have here is a tableau titled, say, “Dog Day Afternoon.” Or “Dog Splayed Afternoon.” Some kind of post-modern still-life William Wegman could appreciate in all its unposed dogitude. (Although, of course, Wegman meticulously poses his long-suffering Weimaraners, what with their fancy clothes and anthropomorphic exertions.)
So what we have is less Wegman and more found art. Cubby, surely warm under that carpet of curls, located open range in the cool foyer, plopped down and stretched out from his head to his pom-pom tail. He exhaled and sighed: Goddam.
And this is how we found him, still as a statue, a statue of such accidental perfection it might be worth lots of money. Certainly, because his preternatural pose notwithstanding, Cubby, that cuddliest of canines, is worth a million bucks.