Getting down with dinner, and keeping it down

Last year in Lisbon, Portugal, I was served a 12-course meal that stuffed me so brutally, I was this close to dashing to the restaurant bathroom and purging myself. I felt like an engorged zeppelin, about to burst with the sloshing goulash bloating my belly. I was in theatrical distress. 

And the food, which was amazing, kept coming. And coming. I finally had to hold up a hand when the server brought the final course, which was a square of baklava the size of a matchbox. That hand said, “Cease. Go back wherefrom you came. Take that morsel of food with you. Be gone before disaster strikes.” 

Still, he insisted on boxing up the dessert. I conceded. All the while an argument raged between my mind and my stomach. The mind won. By the grace of god, I did not vomit. 

I was reminded of this fine-dining discomfort the other night at an eatery that’s the opposite of the gourmet Portuguese blowout: La Tapatia, a homey, festively painted Mexican restaurant/cantina in Concord, Ca., some 30 minutes east of San Francisco. 

(My brother and I are in the East Bay clearing out my late Mom’s townhouse and putting it on the market. Wading through Everests of old photos is by turns amusing, exhausting, and wildly depressing.) 

We adore La Tapatia and anticipated its decadent cuisine before we left the East Coast. It’s a destination spot dishing up fiercely old-school Mexican food: chips and salsa, margaritas, rice and refried beans, tacos, burritos, the whole enchilada. 

With a tangy margarita, I had a chicken taco and chicken enchilada. The plate was massive, flooded in a sea of beans and rice: 

It was deliriously good. But here’s the thing: I got so gorged on chips and dinner, I spontaneously puked when I got back home. It was quick and painless, and I topped it with a gin and tonic. I’m disgusting. (A girlfriend once told me I have the “constitution of a bird.” I cannot argue with this.)

To offset the stress and gloom of this seven-day trip, we’ve turned it into a foodie foray, hitting many good places — we’re eating out twice a day, every day — as well as favorite restaurants we’ve long loved in the area.

Like the scrappy, frantic joint in San Francisco’s Chinatown. From the SF airport, we went straight to our reliable haunt House of Nanking, where I had the celebrated Nanking Sesame Chicken, a dish of cosmic savoriness:

I’ve mentioned before that I own a House of Nanking t-shirt. It’s that good. I learned that scenes from “The Matrix Resurrections” were filmed there. Photos of Keanu Reeves with the beaming owner paper the windows. For some reason, I’m proud.

Yesterday we met our old friend Tony for lunch at the classy, very bougie Acre Kitchen & Bar on College Avenue in Berkeley. Though the sardines, arriving with three tiny bottles of Tabasco, were wonderful, Tony was the highlight. He’s about the nicest guy you could know, a real mensch, radiating a gentle joy that inspires faith in the world. He ate a French dip and took a selfie of us.

Sardines and Tabasco. Tony didn’t have any.

In Berkeley, where my brother went to Cal, we kicked around used book and record stores, working up an appetite for an early dinner at Alice Waters’ legendary restaurant Chez Panisse. Considering this could be our final trip to the Bay Area, we splurged on the crazy-expensive four-course dinner menu, which changes daily, and it went like this: 

California white sea bass tartare with Meyer lemon, ginger, and fried capers

Wild mushroom ravioli in brodo with Parmesan

Corvus Farm guinea hen roasted in the hearth; with potato-rutabaga purée, spring onions, and spinach

Hazelnut sherbet and chocolate ice cream meringata

Guinea hen roasted in the hearth.

Pretentious? Nuh-uh. Chez Panisse keeps it real with a humble farm-to-table ethos that’s exquisitely prepped and presented. Service is impeccable, always with a smiling expansiveness, never fussy, and often with a quip or two. The food: spectacular without being show-offy. It’s special but to the point.

I don’t think I’m overselling the experience, because we went back two nights later  (after scrambling for a coveted reservation) for the more modest à la carte menu, no less delicious and memorable. My appetizer was “sprouting broccoli roasted in the wood oven with preserved lemon and mint yogurt”; my main course was “grilled lamb leg with shoestring potatoes, glazed carrots, and red wine butter” — all of it superb, as expected.

Bonus: I didn’t throw up. 

Clearing out the museum of Mom

Florence was a gas. I got back a few days ago and I’m still huffing the trip’s fragrant fumes and, I admit, getting a little high. It was an idyllic sojourn: the friendliest, prettiest people; piquant pizzas and pleasing piazzas; huge marble slabs of history; staggering art; so much gelato you could vomit. And dogs — a festival of dogs.

I’m leaving on a jet plane yet again in a week, but this one isn’t for vacation; it’s for vacating. My brother and I are going to the San Francisco Bay Area to clear out my late ole Mom’s condo and put it on the market. We are vacating the abode of its current renter and as much furniture and stuff as we can in a short stretch of time, about six days. It could be a herculean errand, or it might snap into place like Legos.

Mom passed in late 2019, so this isn’t really a mournful visit, though it is naturally tinged with blue-hued rue. Ghosts, memories, love and misses. We have to riffle through reams of photos — that’ll be fun and painful and snoringly tedious — and decide what things we want and what can hit the curb. My brother can’t wait to get his grubby hands on this damn metallic rabbit Mom placed next to the toilet. It’s probably spattered in urine.

Save for that weird rabbit, there’s nothing original about any of this. It’s just another life stage, a serial speed bump that most of us have to go through. My turn. Yawn. 

Yet we’re going to make the most of it, dammit, back in the Bay Area bosom we grew up in. From the San Francisco airport, we’re beelining it to our favorite restaurant in Chinatown, House of Nanking, a bustling joint we used to line-up for before they expanded a bit. I like their zesty food so much — especially the Nanking Sesame Chicken — and the surly, snappish owner, that I still wear one of their neon-bright t-shirts. 

Then it’s down to business. For a while. 

We’ve planned other sidelights to sustain our spirits and energy. Like a special dinner at chef /author Alice Waters’ legendary Chez Panisse in Berkeley. This is quintessential farm-to-table California cuisine, which Waters practically invented. I’ve eaten there before. It’s spectacular, an institution. My brother, the foodie who’s been to them all, says it’s his favorite restaurant. We’re spoiling ourselves. We’ve also slated a day and dinner in Napa. Boo-hoo for us. 

Still, getting real, the trip won’t be fun; a few good meals can’t blot out the grim reality of the situation. Fortunately, Mom left a fastidiously tidy home, decorated with utmost taste and artistic flair. (We will be plundering her artwork and art books for sure.) She had class, and we want to honor that by doing this dirty work with a soupçon of respect.

We’re dismantling a life, in a way, dislodging and dispersing things that defined a real person. And we’re a part of it. My travel photographs adorn a wall. A painting my brother made of David Bowie adorns another wall. And so on. 

I think of the place as a museum of Mom — meticulous, magnificent —  carefully curated, painstakingly, and with inexpressible love. We have our work cut out for us. 

Random reflections, part II

I wish I played chess, even so-so. At this point, I have zero interest in learning how. 

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The best book I’ve read this summer is the acrid novel “Fleishman is in Trouble” by the regrettably named Taffy Brodesser-Akner. Terrifically observant, mordant and relevant, it’s dubbed a “timely exploration of marriage, divorce, and the bewildering dynamics of ambition.” I’m too lazy to describe it. But it’s superb, and superbly smart. If you’re married, or divorced, beware. It has teeth.

It’s in the news today. Never in a million years would I want to climb Mount Everest. Or any mountain for that matter. I don’t do tents. Or canteens. Or oxygen tanks. Or death.

I booked a flight to Tokyo for late October. I’m going to eat sushi and more sushi and sip sake and Japanese whiskey and absorb on a granular level Shinjuku nightlife. I may barf.

When I was 8 I saw big white beluga whales at SeaWorld. They made me kind of sick, all bulbous and albino, their big, meaty cow tongues showing when they smiled. Many years later — last week, in fact — I saw the belugas again at SeaWorld. They still make me ill. 

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Charismatic badass and “Blade Runner” actor Rutger Hauer has just died. So, alas, has presidential impeachment. R.I.P. 

A movie my mind keeps returning to is the new documentary “Honeyland,” which is about a lone female beekeeper in the unforgiving mountains of Macedonia and her struggles with her unruly neighbors, her sick mother and the mere notion of survival. It sounds terrible. It is sublime. I could see it winning an Oscar. See trailer HERE.

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My brother and I have reservations next month at Alice Waters’ legendary Berkeley, Calif., restaurant Chez Panisse, where we will dine on such succulent fare as, quote, “Sheep’s milk ricotta ravioli with chanterelle mushroom and garlic brodo” and “Sonoma County duck confit with frisée, haricots verts, fig vinaigrette, garlic crouton, and sage.” I don’t know what half that means. I don’t care. I will delight, as my wallet gently weeps.

I promised I would never mention my Sea-Monkeys again. I lied. There are a half-dozen survivors, swirling through the briny tank, each one as big as Moby Dick. I hope the cats are hungry.

Too many critics and other dopes are declaring season two of the amazing Amazon Prime comedy “Fleabag” superior to season one. Wrong. Season one is fresher, funnier, wiggier, better. Season two is splendid, no doubt, and you should watch it, as it’s the best comedy on TV. I’m just saying.

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Speaking of TV hilarity, the lamest, most overrated “comedy” is “Bojack Horseman,” a Netflix show so consistently and embarrassingly unfunny, such a bizarre misfire, it just makes me tired. (If you find this show amusing, please leave a comment and explain.)

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Some years ago, my Dad took us to an incredible slew of jazz and comedy shows. A few luminaries we saw live: Jerry Seinfeld, Bill Cosby, Robin Williams, Miles Davis, Ella Fitzgerald and Dizzy Gillespie, as well as live NBC tapings of “The Tonight Show with Johnny Carson” and, way back, “The Goldie Hawn Special” featuring then-pop idol Shaun Cassidy. The whole thing’s a head rush.

I recently bought a can of sardines. I keep looking at it, baffled and fearful.