Month: August 2023

Facing evil

~ Chris ~ 2 Comments

Let’s not get all down about it, but I’m reading “Survival in Auschwitz,” the slim and indelible account of life in the most notorious Nazi concentration camp by Primo Levi, an “Italian citizen of Jewish race.” Published in 1947, the pages bulge with terrible and inconceivable realities, much of it learned about in any decent schooling, yet far more personal and unsparingly granular. The horrors are shattering.

So I will spare you. I’m reading the book, an autobiographical classic, because of my upcoming visit to Auschwitz, just outside of Kraków, Poland. My trip, as I’ve oft-noted, takes me to Budapest, then Kraków, where I went years ago, including the day trip to the concentration camp, which is now a haunting al fresco museum that staggers with its bleak, blunt truths. Even the gift shop (yes, gift shop) is stained with gloom.

Why do we go to such places? I know someone who said he would skip Auschwitz if he went to Kraków, a fact I find astonishing. Few places throb with such recent history and so many fresh ghosts and has shaped so much of the modern era to now. It’s living history, inescapable. To duck it, inexcusable. 

That’s just me. Genocide is vital and we should be exposed to it as a reality check and cautionary device. Visiting Auschwitz (or Duchau, which I toured in Germany) is mind-expanding. It’s not a place for morbid curiosity or ogling. It’s a place for reflection and wonder. Like any potent museum, it works intellectual muscles and, more so, wrenches emotional ones. It’s as powerful as any Holocaust memorial or, similarly, the 9/11 Memorial and Museum. Its utter humanity rumbles, and humbles.

I have a strong stomach for dark and doom. I seek out shrines to deformity and mortality, like the Mütter Museum in Philadelphia, the Museum of Forensic Medicine in Bangkok, freak shows and books about human oddities. I always make a solemn visit to Holocaust museums, be it in Amsterdam or Israel. Or, of course, Auschwitz-Birkenau. 

It’s not about luxuriating in morbidity or getting a “thrill” from death, like some sophomoric Goth, who gleans reality from graphic novels and zombie movies. It’s the opposite, being repelled by it while pondering the strength, the sheer fortitude, of the victims and acknowledging that it can’t happen again. The triteness of that statement is a reflection of its truth.

In “Survival in Auschwitz,” Primo Levi writes eloquently of struggle and endurance in the face of naked evil inside the death camp. His spirit is wounded but unbowed. Survival is paramount, and he carries on because it’s all he can do. 

He says: “Sooner or later in life, everyone discovers that perfect happiness is unrealizable, but there are few who pause to consider the antithesis: that perfect unhappiness is equally unobtainable … Our ever-sufficient knowledge of the future opposes it, and this is called, in the one instance: hope.” 

Late summer litany

~ Chris ~ 3 Comments

1.Late summer rain, lusty breezes, 70 degrees — paradise. Fall is knocking and I’m tripping over myself to answer the door. Of course more heat is brewing — it will hit 86 on Saturday — but the wind and wet is a heartening preview of the best season of all. Autumn is when I travel. It’s when I look for clothes — jackets, long sleeve shirts, shoes maybe. I recently bought a new watch and new glasses, both of them a shimmering blue, though any color coordination was strictly fortuitous. I’m not that fashionable. I consider the items fall purchases, as the watch is largely a travel accessory and the glasses signify renewal and optimism, things, perhaps counterintuitively, I associate with fall. (Plus, my prior glasses needed a new prescription and I never did like those old frumpy frames.) So summer’s in retreat. Cooler climes and shorter days are coming. And I’m getting all celebratory.  

2.The Little Rascals they’re not. But these kids have vim and spunk and initiative, an entrepreneurial spirit that fuels their gumption to holler at passing strangers who are easily a foot taller than them: “Lemonade! Get your lemonade right here!” These neighborhood urchins, some seven girls and boys, are tracing a wholesome tradition from way back — I’m thinking Tom Sawyer days. Times have changed: Their tangy beverage is displayed in bougie glass dispensers, from Ikea or West Elm. And they demand $2 per cup (in my day we charged a quarter!). It’s the last lap of summer, and here I come strolling under shade trees lining the hood’s main artery, a sitting duck. I’m buffeted by the blandishments of piping young voices touting their wares. But I am stuck. I’m carrying no cash, and evidently they don’t take Visa. All I can do is tell them this and walk on. It’s embarrassing, a little. But it beats what happened to me when I was hawking lemonade as a seven-year-old. “Lemonade!” I yelled at a passing car. The driver turned my way and flipped me off. Those were the days.

A stock photo, but look at that wad of cash!

3. Sometimes — no, almost always — a good, hard pop song is just the thing. I’ve been rediscovering two of the best power pop bands of the ‘90s, Jellyfish and The Posies, who prove a genius for the grooving, hair-tossing, sing-alongy pop hook. Plucking styles from a sequins rainbow of catchy, often ethereal influences — Bowie, The Beatles, The Beach Boys, Queen, ELO, Supertramp, Cheap Trick, with a pinch of psychedelia and a pound of Phil Spector — Jellyfish and The Posies layered sweet melodies atop bombastic rhythms and throbbing drums: sugar-coated hand grenades. Their greatest albums, Jellyfish’s “Spilt Milk” and The Posies’ “Frosting on the Beater,” rock as hard as they pop. Lush melodies and harmonies reign. And, especially in the case of Jellyfish, their sound and look is consciously sui generis; Day-Glo and dapper, the group seems right out of Sid & Marty Krofft. Even now, the bands crackle with a big bubblegum snap. Hear them here and here. (What happened to them? Grunge happened.)

Jellyfish, working hard at being psycho-delic.

4.My trip to Budapest and Kraków is precisely two months away. I know, it seems like I’ve been gabbing about it for an eternity. That’s because I have. Vacations are like that: you plan them, book them, then hurry up and wait. For months. Two months left. Grueling, but at least summer (*#$&!) is almost over. I’m still fussing with some fine points of the trip, like booking an overnight sleeper train from Budapest to Kraków (they told me to wait till the end of the month). And netting a spot at a coveted restaurant in Budapest (they told me to wait till mid-September). See, I’m ahead of myself. I booked hotels and dinners and tours four months in advance. Question: Should I really pop 30 bucks for a 45-minute tour of the Hungarian Parliament, which is beautiful and jewel-encrusted? I’m chewing over that one. But I’m pretty sure I know the answer.

Nope.

I try to steer clear of politics, but …

~ Chris ~ 2 Comments

“When you read the list of Trump’s purported lies, they are absolutely incredible. His claims aren’t just false; they’re transparently, incandescently stupid. This was not a sophisticated effort to overturn the election. It was a shotgun blast of obvious falsehoods.” — David French, The New York Times

Bullseye.

Celebrities in the hot, hot, hot seat

~ Chris ~ 2 Comments

If you haven’t watched “Hot Ones,” you have to watch “Hot Ones.” 

A blazing and blistering (literally) plunge into bar-food sadomasochism, the long-running YouTube show is a micro-budget showcase for today’s brightest stars to brave the burn of some of the cruelest hot sauces known to sear the flesh off your tongue. If you want to see A-list actors and musicians writhe in their most tortured, vulnerable, teary-eyed human condition — with extra-spicy schadenfreude drizzled on top — this show’s for … well, all of us.

It goes like this: Hello, Superstar. Now, as we chat, bite into that sauce-daubed wing. Chew. Squint. Fan your mouth. Weep. Curse. Cough. Choke. Guzzle ice water. Go on about how you can’t feel your mouth. Cough some more. Bite. Chew. Cry. Tell the host he’s a son of a bitch, or worse, for subjecting you to this. 

The celebs, always great sports, do this while answering smart, probing questions about their life, work and latest projects from the host, who has diligently done his homework about their past and present. And who clearly has callouses on his tongue, for he rarely even sniffles at the nuclear scorch of sauces with names like “The Spicy Shark” and the annihilating “Da’ Bomb Beyond Insanity.”  

The setup: Host Sean Evans, bald, beaming and boyish, invites a celebrity guest to nibble hot wings with him and engage in a very casual interview. They sit at hightop tables, with chicken wings and a row of 10 hot sauce bottles aligned in order of lethal heat. Guests — who’ve included Dave Grohl, Jennifer Lawrence, Jake Gyllenhaal, Cate Blanchett, Colin Farrell, Margot Robbie, Billie Eilish and heaps more — may seem calm, but their trepidation from watching prior episodes of three-alarm distress bleeds through. 

But on they go, biting hotter and hotter wings until they can barely take it anymore. They try to laugh it off as snot, spit and tears involuntarily spray from taxed orifices. Meanwhile, a composed Sean, he of the steel maw, keeps asking them questions. (“The show with hot questions and even hotter wings,” goes the tagline.) 

Gordon Ramsay gets burned, and is NOT happy.

That’s when many of our sweet superstars shred their chaste public personas and begin cussing at him for putting them through the gauntlet of fire. Sean chuckles apologetically, but not too apologetically. Tissues, milk, ice water are the guests’ paltry balms. Such mortal salves can only do so much. Chef Gordon Ramsay, crimson-faced, spluttered 128 expletives as he burned in “Hot Ones” hell. The show is about 24 minutes.

This makes for excellent lowbrow comedy. I don’t know why, but watching Gal Godot (“Wonder Woman”) do a magnificent spit-take while trying to douse the flames in her mouth is strangely funny. So is seeing Shaquille O’Neal gargling a gallon of milk and begging for “ice cube ChapStick.” Or Charlize Theron, clearly suffering, saying, “I like spice, but this is like somebody being an asshole.”

It’s a contest of will. And pain thresholds. And stamina. And sweat. And good humor. And, really, just why-the-hell-not fun.

Celebrities, those paragons of poise, in (harmless) agony. Bliss. 

Feel the burn here. 

Bonus track: A highlight reel of guests frothing at the host for setting them on fire, here.

Flicks and the physician

~ Chris ~ Leave a comment

Small talk with your various professionals, be it a masseuse or barista, is standard social glue. I gab with my barber extensively about world travel, for instance, swapping tales of our latest journeys to pass the otherwise awkward time. It’s chop and chat. (Most guys at the barbershop jaw about sports. Tedium crystallized.)

Things are different with your doctor, unless it’s with your therapist, where talk isn’t cheap but it is profuse. With medical doctors small talk is spotty, because the climate is so clenched, so clinical. For one, they always seem to be in a tizzy, a nerve-wracking rush. Two, it’s hard to shoot the breeze when they’re asking you to turn your head and cough. 

I had the biannual appointment with my primary care physician the other day, and I came away thinking how cool he is. After prattle about my prostate, gab about my gall bladder, and talk of a tetanus booster, he eyed my t-shirt and said, “That’s a great studio.” I had to look down to remember I was wearing my A24 shirt that looks like this:

A24, if you’re wondering, is the hot indie film distributor right now. The boutique shop — which (shockingly) scored a Best Picture Oscar this year with “Everything Everywhere All At Once” — is a mighty machine, celebrating 11 years in the biz with brazen and peculiar taste. Ambitiously art-oriented, A24 pushes cult films that garner lavish critical kudos and discerning viewing audiences. 

Movies like: “Ex Machina,” “Midsommar,” “Hereditary,” “Uncut Gems,” “The Tragedy of Macbeth,” “Aftersun,” “The Florida Project,” “Talk to Me” and more. 

And TV shows like: “Euphoria,” “Beef,” “The Idol,” “Ramy,” “Irma Vep,” “Ziwe” and more.

The good doc and I fell into a spontaneous groove, both of us animated by the splendor that is A24. We agreed that the ending of “The Witch” was spectacular and the ending of “Midsommar” sputtered. 

His favorite A24 movie is “The Lighthouse,” with Robert Pattinson and Willem Dafoe, and he loves “The Whale,” which snagged Brendan Fraser a Best Actor Oscar. I told him I like “The Witch” more than the mind-boink of “The Lighthouse,” both films directed by visionary wunderkind Robert Eggers. He was okay with that. He just nodded, knowingly.

So, yeah, A24 is badass. Dr. So and So digs it. I dig it. But I guess the point is me and my professional — a guy who actually used a stethoscope on me — forged a small connection. Everyone likes movies, and most everyone can chat them up. This, however, was specific, downright micro. It was like talking about a tiny kebab kiosk in the slimmest side streets of Istanbul that only the savviest tourist would know about. 

And then reality barged in. Suddenly, the nurse entered and jabbed me with a tetanus shot, and my fellow A24 fan was gone, vanished in the weird smelling ether of the doctor’s office.

Fade to black. Roll credits. We’ll always have “The Witch.”