I (sort of) like the cat

The cat wails plaintively, pathetically, for no known reason. It is high-pitched and high-decibel. It’s a distress signal, a siren from the depths of hell that is feline. 

Cats are OK. I like them well enough, about as much as I like, I dunno, pet pigs. I don’t like them as much as I love pet rats, that is certain. Pet rats and I go way back. It’s an intricate relationship.

In my life, I’ve had a half dozen rats: Phoebe, Becky, LaShonda, Tammy, etc. They are like mini dogs — affectionate, social, clean and wickedly intelligent. They play. They come when called. They like their bellies rubbed. They drink beer. Dogs are tops, but rats are little badasses.

Cats, well. 

I’ve had about five cats, including this wailer who indiscriminately cries, whines and yowls. It’s like living with a sickly crone, or a werewolf.

The cat, a rescue named Spicy by his prior owner, resides with his sister, Tiger-Lily. She rarely makes a peep, only the occasional textbook meow, the sound you hear when you look up “meow” in the dictionary. 

Tiger is sweet, gentle, svelte, independent. Spicy is pushy, needy, burly, noisy. Plus his eyes weep goop like the Exxon Valdez.

But Spicy is cherished. He’s an animal, after all, and animals tend to deserve unconditional love, spoiled as they are because they are cute and cuddly, fun and furry, smart and, in Spicy’s case, smart-alecky. 

Is he smarter than us? He slinks with an underplayed intelligence and studied detachment. His yellow eyes burn through you, laser beams of simmering condescension. When they’re not softening at half-mast during cuddle mode, those eyes are saying, “Screw you.” 

He nips with sharp teeth to prod you to stroke him, to demonstrably adore him. He climbs in your lap when there’s already a laptop there, plop. He claws at the carpet with violent resolve, sounding like someone’s hair is being ripped out. And, of course, he whines and caterwauls like an opera diva in grandiose agony. He thinks all of this is charming, and it is to a point. But he’s giving cats a bad rep.

Of course Spicy does not represent all cats. He isn’t even emblematic of truly bad felines, like those cringey manimals from “Cats.” No, he’s in-between, part cuddle kitty, part son of a bitch. Don’t get me wrong. I love him like a pet. Just not my pet. 

Tiger-Lily and Cubby the dog own more of my heart. Cubby may bark like a madman and scratch the paint off the door on occasion, but he’s all angel, whereas Spicy has a satanic streak. Sometimes you’ll try to pet him and he’ll arch his back and bristle his fur. Devil cat!

And those yowls he emits evoke “The Exorcist” more than “Puss in Boots.” As I said, though, I like him alright, even if he’s trouble. Meow? More like meh.

The cat, giving the evil eye. As usual.

Snow-wound

Snow. Finally.

If that sounds like relief, bliss, accommodation, you’re mistaken. I like snow, but I also dread it in myriad ways. I think you know what I mean. Snow is pretty, all those crystalline scenes and twinkling tableaus. It facilitates novel outdoor activities — skiing, sledding, snowball fights, snow angels, murderous avalanches. 

But it’s also drudgery: shoveling and scraping, slush and brown blech. I once, as a full-grown adult, slipped on my ass into a giant snow bluff. I was carrying groceries. And I’m still so goddam mad about it, I could punch a snowman.  

It’s the last day of February and the planet chooses now to fart out four piddling inches of icy powder in our East Coast parts. It arrives all coy and cutesy after a stubbornly snow-free winter that I will blame on dystopian climate change. Better theories? Fire away. 

You gotta walk in this crap. And drive in it. Both are treacherous outings. Somehow I lost my crummy winter boots — Frankenstein would’ve loved them — so taking the limping dog out for a walk in my sneakers felt like a high-wire act. I kept thinking: If I fall on my ass again, I’m cashing it all in. I’m just going to lie there and melt away with the snow.

But Cubby was digging it. He made so much yellow snow, it looked like neon graffiti sprayed across the endless white canvass. I think he wrote his name. (Another snowy pastime. Those were the days!) 

The snow fell overnight. You go to sleep with black streets, gray sidewalks, bare trees, visible cars. And you wake up stuffed inside a marshmallow. Branches bowed with white, cars buried, streets streaked by road-ripping plows. It’s a winter wonderland. For about half a day.

Then, unless more layers fall, it’s ice and mush and puddles and mud. So we got lucky, spared the drippy drama of multiple winter snows. Right now the stuff is melting fast. Tinkles of water from rooftops drop like rain. The sidewalks are clearing for safe strolling. 

People walk their dogs, wearing hats and muffs and gloves, sartorially overcompensating. It’s not that cold. But let them believe. Who knows when, or if, we’ll get blanketed in the white stuff again. Next month. Next year. Never.

This could so be me.

The dog’s lifting his leg, but not for that reason

It always wrecks me to see an injured or afflicted animal, be it a stray dog scratching helplessly at mounds of scabby boils in Shanghai, a moped-stricken hound in Hanoi, or a baby hippo fatally gored by fighting adult hippos on the Serengeti. (I saw that one on TV in Florence last week. Thanks, Nat Geo.) 

Now Cubby the magical, mystical mutt may be ailing, and it’s distressing. The ridiculous animal is suddenly walking like Willy Wonka in the 1971 movie as the chocolatier emerges from his factory to greet the Golden Ticket holders, with a pronounced limp, one leg stiff and useless as a board.

Cubby’s back left leg is palsied and raised off the floor, bent. He’s walking around like one of those fashionable three-legged dogs that pop up in hip shows and movies. (See: Pamela Adlon’s “Better Things” or Wes Anderson’s “The Life Aquatic.”)

I’m no vet, but I’ve gently pressed, pulled and squeezed Cubby’s leg and paw and there seems to be no pain. He’s emitted nary a whine and he looks at me like I’m some sort of touchy-feely perv-o. 

He still scampers up and down stairs, leaps onto sofas. Maybe he’s pulling a Wonka. (If you recall, Wonka was faking it, just so he could perform this tremendous somersault and show up everyone as credulous dupes. He was the best.)

I hope he’s faking it, the curly little wisenheimer (actually he’s part Schnauzer). See him in video action just last week HERE. It’s worth it. 

As you can see, Cubby’s no old man — the rescue pup is roughly seven — but he’s no Gen Z whippersnapper, either. (Though he does adore making spritely little dances on TikTok.) He’s middle-aged, with tufts of distinguished gray and the breath of a chain-smoker. 

But I fret. To watch a creature suffer causes me unshakable anguish. The sick and maimed street animals I’ve seen around the world haunt me many years later. I was even nervous when Cubby, still at the shelter, was neutered and had to wear one of those big cones on his head. He did it with tail-wagging courage and panting dignity.

And now this, the hobbling hound. We’re stumped. The dog will go to the vet if the mystery malady continues. Sometimes animals just want attention, and they can be quite wily at doing it. In the end, we just hope scruffy Cubs has been pulling our leg.

Brave cone dog

Flitting about Florence

The humongous duomo (cathedral) that is the centerpiece of Florence slams you with its blunt-force beauty. Instead of describing it, which would reduce its flamboyance to a clinical chill, here’s a couple of shots that hint at its Renaissance marble glory:

Elaborate, bold, proud. And yet the cathedral’s interior is almost naked, largely stripped of art and artifice, the gaudy trimmings of Catholicism. Except for some stained glass, it is cold and gray, stubbornly spartan. 

But then you look up at Brunelleschi’s mind-boggling, logic-defying dome and soak in Vasari’s “Last Judgement,” one of the world’s largest paintings, a spectacular sprawl of doomsday religious commotion. I craned my neck and arched my back for a proper peek, stretching body parts that I’ve never used before. The painting, which gives the interior a dazzling kick, is outright sublime.

As is Florence, which at times seems to be one enormous fashion show cum gelato shop. That’s not a complaint.

Last night, I ate my first sit-down dinner here at a highly acclaimed restaurant (ristorante!), whose groovy chef/owner wears so many arm bangles he practically looks bionic, or like a distant cousin of C-3PO. He’s one of those characters who hangs photos of himself with celebrities like John Travolta all over the joint. 

Today, to see more of Tuscany, I beat it about 40 minutes outside the city to Chianti, land of fine red wine. I was with a tour group of mostly swell people for a wine tasting and damn it started early. We had to meet at 8:45 a.m. and the drinking began at 10 a.m. sharp and lasted till 1 p.m. We were all baffled. But it turned out well and I was back at my hotel by 2:30 p.m.

The guides basically left the group tipsy then thundered off in the big bus. Everyone I talked to said they were going to go take a nap, which I shamefully admit I did (for all of 20 minutes). 

At one of the wineries, three Labrador Retrievers roamed the idyllic grounds when they weren’t begging for belly rubs and general adorable attention. I liked the dogs immensely, even more than some of the wine poured so generously — and frequently. This place is vino mad, and I like it.

I’m going, no matter what

Am I getting sick, dammit? Is this portentous throb in my brain the on-ramp to a massive cold? Is that familiar scratch in my throat a tease to a burning ribbit? Do those worrisome pangs in my limbs augur aches across my entire body?

Am I pissed about all this?

Yes, I am!

For one, I hate being sick — and that, reader, is the winner of the most unoriginal statement in the history of the world. 

Two, I have a date. With Philadelphia to be exact. This week. A three-day assignation with some fine art, that’s what it is. And excellent food. And an unapologetic dive bar named Dirty Frank’s. That is correct: Dirty Frank’s

Philly is only two hours away. And there happens to be two art shows worth some time there: “Matisse in the 1930s” at the Philadelphia Museum of Art (the place with the mountainous steps that Sylvester Stallone scales in “Rocky” — and why did I feel I had to mention that?), and “Modigliani Up Close” at the peerless Barnes Foundation, one of my very favorite venues for aesthetic astonishments.

And food. I will indulge in delicious vittles (and drink) at Village Whiskey (burgers, the eponymous hooch, and oodles of class) and The Dandelion, a “sophisticated homage to the British pub.” Last time I was there, I ate right next to a crackling fireplace.

We can’t overlook Dirty Frank’s, that famous cash-only, no-nonsense skank bar just around the corner from my hotel. It’s a neat, neon-splashed, Bud-in-the-bottle joint, replete with a hard-rocking jukebox, darts, pinball and miles of tats. Vice magazine calls it “a gleaming oasis of weird in a town beset by 21st-century slickening that’s always made people its primary business, no matter who those people are.” Word-for-word, my cold seems to fade at that description.

But is it actually fading? My head still thumps, my throat slightly sizzles. It’s time for three more Advils. I got a flu shot in September, so it can’t be the flu, can it? And I’ve had Covid and I don’t have any respiratory symptoms. And yet …

Take it easy, I tell myself. As I gulp down the pills, I toast good riddance to any sick and hello to Matisse, Modigliani — and Frank. Now, as further deterrence, I plop down for a nap. And I dream of Philadelphia.

A few years ago at Dirty Frank’s. The pooch and his pilsner.

Bark! Bark! (Shush!)

Whenever the dog senses someone is at the front door he explodes in an ear-shattering commotion of vocal violence and door-clawing destruction. Deafness commences and paint is scraped off in neat vertical lines by furious, and improbably artistic, paws. 

At these times, the pup is something of a monster, a fleecy, compact gremlin with the screeching pipes of an F-16 taking off. The transformation from hound to hellion is startling, obnoxious, and comprehensively annoying.

Paint peeled off with house-guarding gusto

Cubby is a good dog. Cubby is a bad dog. He is both — say, 94.2% good, 3% bad, and the rest is murky amorality. But, Jesus, he is loud

His lightning-jag meltdowns — crack! — upend your equilibrium with the sharp jolt of a car crash. They scare the holy crap out of you. And that just pisses you off more.

It’s not unlike a child throwing a tantrum, but those horrible scenes are strictly selfish displays — look at me, gimme me what I want! — whereas what we have here are exhibitions of the dog’s innate sense of protecting his home and humans.

Maybe he gets something out of it — a shudder of heroism, a surge of purpose — though I doubt it’s a conscious ego grab. And for that I reserve steadfast respect. He has integrity.

Still, the outbursts are grating and hair-raising. Imagine a swarm of bees loosed in your living room at 150 decibels, and instead of buzzing, it’s bark-yapping. (Bark-rapping — now that would be something else entirely.) Voices are never raised at Cubby, until he goes batshit for the poor, unwitting FedEx guy. 

In a semi-controlled roar we chastise the dog: Cubby! No! Stop! Shush! And my stand-by: Shut the HELL up! (Throw in another expletive for spice, and accuracy.)

He understands none of it. The dog yelps away, scratching the door, bounding  from chair to couch, having a rousing old time. Or maybe he’s scared, or chasing attention. I visited a couple of dog-expert sites and they were oddly lame and unhelpful. (Although they did say that yelling at the dog is counterproductive. Whoops.)

Thing is, Cubby has no intention of attacking whoever is visiting, be it the Jehovah’s Witnesses or a friendly guest. When the door opens, he stops barking, tail wagging wildly, muzzle madly sniffing. It seems he just wants to mark his territory with the sonic boom of a trusty guard dog. Considering his size, this is both sweet and sad.

Of course Cubby most of the time is chill, adoring and delightfully docile. Belly rubs are his drug of choice. His joyous, jumpy greetings lift you up. You should see the old boy sleeping, nostrils fluttering, legs kicking. It kinda cracks your heart. Silence.

The beast at rest

Getting to the meat of Buenos Aires

I think I got swindled in the land of steaks. Here I am in Buenos Aires, which bulges with unrepentant carnivores who adore their burgers, steaks and sausages, and I thought I’d try the quintessential meat experience at legendary parrilla, or grill, Don Julio. No meat maven, I’ve only been to a steakhouse maybe twice in my life (that’s including the Sizzler). Perhaps I fell victim to culinary naïveté. 

The place and service were impeccable, if a bit frenzied, and I loved where they sat me and how I was treated in the classy, rustic setting. I ordered the basic ribeye, a side of mashed potatoes and one glass of Malbec wine. I swallowed it down. 

What I choked on was the check, which came to $155 US — for three items, pre-tip. It was my second night in Argentina and I hadn’t figured out the exchange rate and the check came in pesos, so I really couldn’t tell what I was paying until I examined my debit card statement back at the hotel. Was that a $125 steak, I keep wondering. Or a $50 glass of wine? Or, erg, $75 mashed potatoes? (Dummy that I am, I didn’t keep my receipt. I rarely do.)

Despite being slightly miffed — the meal wasn’t that great — I’m over it, and the mishap is but a faint bruise on a smashing trip. 

A metropolis of unvarnished beauty and unfailing hospitality, slathered in eye-popping street art and graffiti, teeming with leashed dogs that provide stereophonic barking and plagues of poop, Buenos Aires is a great cobblestoned colonial melange of Spanish, French and Italian — a splash of old New Orleans — that’s exhilarating in its swirling Euro-diversity. (For all that, I have to say how perplexing, and distressing, it is that in six days here I have literally seen only two Black people.)

There’s time left on the journey, but for now these are some snapshots, beginning with the offending but delicious $teak:

Doggedly loving Buenos Aires

My hotel’s neighborhood echoes with the piercing sound of dogs barking their heads off. These are happy hounds, some of the zillions scampering about Buenos Aires, a city smitten with its canines, as everyone enjoys telling this shameless dog lover who fawns over any pup that crosses his path.

And here, that path is peppered with poop. My leafy, boutiquey hood of Palermo challenges you with a minefield of feces, much of which bears the imprint of hapless sneakers. Dog walkers, and they are legion, are regular scat scofflaws, ignoring rules that you pick up your pooch’s poop. What is this, Paris?

But it’s OK. I’m just delighting in the dogs — so many, of such varied breeds! — that stroll in packs of five or more with professional dog walkers, a bona fide career in this metropolis of 15 million humans. It’s winter now in Argentina, and this week temperatures hover around 55 degrees F, so lots of the critters sport sweaters, making them even more charming, and dapper. 

Dog parks are everywhere it seems. Even on paid walking tours, I lag behind to watch packs of gamboling, barking, ball-chasing, humping and jumping mutts. (How is it such small yappy dogs are so brazen with their gigantic peers?)

I’ve been in the beautiful capital city three days, and already it’s a dog’s life.

In praise of small pleasures

Stay away. We’re contagious. First my nephew caught Covid, then I did. Now my brother has it. Next up: the dog. 

This too shall pass, this rottenness, and I’m happy that the virus, for now, is behind me. It’s just one small blessing in muddled times, a jagged slab of flotsam to hug while the ship sinks.

There are other things. Like Elif Batuman’s new novel, “Either/Or,” which I’ve plugged here before briefly. It’s one of few passing pleasures right now, be it a startling observation about love or a suave turn of phrase that knocks me dizzy. 

Or a jab of insight glinting with wry misanthropy: 

“Of course, you couldn’t have a party without alcohol; I understood this now. I understood the reason. The reason was that people were intolerable.” 

Or any number of absurdist gems: 

“I hadn’t a clear mental picture of his new girlfriend, Lara, and realized that I had almost expected her to look blurry.”

But what’s a small delight to me may be imperceptible to you. 

Unless you’re traveling abroad and you’ve just learned that the U.S. has lifted its Covid testing requirements to return to the States — a major hassle deleted from an already stressful travel climate. I recently had to take the test in Portugal and Italy to get back home and the logistics were near-traumatic. 

So rejoice for that minor miracle. And why not the same for Monkey 47, a richly aromatic, botanically fierce, impishly named gin that I’ve rediscovered and is well worth the price. Even the gin-averse extol its ample virtues. It may be the best gin on the shelf, a smooth bracer for rough days.

What else is keeping me warm, now, when the skies are dark? The crack and screech of Brandi Carlile’s voice on her song “Broken Horses.” The zesty mazeman noodles at Ani Ramen House. Penélope Cruz’s febrile, heartrending performance in Pedro Almodóvar’s stirring melodrama “Parallel Mothers.” My unquenchable wanderlust. Bongos. That woman at the cafe. Books, mountains of them.

The dog. 

The dog. 

The dog.

But I digress

Another installment of haphazard thought doodles, six hors d’oeuvres that I’m too lazy to whip into full meals. They’re presented numerically, but that’s just for looks. Rest assured, each item is equally trivial. 

1. In a thud of disappointment, I put down a book today that I had great hopes for — I hate that. Brandon Taylor’s story collection “Filthy Animals” just won the prestigious Story Prize for best book of short stories, so I snatched it up, cracked it, and eventually let out a blustery sigh of resignation, thinking, Pshaw. Not dreadful but not great, Taylor’s sexy social realism traces the romantic exploits of young LGBTQ+ couples, which is no longer novel yet still refreshing. His writing is spare and precise, but it’s also facile and shallow, sanded to a sterile remove. Physical descriptions trump psychological and emotional depth. Taylor’s stories have been compared to the light and prickly millennial sexcapades of Sally Rooney. Fair enough. But she’s sharper, cuts deeper. Has fangs. 

2. Cubby the über-pooch is doing fine, thank you, and he’s watching me as I type this, so things are sort of meta. I look at him back and see that his fuzzy Ewok face has striking human attributes. Like his eyelashes, which I rarely notice, are almost as luxuriant as Tammy Faye Bakker’s big, fake, bat-wing lashes. And his lower lip is like a little man’s with black lipstick. And his bottom teeth are just like tiny baby teeth. OK, now I’m starting to get creeped out.

3. Not creeping me out are the warm sentiments I received on my recent birthday, especially the nice words from one of my dearest exes, who wrote, “Our time together is one of my favorite chapters in life, for sure.” For three and a half years we had a blast, traveling Europe — Paris, Italy, Vienna, Istanbul, Greece — going to concerts, movies and plays, carousing and canoodling, and I’m thankful she’s still in my orbit. We were sweet and snarky. Here’s how she signed off: “Write me back, asshole! And have a very Happy Birthday.” Aww.

4. After quitting “Filthy Animals,” I grabbed the even more acclaimed “The Copenhagen Trilogy,” a collection of three memoirs by late Danish author Tove Ditlevsen, which comes wreathed in panting praise and strewn with confetti. Written from 1967-71 and embraced by a new generation of readers and critics, the memoirs, “Childhood,” “Youth” and “Dependency,” have been hailed a masterpiece, “the product of a terrifying talent.” Having just started the book, my opinion of it is at best embryonic — the writing is stupendous — yet I’ve tweezed a piercing line from the early pages: “Childhood is long and narrow like a coffin, and you can’t get out of it on your own.” That both chills and cheers me.

5. Once when I was at Angkor Wat in Cambodia, a young girl was selling sunscreen on the roadside. I asked her how much and she gave me an absurdly high price. I blurted, “You’re crazy!” She hissed back, “You crazy!” Just two weeks ago in Rome, I approached a taxi driver and told him the address to my hotel. “Forty euro,” he said, as if he wasn’t trying to blatantly fleece me by a full 25 euro. “You’re crazy,” I scoffed, to which he replied, “You’re crazy!” I really need to come up with a new line.

6. The latch on the back gate has broken, so the fence no longer makes a catching noise, it just sort of swooshes shut. That means you can’t tell if someone is coming or going. A ghost might as well be walking in. Or a serial killer.