Category: friends

Block party, year 48

~ Chris ~ Leave a comment

It’s 6:45 p.m. and they’re still slinging burgers and hot dogs during what is officially the neighborhood’s 48th annual block party on a cool pre-fall eve. 

Forty-eighth — how is that even possible? There’s no one alive who’s that old. That means the block parties started in, like, 6 B.C. 

My math is fuzzy. What do I know. I just know the food spread bestowed by the locals is stupendous: Asian noodles, chicken empanadas, homemade guac, spicy pulled pork, eggplant parmesan and, inevitably, simple bags of neon-colored Doritos (party size!), and so much more. (Wait, no deviled eggs?) It’s a smorgasbord and you’ll never see me type that word again.

I don’t know one person at this asphalt shindig. I’m barely — barely — acquainted with my next-door neighbors and the people across the street. And the next-door neighbors didn’t even show at the block bash.

I met one of the guys across the street at the keg, which was lamentably undernourished, and we shook hands, made introductions and proceeded to flaccid small talk before I split. He’s lived across the way for at least four years. We’ve never exchanged a wave. Now we’re chatting over Budweiser in red Solo cups. 

And now I’m gone. Pulled pork beckons.

These block parties are never huge; only three blocks are invited. But they gather a decent melange of folks, a hundred or more. It’s a good blend — florid artsy types to troglodyte Trumpsters — that could use a healthy dose of diversity. Alas, this isn’t Berkeley.

Children. Why does everyone have two or three clinging, clamoring rug rats, pesky tweens or teens, boisterous broods of brats? It’s a nightmare. While the tots whine and cry, the tweens peacock on electric scooters, slaloming perilously around standing diners with an aren’t-I-cute smirk, hair billowing. I need a large hockey stick.

Dogs. Dogs are good. And there are at least six or seven, all leashless, roaming about, panting, grubbing for cheeseburgers and wieners. Cubby the magic mutt joins the canine convention, but his indifference towards other dogs is like Marvel fans to real movies. He does a quick sniff then mutters, “Get me the hell out of here of here. I’m bored. I smell Doritos.”

By now I’m pickled in boredom, too. I hit the keg for a second time and of course it’s dry. A guy is pumping it like mad, desperate for a last drop. His reward is a fizzle of foam. We look at each other and loudly commiserate.

I may have just made a friend.

Busload of memory

~ Chris ~ 1 Comment

In grade school, my friends and I would take one of those long yellow school buses that picked us up at the bottom of our street. The interior of the bus was lined with green leather benches — they fit three kids, to hell with seatbelts — and it smelled funny. A little sweet but musty, like diesel and kid funk.

The bus driver was an amiable but firm 50-ish woman named Mrs. Pelton. She had short dark hair and wore a yellow polo shirt everyday like a school-district uniform. 

I don’t know what her pants were like because she was always sitting down in that lone, boxed-in driver’s seat, the one with the huge steering wheel and hissing, hydraulic lever that operated the folding door we kids clambered through.

I don’t recall Mrs. Pelton ever hollering at me to settle down and be quiet or anything like that, but once she alarmed me in a way I can’t forget. She was driving down a sloped street and something happened — what, I’m not sure. She didn’t crash or swerve or brake hard. 

But she was shaken, and she said, “I’d rather hit a dog than a child.” A cannonball hit my belly. I couldn’t believe it. Rather hit a DOG than a child? I was stricken, my callow little head not appreciating the value of human life. Like now, I was partial to animals, loved and worried about them unabashedly. 

“Rather hit a dog than a child.” I suppose I thought she should run down some snot-nosed kid instead of a poor, innocent pup. What a guy. That moment has followed me all these years. It’s the biggest thing I remember about Mrs. Pelton, who has surely passed on by now, unless she’s like 250. 

Memories, good and bad, are strange like that — random, sticky. I have a storehouse of them, and many seem to pop up daily. Like when Tom Rainbolt peed all over my back in the boy’s bathroom in third grade, or when I learned to ski, or when I kicked a hole in our hallway wall (so busted), or when my best grade-school friend, reckless Gene, hurled live shotgun shells into a bonfire, or working at the exotic dance club or landing my first newspaper job, or …

Often, when whacked with insomnia, a dusty reel of life memories unspools in a long, disjointed movie of the irrepressible past. Some of it’s joyful, a lot of it’s painful. The things done right and the endless bruising regrets. It’s the id unleashed. (Of course everybody does this.)

I have a strong memory muscle — I recall much of my childhood in blinding Technicolor — marred by minor spells of amnesia. It’s not like I forget who I am — though that would be tremendous (temporarily) — but more like I’m not as mindful, drifting off. This is bad. Memories are magic, if I can be any cornier, a pass key to the past, illuminating the present (lessons learned, etc.). Attention must be paid. OK, the homily is over.

Beyond the life-molding experiences — playing in bands, fizzled romances, getting peed on — it’s the people from the past who stand out: Mom, Dad, first-grade teacher Ms. Brose, Brandon, Janice, Roxanne, high school English teacher Mrs. Condon, Guen, Sativa, Nettie, Shannon, Laura, Nicky the dwarf — and, of course, ole Mrs. Pelton, who’d rather hit a dog than a kid, bless her sweet, sensible heart. With those few words, she locked a place in my long, crowded bus of memory.

Lennon & McCartney in 3D

~ Chris ~ Leave a comment

As surprising as it may be, especially for this recovering metalhead, the Beatles are unshakably my favorite musical entity, be it Mozart to Metallica (a pair that shares far more in common than you might think) and beyond. 

I adore almost every damn thing the Beatles recorded (OK, I can skip “All Together Now”) and marvel endlessly at their unsurpassed songcraft, sappy lullabies to psychedelic loopings, to the point of becoming overwhelmed and misty-eyed. Their music moves me like a great Vermeer or Turner, an old Woody Allen or Chaplin flick, a sumptuous Bolognese, or a beautiful woman.

It’s nothing new, this affection. As a toddler, I was singing along to “Yellow Submarine” with my dad and having a ball (I have it on tape). But it’s been roused as I read Ian Leslie’s new book, “John & Paul: A Love Story in Songs,” a head-first spelunking into the two main Beatles’ musical/artistic/personal relationship as they composed some of their greatest tracks: “Yesterday,” “In My Life,” “Eleanor Rigby,” “Strawberry Fields Forever,” “A Day in the Life,” “Hey Jude.” It examines a plethora of terrific tunes, but places 43 under the microscope. Forty-three!     

Animated by fact and folklore, the book, which I admit I haven’t finished, begins in the beginning: how the boys met, formed early bands and honed their chops in German nightclubs. Yeah, yeah (She loves you, yeah, yeah) — that’s old news to Beatlemaniacs. It gets more interesting when John and Paul’s creative minds miraculously meld and songs start to pour forth in gorgeous, gobsmacking cataracts. 

The author launches with the somewhat green “Come Go with Me” in the late 1950s, strikes upon “Please Please Me,” with plenty of songs in between, and finally hits the stratosphere with “Ticket to Ride” and “We Can Work It Out.” It’s all joyride from there as the Beatles — George and Ringo included, of course, though they’re mere cameos — orbit Earth for seemingly ever. (But hardly. The Beatles lasted roughly 10 years, 1960-1970.)

Expectedly, Paul is painted as the pretty, peppy one, John the caustic, callous one. Yet both are endowed with bristling intelligence and an ample sense of play and worldly curiosity. They are autodidacts of the most ravenous kind, and they devour anything that has to do with art, literature and music. 

Their love of the American songbook, R&B and rock n’ roll is insatiable. And what they learn from them — doo-wop flourishes, country-western twang — dazzles. Their debt to Elvis and Dylan is bottomless.

The book is overstuffed with factoids, from the deep influence of Timothy Leary and LSD on the mid-career John song “Tomorrow Never Knows” to Paul asking George Martin for the kind of biting strings from the film “Psycho” for “Eleanor Rigby” — a masterpiece that Paul wrote at age 23.

It also doesn’t shunt on the group’s tour escapades, drug dabblings, interpersonal jealousies, and other gossipy gum drops. The book gleams with facets. Even at this early stage, Lennon and McCartney feel like brothers. My brothers. 

“John & Paul” is marvelous musicology, mind-blowing and wads of fun. It is my book of the summer, and I still have yet to reach “I Am the Walrus,” “Get Back,” “The Ballad of John and Yoko,” and, with terrible longing, yes, Paul’s heart-yanking “The End.”

This week’s astounding headlines

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‘turro de force

Onstage, John Turturro is a frothing, frenetic vortex, spewing barbed-wire invective, spittle flying, making you cringe and laugh all at once. He’s Mickey Sabbath, retired puppeteer, devout deviant, a 60-ish sybarite of unbound lusts, a Vesuvian id raging in the night (and day and morning). I recently saw this crackling Off Broadway performance of “Sabbath’s Theater,” adapted from Philip Roth’s acclaimed, notoriously naughty novel, and while the small cast is a marvel, it’s Turturro as Sabbath who harnesses the show’s electric eros, whipping us along on a ride of pathos-kissed perversion. Everyone — he too — leaves exhausted. 

‘Home Alone’ 2023

In the “classic” Christmastime movie “Home Alone,” a little brat played by little brat Macaulay Culkin — in one of the most implausible plot twists in cinema history — is accidentally left behind when his family goes to the airport to fly to Paris for the holidays. So Culkin is all by his lonesome in the big empty house, until two bungling burglars show up … and yada-yada. This year I’m that little brat, home alone for the holidays, my friends flung around the country, and my immediate family jetting to Madrid on Christmas Day. With my parents passed, I’m left with Cubby the magic dog, a pair of impish cats, and, if I get lucky on Xmas Eve, when goodies will be gifted, a tiny tank of swirling Sea-Monkeys, my Proustian madeleine conjuring the age of Pet Rocks and the Fonz. I’m a loner at heart. I spent 10 Christmases solo in Texas, so this is actually my comfort zone. Leftovers, tipples of egg nog, a CBD gummy, a great old movie. I’m set. It might even snow. And there, the tableau is complete.

Mamet’s mad

Though repulsed by his latter-day conversion to all things alt-right, I will listen to nearly anything playwright/screenwriter/director David Mamet preaches about the craft of writing. The Pulitzer Prize-winning playwright (“Glengarry Glen Ross”) has written a zillion books about writing and directing theater and film, as well as penned movies like “The Verdict,” “The Untouchables” and “Wag the Dog,” and written and directed 10 of his own movies, from “House of Games” to “Homicide.” Mamet’s been through the Hollywood wringer, and he’s pissed. His new memoir, out this week, is “Everywhere an Oink Oink: An Embittered, Dyspeptic, and Accurate Report of Forty Years in Hollywood.” I just got it, and though not quite a swashbuckling thrill through the fraught Hollywood jungle (see William Goldman for that), it’s peppered with Mamet’s signature biting commentary. Producers are venal scum (“Are none of you idiots paying attention?”). Race and gender are never off limits. Errant grumpiness is rampant (“If you put cilantro on it, Californians will eat cat shit”). And fascinating insights into arcane movie lore abound. Mamet can be astringent, but anyone who calls “School of Rock” a “wonderful” picture can’t be all bad. 

Packing my bags 

So, Sicily it is. My next journey is a return to Italy — no! To Sicily. For locals, the distinction is vital. I quote: “People from Sicily consider themselves Sicilians first and Italians second. Though Sicily is a part of Italy [the big island beneath the boot] the region has its own culture, traditions and dialect, and Sicilians are incredibly proud of their heritage.” I go in February, after the chilly holidays, before the heat sets in, and before spring religious rites flourish. The history-drenched capital Palermo is home base, with day trips to the ghoulish catacombs and the dazzling mosaics of Monreale Cathedral, plus food and culture tours and lots in between. Tips? Phone lines are open … 

Fido’s funk

It’s raining and the dog went on a walk and got damp and now he smells like a giant corn chip. He’s needed a bath for some time, and the drizzle has activated a slightly fetid doggy odor that happens to recall a processed dipping snack. Pass the Ranch?

The reluctant bachelor

~ Chris ~ Leave a comment

In my 30s, a pair of well-meaning coworkers nominated me for a title in a big-city glossy magazine that makes me blush even as I type this so many years later. 

The magazine was a strenuously vapid thing, slathered in food and lifestyle pap, all of it mawkishly upbeat. To attract page after Technicolor page of blaring ad copy, it was shamelessly obsessed with ratings and lists: Best Barbecue! Best Campsites! Best Burgers! Best Places to Get Off!

City magazines with ample ad revenue are like that. They traffic in pretty pictures of manicured affluence, catering to the beauty-salon and doctor’s office crowds. Without being trendy themselves — they are woefully unhip —  they try to manufacture trends. Only dingbats actually pay money for the periodical, which is so cloying, you could barf. 

That said, I admit up front that I participated in this paragon of sub-journalism. My coworkers nominated me for one of those knuckleheaded lists: the city’s Most Eligible Bachelors. I was flattered. I was humbled. I was mortified.

The magazine editor phoned me for a preliminary interview. And I blurted: no. I rejected the nomination. It was way out of my comfort zone. I wasn’t so desperate for a date. And this introvert definitely didn’t need the exposure, my bewildered mug spread next to an ad for the hottest tanning salon or 40 sparkly, smiley real estate agents.

I thanked my deflated pod-mates, the lovely Sarah and Sharon, and also apologized. I was being ungracious, but I didn’t have the stomach for it. 

My dis was apparently a big deal. Friends expressed dismay. My disappointed mother scolded me like I was eight. The topper: Ira Glass of “This American Life” called for a possible segment — man turns down most eligible bachelor nomination, how zany is that? — that, fortunately, never panned out. 

And yet, I’m only human.  

Forward a year: Same routine, but this time, for better or worse, I caved. I did it. I’m not sure why. I was strafed by anxiety. But I thought, what the hell, man up. 

During the in-office interview with the editor, I explained my job (movie critic, which I said wasn’t nearly as glamorous as it’s cracked up to be), noted my hobbies (world travel, books, film, drinks, drums), and things I’m not so crazy about (dancing, reggae). Asked the inevitable question of what I look for in a woman (sigh), I said something like someone bookish, worldly and intellectually curious (what a dope).

This is the story of someone quite bashful scraping himself out of his dark, lonesome shell. A comment the editor solicited for the article from one of my dearest friends, Courtney, included these bits: “His eccentricities are very endearing … Once he lets you in, you discover a kind-hearted soul.”

Yeah. That might be a bit much. But there I was in this glossy magazine with nine other “most eligible bachelors,” practically shaking in my boots with self-consciousness. Each of us filled a full color page, with no ads. In the photo, my head is enormous.

The issue hit the stands (and the beauty salons and doctors’ offices) and I braced for the worst. But instead: crickets. No one called, emailed, berated me, ridiculed me, asked me on a date, nothing. Disappointment? No, massive relief. 

I guess the moral of this tale is to get out of your self-defined — and in my case, distinctly neurotic — safe zones and take a chance on something new, even alien. I ate a whole cobra in Vietnam and got detained by Hezbollah in Beirut. A cheesy little spread in a city magazine is comparably nothing. Really. Nothing.  

Take a risk. It might be gut-wrenching. It might be exhilarating. Or it might be … crickets. 

New Year’s Eve, or New Year’s Evil?

~ Chris ~ 2 Comments

New Year’s Eve — long known as amateur night for all its novice partiers (the ones who puke in the backseat of the Uber) — is a sloppy spectacle charged with debauchery, douchebaggery and, on occasion, responsible revelry. 

It’s tailored to the same people who get all giddy and bug-eyed over the very idea of a celebration, be it Mardi Gras, spring break or a bachelorette party. It’s all about skin-deep decadence, dude! Now put your tongue back in your face.

I’ve done my share of Jim Morrisonian indulgence on New Year’s Eve, long time ago when a frilly party hat and chintzy noisemaker didn’t mortify me. Now even streamers and confetti make me blush and I really sink into a sulfurous funk when I see giant eyeglasses with frames spelling “2023” in glitter. Outsized and clownish, they look fit for an orca at SeaWorld. 

But I’m not allergic to a robust get-together with wine, folks and song, even though I shy away from them year by year. Hell, tonight I’m begging off a gathering of five for drinks in a living room. And it’s a pretty safe bet that I won’t be watching Anderson Cooper and Andy Cohen get hilariously-slash-obnoxiously tipsy for the Times Square ball drop on CNN. (The dropping ball — what does it all mean?)

My last NYE soiree was pre-Covid, naturally, and it was fine, fun, chill. Maybe 10 of us, imbibing, blabbing, noshing, each one getting visibly more exhausted as midnight ticked-tocked to blast off. I get bored just thinking about it.

The rest of you tear it up, safely, sagely. Wear the dumb glasses, hurl confetti, drink up. But don’t bother anyone, rankle your fellow revelers. Especially the hardworking, don’t-want-to-deal-wth-drunks Uber drivers, who’d also really appreciate it if you didn’t barf in the backseat. I’ve talked to these people, and believe me, tonight they are dreading you. Don’t be that guy.

A little help from my friends

~ Chris ~ Leave a comment

Lying in bed last night, listening to music low on my AirPods, the lights as dim as can be, I somehow started thinking about my junior high school and high school years with an emotional lucidness that made me inexplicably misty-eyed. 

I mean, I didn’t give a crap about those school years, especially high school, which was a cliquish crucible of morons, meatheads and motley malcontents. Not to mention the perennially sunny, laughing, smiling ones, who only made the experience more of a four-year inferno.

But last night I was thinking about the good ones, the handful of cool, kind, thoughtful kids who were caring and courteous, interested and concerned. They were fonts of effortless empathy, tolerant of my long hair and penchant for metal, my love of books and Woody Allen, and my dark streak that could express itself as juvenile misanthropy. 

Simone, Susie, Ann, Todd, Jamie, Jennifer … I could name them all — about 15 total — but there’s no need. Yet I won’t leave out my 11th grade English teacher, Mrs. Condon, whose radical, rigorous teachings literally changed my life. 

These people moved me, gave me hope for my fellow humans. Like Leah, who brought me back a big, silly Mickey Mouse keychain from Disneyland. Or Todd, who saved me when I was about to get my ass kicked. Or Ann, who consoled me when I was suffering existential gloom. Or Susie, who wrote a lovely note on the back of a black-and-white Woody Allen postcard. And so forth. How great are they? 

I don’t know why this all came rushing back to me one random night. It was odd and overwhelming. Maybe a particular song on the AirPods triggered lightly buried memories. Maybe I was feeling sentimental. Maybe I took too much Clonazepam. 

It’s unusual but not uncharacteristic, such a mood. I can get sappy about people, as we all can. But I tend to view our species from a glass half-empty stance. My faith in us is shaky. I can be hopelessly pessimistic. Years ago, Apple offered free engravings on its iPods. I chose Sartre’s famous maxim: “Hell is other people.” I thought it was funny. Sort of.

Last night was eye-opening. It just reminded me: People are terrible. People are sublime.