Tag: Books

A petrified pup, a brilliant book, a nip of neurosis

~ Chris ~ Leave a comment

The dog keeps staring at me. 

Outside, gusty winds render trees, shrubs and bushes lashing percussion fit for a Nine Inch Nails concert. If Trent Reznor showed up, we’d be golden. Instead, I’m gazing into the helpless eyes of a small Schnauzer-terrier that’s terrified of the thrashing flora this warm spring day has unleashed.

Cubby the Super Hound — he should have a cape and rubber suit with nipples on it — has his kryptonites, and one of them is blustery winds that rattle objects into outdoor cacophonies. There goes a recycling bin and all its clattering innards. Whoosh-bang, a gate door swings open and shut, on repeat. And those whipping, whistling trees are declamations of the devil. For him, it must be like dwelling in a haunted house, terrorized by loud, chilling sounds of unseen provenance.

As long as the wind blows, he follows closely wherever I go, as if my pockets are stuffed with treats (they are not). At rest, he cautiously climbs on my lap and quakes like a 25-cent motel bed. 

He looks up at me, pleadingly. I look back at him, pitifully. It’s a staring contest between man and beast. Alas, the poor pup wins every time.

I’m re-reading a deep, delightful little novel titled “The Friend,” which is about writers and writing, friendship, dogs and suicide — a perfect brew of the contemplative, canine and emotionally punchy. It stars a nameless narrator, a middle-aged writer, who’s in a ghostly, one-sided conversation with her close friend, also a writer, who killed himself. It also stars a depressed Great Dane the size of a zebra. The 2018 book won the National Book Award and the author, Sigrid Nunez, has a wry, gently profound way with words and ideas. She has a lot to say about creativity, loss and bonding and does so with chiseled economy washed in a beauty that’s unshowy but electric. “The Friend” runs a mere 212 pages — a wisp, a wonder — but contains worlds of hilarious, heartbreaking humanity. It was made into a movie starring Bill Murray and Naomi Watts, but I won’t watch it. I don’t want to upset the novel’s unruffled perfection.

The South Korea trip — that again — is creeping closer and the old pre-trip jitters are manifesting. Things like: Will I get through customs with Xanax in my luggage? The anti-anxiety meds are a controlled substance and bringing them into Korea requires reams of draconian paperwork, including an absurd handwritten note from your doctor. I’m going to chance it; they don’t always ask. If they do stop me and confiscate it, well, I hope they enjoy. It’s a blast!

I’m also getting flustered, a churning storm in my gut, about possible TSA lines that run longer than a Frederick Wiseman documentary. I can’t stand long lines, and for some reason airport security lines make me irrationally nervous. I find them stressful, mania-inducing, like I did something wrong and I’m about to get busted by some granite-faced goon. I’ve purchased TSA PreCheck, which allows small security short cuts (e.g., you don’t have to take off your Nikes) and theoretically provides shorter waits. We’ll see about that during this latest Congressional crisis. Where’s the Xanax?

How I spent last Saturday, all cheers, jeers and blaring car horns. The signage — priceless:

It was cathartic.

I stabbed my face, and other fun things 

~ Chris ~ Leave a comment

Before I visit a country for the first time, I like to bathe in the local culture, mainly through books and movies. (I save the food part until I get there and do it right, with bite.) As mentioned in my last post, I head to Seoul, South Korea, in a few weeks, so I’ve been hungrily reading novels and watching films by Korean artists. Christ, they’re grim. How I love it.

Take “Memories of Murder,” by Bong Joon-ho, who made the stinging class-warfare satire and Oscar-winner “Parasite,” itself fairly bleak. This excellent serial-killer detective saga throbs with death and dark humor, winding down to a gut-punch ending that will leave your jaw somewhere around your big toes. Kim Jee-woon’s “I Saw the Devil” is another serial-killer drama, a fiendishly clever spin on the revenge thriller splattered with brutally sadistic punishments that I cannot speak of here, lest the authorities bust in.

Something lighter? Try the smash Netflix series “Squid Game,” in which financially strapped citizens try to win millions playing grueling games with the simple rule: you lose, you die. I haven’t seen so many blood geysers since “The Wild Bunch.”

Twisted, yes. But then you don’t know Park Chan-wook’s 2003 masterpiece “Oldboy.” Yet another revenge rampage, Park peppers his gorgeously gory film with creative curlicues not easily forgotten — like the antihero devouring a whole, live, squirming octopus in one take and, later, fending off dozens of assassins armed with only a hammer, a tour de force of cinematic choreography.

It’s not much sunnier on the book side. I just finished the slim novel about suicide “I Have the Right to Destroy Myself” by Young-Ha Kim. It’s gloomy, but also not great. It’s infatuated with its own misery. 

More famous is “The Vegetarian” by Nobel Prize-winner Han Kang. The heroine of this celebrated novel renounces meat, triggering a plague of psychological and bodily repercussions. (Put. Down. The. Cheeseburger.) And I’ve just started “Lemon” by Kwon Yeo-sun, about the unsolved murder of a high school student. More death — party time!

Is Korea so cracked? Apparently I’ve tapped into a thick cultural vein of crime, vengeance, class disparity, the sordid and surreal, the darkly existential and the exceptionally, even giddily, violent. That vein is a bloody gusher.

Speaking of unchecked violence, the other day I bayonetted my cheek with a thumbtack. I was lancing a pimple, not too giant, but big enough to evoke the Elephant Man. A hard, stubborn whitehead that was impervious to onslaughts by furious fingernails. So I said F-it, I’m getting a tack and uprooting this beast. First, I sterilized the tack’s point in the dancing blaze of a Bic lighter. Then I rinsed it in hot water. Then I took the business end of said tack and dug out the pimple’s white core from my cheek. Blood happened, but I extracted the thing in 30 seconds flat. My threshold for pain and gore is impressively high. The tattered flesh around the deceased pimple healed in a few days. I am an absolute master. Dermatologists, take note. And fellow zitheads: Shelve the Stridex. You might find more relief at Staples than CVS.

Like its kaleidoscopic neighbor Japan, South Korea is a Day-Glo bouncy house of the whack, weird and wonderful. While there, I will have ample offbeat options: Should I visit the Toilet Park and Museum, aka Mr. Toilet House, a festival of fecality? Or the Penis Park and Museum, studded with upright totems of erotic arousal (stop it!)? Or the Meerkat Friends Cafe, where twelve meerkats — so smooshily cute, like living anime creatures — a random raccoon and a floofy white Arctic fox scamper and play with you as you sip, and conceivably spill, coffee? I’ll be at all of them, of course. Oh, I almost forgot the popular Poop Cafe, whose theme is all things playfully bowel-adjacent (think chocolate soft serve, etc.). Consider it checked.

A few things hijacking my brain

~ Chris ~ Leave a comment

During the post-holiday malaise, things poke and peck at my addled brain, fretting about the good, the bad, the grotesque …

Starting with the latter — the elaborate idiocy, the vomit-inducing venality of the so-called Donroe Doctrine, whose cutesy moniker makes me wonder: Who is he kidding with this crap? The perverted man-child is not kidding with, in his words, “my own morality,” which includes everything from ICE to Iran, a rogue’s gallery of revulsion. I pray that crippling tragedy looms in his wretched future. His crew of groveling lapdogs? Same.

On the good side, I’ve cracked a newish book that’s been called by critics “a magnificent vision,” “transcendent,” “spectacular” and “not so much a novel as a marvel.” That would be Kiran Desai’s “The Loneliness of Sonia and Sunny,” which is relatively slim for its daunting 700 pages. Yet what it lacks in girth it makes up in thudding weight. I could curl it and achieve Himalayan biceps.

I’m only on page 50 in this (let the publisher describe it) “story of two young people whose fates intersect and diverge across continents and years — an epic of love and family, India and America, tradition and modernity,” and I’m hooked. 

It’s one of those chunky novels with character/family trees for a prologue, like “War and Peace” or “One Hundred Years of Solitude,” which can trigger the scram instinct in me. I don’t relish flipping back every twenty pages to recount who’s who.

But so far, very good. Desai conjures scenes and characters with creamy eloquence and imagery as supple as a Degas. The prose is wise and true, and funny, too. I only have 650 pages to go (sound of me lifting a cinder block).

Planning for two imminent journeys — Southern France in February and, implausibly, Nashville in March — continues unabated. It’s kind of a chore, but, like cooking or Lego building, it becomes a stimulating hobby, a minor challenge with low stakes.

I’m doing well so far in this First World folly, but the fine tuning feels endless. A Nashville restaurant I booked just emailed to say, sorry, your reservation is canceled because we are now “permanently closed.” The same happened with the Patsy Cline Museum (maybe these closings qualify for the “bad” in my opening paragraph), which a dear friend hinted is better than the popular Johnny Cash Museum. Call me “Crazy,” but I’m more interested in Cline than Cash. Bummer. 

I voluntarily bailed on a street-art tour in Marseille, France, as I came to my senses that $194 is obscenely too much for a two and half-hour stroll amidst what’s essentially glorified graffiti. I don’t even know how I got myself tangled in that scam.

But I do that a lot. I plan trips with wide eyes and a growling stomach at first, and then, as the dates approach, I reel myself in and get sensible. Like, do I really want to do that whiskey distillery tour and tasting in Nashville? Well, yes. Yes, I do.

Denis Johnson’s “Train Dreams,” an exquisite novella I’ve read twice, once some years ago, once this winter, has been adapted for the small screen (Netflix) with mostly luminous results. Directed and co-scripted by Clint Bentley, the movie tells the story of a lumberjack razing towering forests in the Pacific Northwest to make way for the nation’s railroads. He marries. He has a child. Life intrudes.

Honoring the book’s ethereal touch, the movie aches to be a Terrence Malick epic: languid voice-overs, long traveling shots, fetishized natural beauty, breezes blowing through rustling trees, time-jumping episodes in place of linear plot. 

It’s commanded by sylvan abundance and the honed, minimalistic performance by Joel Edgerton, whose eerie quietude is near-tragic if well-earned. Though cast in shadow, there is joy here — family, friends, sharp epiphanies. I was moved by the story’s rich poignancy and tender humanity. It’s as delicate as a dandelion. 

Quote of the day: depressing and disgraceful

~ Chris ~ 2 Comments

“Research has associated smartphone use with ADHD symptoms in adolescents, and a quarter of surveyed American adults now suspect they may have the condition. School and college teachers assign fewer full books to their students, in part because they are unable to complete them. Nearly half of Americans read zero books in 2023.”

— The New York Times


Midsummer miscellany

~ Chris ~ Leave a comment

Four mini-blogs, bite-size essays, from eyewear to dog hair …

Shopping for new eye frames is about as thrilling as shopping for underwear — a little fun, but mostly a utilitarian ritual for a deadly pedestrian accessory. I got new frames this week to go with new prescription lenses, making me feel very old. I’ve had my current blue frames and lenses for two years and I felt like underwear shopping. Yesterday I took my new (burgundy) frames to the optician to get the fresh lenses. The whole deal cost an eye-singeing fortune — around $1,200 for frames, lenses and exam. The nice guy helping me said, “You don’t seem old enough for progressive lenses.” I sort of thanked him, then thought to myself, ha!

When it comes to a big juicy novel, I’m a restless reader. My standards are unreasonably high, and if a book hasn’t hooked me by page 70 or so, I close it and move on. I am not one of those chumps who strains to finish a book once they start it, no matter the quality. That’s obscene. I just closed Rebecca Makkai’s wildly praised novel “The Great Believers.” The Pulitzer finalist about a group of friends impacted by the AIDS crisis was worse than overly familiar and a mite trite, it was dull as dirt. So I started the also-acclaimed Adam Haslett novel “Imagine Me Gone,” a substantial (356 pages) story about a family of five facing mental and physical challenges that upend the unit and try the bonds of love. On page 89, I’m with it for now. But every so often it sags and I give it the stink-eye. Book, you are on perilous ground. Watch it.

Puffs and curlicues erupting over his face and body, the dog at last got a summer haircut. A professional groomer came to the house, bathed him in the sink, then took the razor to him good for more than an hour. Cubby now looks like a bewildered sea otter and it’s fabulous. Everything about him has shrunk — my, what tiny ears you have! — and it’s adorable. Thing is, now he’s licking his butthole and nether regions with frantic intensity, like he’s infested. It’s merely razor burn and getting used to the lack of locks, and if the past is any indication, he’ll stop licking presently. But it sort of drives everybody crazy, not least of all himself. Why are haircuts such trauma? Cubby and I both want to know.

My brother’s radar is exquisite. He knows my dubious tastes, my oddball obsessions, my disgusting fetishes. So it was Christmas in July when he recently gave me a gift of surpassing thrillingness: an immaculate wax double-wick candle of deformed conjoined twins skulls. Craig, my only sibling, said he got it for a Christmas present but couldn’t resist bestowing it now. He bought it at a local taxidermy/tattoo shop called Unlucky Rabbit that deals in deer heads to “Lesbians and Taco Trucks” bedroom candles. My kind of place. I’m a freak fanatic, sideshows, medical curiosities, monsters on down. For now, the Siamese twins skulls are on proud display, and I have no plans to torch them, they’re so gruesomely perfect. Still, lighting them and watching them melt into bone-colored goo would be its own grotesque beauty. Where’s the matches?

The terrible twos


Lennon & McCartney in 3D

~ Chris ~ Leave a comment

As surprising as it may be, especially for this recovering metalhead, the Beatles are unshakably my favorite musical entity, be it Mozart to Metallica (a pair that shares far more in common than you might think) and beyond. 

I adore almost every damn thing the Beatles recorded (OK, I can skip “All Together Now”) and marvel endlessly at their unsurpassed songcraft, sappy lullabies to psychedelic loopings, to the point of becoming overwhelmed and misty-eyed. Their music moves me like a great Vermeer or Turner, an old Woody Allen or Chaplin flick, a sumptuous Bolognese, or a beautiful woman.

It’s nothing new, this affection. As a toddler, I was singing along to “Yellow Submarine” with my dad and having a ball (I have it on tape). But it’s been roused as I read Ian Leslie’s new book, “John & Paul: A Love Story in Songs,” a head-first spelunking into the two main Beatles’ musical/artistic/personal relationship as they composed some of their greatest tracks: “Yesterday,” “In My Life,” “Eleanor Rigby,” “Strawberry Fields Forever,” “A Day in the Life,” “Hey Jude.” It examines a plethora of terrific tunes, but places 43 under the microscope. Forty-three!     

Animated by fact and folklore, the book, which I admit I haven’t finished, begins in the beginning: how the boys met, formed early bands and honed their chops in German nightclubs. Yeah, yeah (She loves you, yeah, yeah) — that’s old news to Beatlemaniacs. It gets more interesting when John and Paul’s creative minds miraculously meld and songs start to pour forth in gorgeous, gobsmacking cataracts. 

The author launches with the somewhat green “Come Go with Me” in the late 1950s, strikes upon “Please Please Me,” with plenty of songs in between, and finally hits the stratosphere with “Ticket to Ride” and “We Can Work It Out.” It’s all joyride from there as the Beatles — George and Ringo included, of course, though they’re mere cameos — orbit Earth for seemingly ever. (But hardly. The Beatles lasted roughly 10 years, 1960-1970.)

Expectedly, Paul is painted as the pretty, peppy one, John the caustic, callous one. Yet both are endowed with bristling intelligence and an ample sense of play and worldly curiosity. They are autodidacts of the most ravenous kind, and they devour anything that has to do with art, literature and music. 

Their love of the American songbook, R&B and rock n’ roll is insatiable. And what they learn from them — doo-wop flourishes, country-western twang — dazzles. Their debt to Elvis and Dylan is bottomless.

The book is overstuffed with factoids, from the deep influence of Timothy Leary and LSD on the mid-career John song “Tomorrow Never Knows” to Paul asking George Martin for the kind of biting strings from the film “Psycho” for “Eleanor Rigby” — a masterpiece that Paul wrote at age 23.

It also doesn’t shunt on the group’s tour escapades, drug dabblings, interpersonal jealousies, and other gossipy gum drops. The book gleams with facets. Even at this early stage, Lennon and McCartney feel like brothers. My brothers. 

“John & Paul” is marvelous musicology, mind-blowing and wads of fun. It is my book of the summer, and I still have yet to reach “I Am the Walrus,” “Get Back,” “The Ballad of John and Yoko,” and, with terrible longing, yes, Paul’s heart-yanking “The End.”

The drudgery, and joy, of writing

~ Chris ~ 4 Comments

Last month or so, I was reading a terrific book about the making of the classic movie “Chinatown” titled “The Big Goodbye: ‘Chinatown’ and the Last Years of Hollywood,” by Sam Wasson, and I had to grin at this quote from legendary screenwriter Robert Towne: “So much of writing is trying to avoid facing it.”

That’s hardly the most original thing uttered about the writer’s penchant for procrastination and craven dread of the blank page — Hemingway summed it up: “There is nothing to writing. All you do is sit down at a typewriter and bleed.” — but it was a reassuring reminder that cooking up stuff for a readership, a nervously performative act, isn’t always a joyride, or particularly easy. It can be a grind. It can be depressing. It can sap the soul. 

But it can also be exhilarating and, when things are flowing, a blast. Well, let’s not get carried away. How about … satisfying? Said great journalist Russell Baker: “I’ve always found that when writing is fun, it’s not very good. If you haven’t sweated over it, it’s probably not worth it.”

I don’t know how you reconcile that dichotomy, the yin and yang of good and rotten, delight and drudgery, but they seem to jibe. There’s a fruitful friction. Good days, bad days, middling days. (That last line? Lazy writing. Bad writing. I left it there as a specimen of what can go wrong.) 

I always want to write, but once I sit down and face the empty page that sneers, “Go ahead, try and fill me,” I tend to constrict, choke, unless I’m especially inspired and know how I’ll begin and where I’m (generally) going. Those days are the exception. Right now, I’m winging it. I had that Robert Towne quote in my head and started riffing. (Help!) 

There’s no map. There’s only this: Get it down. The prose may be raw and bloody — embarrassing, eye-sizzling — but the ideas matter and the words, those painstakingly chosen few, will be chiseled out of the viscous blob of verbiage. Editors are helpful at this stage, and I’ve worked with many who have saved my prolix ass. But here on this free-floating blog I’m on my own. I am judge, jury, executioner. And I probably should have executed that sentence. 

Point is, writing, like any creative endeavor, is a messy enterprise, hard to do but at times truly rewarding (I have ten journalism awards that bear that out, he crowed). You have to dive in head first, and toil to make a splash. Taking pride in your work is mandatory — read tons, write multiple drafts, and use spell check for chrissakes — the only way you’ll do anything worth a damn.

First you must conquer that blank page, which requires actually facing the music, not dodging it, as Towne noted. I’m working on a writing project that I approach tentatively, with baby steps, not because I’m indolent but because I am, frankly, a little scared. 

There’s a cure for that. It’s simple yet courageous: Sit down, stare at the page, and bleed.

You must win the staring contest with the blank page. Despair is likely. So is reward.

All about Eve

~ Chris ~ Leave a comment

It is the impoverished soul who has yet to encounter the unbridled bliss that is Eve Babitz’s prose. I’ve written about her several times, but I seem to be on a Babitz kick this summer (when am I not?), and my proselytizing propensities are in full whack. 

There. I said it. I am enamored with Babitz’s writing, and this lust just won’t go away. Last month I reread her infamous 1972 semi-fictionalized memoir “Eve’s Hollywood” and that kick-started my crush on her hip, shaggy, archly observant wordsmithery.

Babitz was Joan Didion with a jolt of sex, drugs, rock ’n’ roll and, crucially, a sense of humor. She’s the cool Didion, the one who laid Jim Morrison, among a murderers’ row of L.A. badasses — “she seduced seemingly everyone who was anyone in Los Angeles” — and swanked her way through the megalopolis’ mega-scenes with abundant beauty and ample talent (she was also an accomplished artist). 

Her memoirs and novels depict “a glamorous and unapologetically wild world.” And a privileged one, too. Her godfather was Igor Stravinsky. She was romantically entwined with Steve Martin and Harrison Ford. Reader, you are forgiven for getting a wee jealous about her oversaturated life. Me, I wilt.

And it’s this bounty that keeps you reading, carried as it is with earthy writing whose low-slung easiness pops at every turn with a hilarious throwaway detail. “She was a phenomenal writer,” declared LitHub, “the kind people hate the most, the kind that doesn’t have to toil or sweat to turn out something that’s not only decent but often extraordinary. Eve was not a great writer in spite of her unseriousness but because of it.”

Some summers ago, I compiled a blog entry entirely of quotes from Babitz’s fizzy, funny novel “Sex and Rage.” A few brief samples, a sliver of what the book, as slim as it is, contains:

“In the hurricane, the waves were fifteen feet high and roared like lions and volcanoes.”

“He smelled like a birthday party for small children, like vanilla, crêpe paper, soap, starch, and warm steam and cigarettes. Anyone would have liked being hugged by him.”

“She felt as though she’d been in front of a firing squad that had changed its mind.”

Her work is so much more than this. I’d have to transcribe whole pages to do it justice. It’s wily, droll, dry but juicy, real and loaded. And you will laugh. 

Four years ago, I wrote about this book: “Babitz’s raffish auto-fiction, whose subtitle, ‘Advice to Young Ladies Eager for a Good Time,’ is a brazen come-on. It’s so saucy, such unfiltered fun, and the writing so ablaze, resisting it would be dumb self-denial.”

In 2018, I read the Babitz novel “L.A. Woman,” and wrote, “Soaked in sunsets and squalor, glamor and grit, ‘LA. Woman’ traces the squiggly trajectory of a young Jim Morrison groupie through the titular city with a constant stream of poetics and epiphany. It’s funny and mean. It’s about Los Angeles. And life. I gobbled it up in a gulp, like a gumdrop.” 

So, yeah, I dig Eve. Without being her proxy pitchman — Babitz died in 2021, age 78 — I recommend these books: “Eve’s Hollywood,” “Sex and Rage” and “I Used to Be Charming: The Rest of Eve Babitz.” Take a bite.

Or don’t. Remain unenlightened. I don’t care. And Eve, that snarky libertine, certainly wouldn’t either. She’d shrug, chuckle a plume of smoke, then carry on waxing rhapsodic about her capacious life in her crazy city, not a care in the world.

The ‘best’ books of the last 25 years

~ Chris ~ Leave a comment

Think of the hundreds — no, the thousands upon thousands — of books published in the United States from Jan. 1, 2000 to today (elbow nudge: that’s 25 years). Mounds, mountains, miles of bound pulp, if you consider only traditional paper books that you flip the pages of and place on neatly arranged shelves, while ignoring their electronic ilk. 

Now, pick the best books from that teetering heap, or actually the 100 best books, both fiction and non-fiction. That’s the gargantuan task The New York Times has undertaken this week in its selection of “The 100 Best Books of the 21st Century So Far.” 

We’re talking the smartest, zestiest, funniest, fiercest, most important and most influential tomes over the past 25 years. A gallery of luminaries — writers, actors, critics, editors and more — voted, and you can find them and the whole Times project here, including the final list of the 100 “best” books. 

It’s pure gimmickry. It’s subjective folly. It’s a game. Let’s play.

I’ll give you a taste. Here are the Times’ top 10 picks (spoiler alert): 1. “My Brilliant Friend” by Elena Ferrante. 2. “The Warmth of Other Suns” by Isabel Wilkerson. 3. “Wolf Hall” by Hilary Mantel. 4. “The Known World” by Edward P. Jones. 5. “The Corrections” by Jonathan Franzen. 6. “2666” by Roberto Bolaño. 7. “The Underground Railroad” by Colson Whitehead. 8. “Austerlitz” by W.G. Sebald. 9. “Never Let Me Go” by Kazuo Ishiguro. 10. “Gilead” by Marilynne Robinson.

It’s a robust mix, though heavy on the historical, I think. The top 11-20 is a bit lighter, with titles like Junot Díaz’s funny “The Brief Wondrous Life of Oscar Wao” and Michael Chabon’s delightful “The Amazing Adventures of Kavalier & Clay” (yet it also includes Joan Didion’s grief journal “The Year of Magical Thinking”).

Conveniently, the project provides an online tool that makes it easy to tally how many books you’ve read from its mega-compilation. Me, I’ve read 39 of the 100 chosen titles — not great, not bad. But it’s not a contest. I won’t list all of them here. Instead, I’ve picked five of my favorite books from my personal tally, a peek into my pea brain and what I look for between covers.

  1. “The Human Stain” by Philip Roth — A disgraced professor is smeared by a career-crushing lie all while he’s weighted by his own monumental secret in this shattering portrait of America in 1998. Roth propels the story with tart literary gusto and his patented moral vehemence. One of his best.

2. “The Amazing Adventures of Kavalier & Clay” by Michael Chabon — Gleefully spanning lands and history, this teeming picaresque is about a magician and an escape artist who figure out life by creating globe-trotting comic books. But that’s just a sliver of their “amazing adventures.” Chabon, who won a Pulitzer for his 600-page romp, uses every trick in the book to entertain and edify, and handily succeeds. 

3. “Behind the Beautiful Forevers” by Katherine Boo  — An unvarnished plunge into the slums — and humanity — of Mumbai, India. An award-winning journalist, Boo’s unflinching but empathetic reporting is both devastating and bracing. It sticks with you like a troubling dream.

4. “The Road” by Cormac McCarthy — Biblical, apocalyptic, rife with death, despair and cannibalism, McCarthy’s unrelenting opus takes us through hell with ash, blood and savagery, and stingy glints of light. A Pulitzer winner, this riveting knockout is all about being human in the abyss.

5. “Gilead” by Marilynne Robinson — This deeply spiritual Pulitzer-winning novel almost defies description. An epistolary story told in the forms of journals and memoirs, it showcases Robinson’s otherworldly command of language and astute thinking about the divine. Not the easiest read, it still blew me away.

Rounding up to 10: “My Brilliant Friend” by Elena Ferrante; “White Teeth” by Zadie Smith; “The Corrections” by Jonathan Franzen; “Outline” by Rachel Cusk; “Train Dreams” by Denis Johnson.