Getting there is half the battle, but so worth it

It’s a blinding blue 60-degree Monday in Florence, Italy, and I just about broke my neck slipping on a yellow glob of melting gelato on the sidewalk. Except for the fact that I almost became a paraplegic, I will not complain. 

See, this happened a block from my hotel, which — both boon and bane — is plumb in the fluttering heart of the ancient Renaissance city center: the Duomo, Medici Museum, Academia, Uffizi, and I’ll stop before this embarrassment of riches makes me flush. I say bane because it’s teeming with bodies — though, from what I gather, most are locals; they’re speaking Italian and looking stunningly chic. Locals are good, even local tourists. They almost always make a journey better. Fellow American tourists? Meh.

Yet I’ve only been here an hour, so what do I know? Maybe I’ll get mugged, or pummeled for persistently mispronouncing grazie. Big plans await this week in Tuscany, a region peppered with medieval towns and fecund vineyards and a particular tower with dismal posture. I will tour cathedrals and museums, take day trips to crumbly towns, and sip vino, nectar of the gods (next to bourbon and gin).

An angle of the Duomo, Florence

Getting abroad is always fun for me, ha. I can’t sleep on the seven- to 10-hour red-eyes, and this time I had a delightful layover in Munich, where the short flight to Florence was delayed and my fortitude, eyes and shoulders were drooping gruesomely, Quasimodo-ly. 

Finally we were herded into a standing-room-only shuttle bus and dumped at the bottom of steep stairs leading to a tiny jet. Ascending, I felt like Joe Biden, like I should turn and wave to the press scrum and his half dozen fans.

I had a bad feeling about this winged, rickety rust bucket. When it finally got off the ground, creaking and rattling, I was reminded of a bi-plane, or worse, one of those tiny-tot airplanes you put a quarter in and rock about on the curbside in front of Safeway or Target. 

But we made it, despite the bloody fingernails and crippling jet lag. More on how the hell it’s all going down later. For now, a much-needed cocktail at swooningly classy bar/restaurant/book and flower shop La Ménagère, a stone’s throw from the Duomo:

A flaneur in Florence

The frivolities in my life are legion, but travel isn’t one of them, despite how trivial a far-flung journey might seem — or ultimately be. (Most trips soar. Some sink.) 

In three weeks I head to Florence, Italy. Though I’ve been there twice, the last visit was in the Paleolithic Age. I wanted something mellow, somewhat familiar, distinctly European, with lots of marble, museums, manicotti, and mustaches on both men and women.

The city is a cornucopia of artistic abundance: Michelangelo’s David; Donatello’s bittier David; the Uffizi, that Renaissance eruption of Botticelli to da Vinci; Ghiberti’s bronze doors; Brunelleschi’s dome; the locals’ luxuriant facial hair.

I was last in Italy in March 2022, ferrying between Rome and Naples, the latter a bracing revelation, rough-hewn and bristling with a singular urban snap. As novelties go — serpentine side streets, graffiti, killer Neapolitan pizza — it sort of kicked Rome’s ass. In July I swanned to beautiful Buenos Aires. In October, magical Madrid.

Florence seemed like a good middle-ground — encrusted in a glorious past but not overly exotic; grand but not overwhelmingly vast. It’s not like going to jostling Taipei, say, or sunbaked Algeria, which I hear is majestic. Yet Forbes did name Florence the most beautiful city in the world in 2010.

No, this would be a week luxuriating in western art, architecture, food, drink, scenery, inhaling the rarefied air of undiluted enchantment. I imagine me a self-styled flaneur, strolling the cobblestones, gilded walking stick in one hand, tipping my top hat to passersby with the other. And then I snap out of it and pinch the bridge of my nose.

Florence is not massive. So I’m making at least one day trip to Central Tuscany, namely Siena and San Gimignano, medieval towns cluttered with Gothic architecture and honeycombed with history. The region is also a wellspring of Chianti, and tippling some of the red elixir from the source is essential.

I have made five restaurant reservations in Florence, from a traditional trattoria to a Michelin-star bistro. I will eat pasta and pizza and exist — and subsist — a bit like Stanley Tucci, without the bald pate and skinny chinos (but with the dashing scarf). I might also employ a larger vocabulary of superlatives than just, “This is so good” when I taste something delicious.

And though Tucci meets up, and hams it up, with lots of local hosts, he makes it appear he is his own man, ambling the streets of Italy, the stylish flaneur (that word again), when really, of course, he’s accompanied by a small battalion of producers and technicians taping him all the way.  

If life were only like that. I travel solo most of the time, by choice. But once in a while it might be nice to have a crew of professional sycophants at your beck and call, filming you, powdering your nose, providing the background about everyone you’re about to meet and everywhere you’re about to go so you appear super smart and amply informed. 

I do what I can. I read books, watch Tucci and Bourdain, comb the net, view movies. In the end, I’m still alone, tramping about the glittering city, whose promise is assured. I think that’s pretty cool. And I think that’s quite enough.  

No folly with Dolly

Some years ago my brother and I took a road trip through the Deep South, a six-day vacation doubling as a brush-up on American history and twangy regionalism. Civil rights, the Civil War, Graceland, Sun Records, the Lorraine Motel — we squeezed in a lot. Much of it moved us, spiritually, morally and musically. 

But there was one stop that did its own crazy thing. It awed, confounded and regaled. There were history, banjos and biscuits. There were rollercoasters, glass-blowers and fiddlin’ fools. There were fried catfish and frilly cowboy boots. There were lots of overalls. 

We had found ourselves deep in the Smoky Mountains of Tennessee in a gilded wonderland made of corn dogs and mascara. We were at … Dollywood.

That is, of course, Dolly Parton’s personal theme park, 160 acres of thrill rides, country cooking, burly craftsmen, glitzy shows, nostalgic displays, Dolly shrines, all with a pinch of Christianity and patriotism. At opening hour, the National Anthem is blared before patrons, hands on hearts, can enter.

And there’s ole Dolly, her rhinestone-studded likeness beaming around every corner — that shiny blonde bouffant, dimply red-wax smile and those famous Frankenboobs — in all its campy resplendence. Luckily she’s in on the joke or the place would be unbearable in its lack of self-awareness. It would be a cruel punchline, not a family paradise.

But for us wiseacre city boys it was something else. Like an anthropological artifact unearthed in the soft southern soil to be puzzled over. It was our duty to stifle our snickers and suss out what makes this deeply red (politically), aggressively white (racially), boot-kicking (musically) environment tick. 

Well, we never did get to the bottom of it, not surprisingly. We got too swept up in the nine rollercoasters and the luxuriantly bearded dudes doing woodwork and the beans and brisket and the dewy video presentations about Dolly’s fabulous rags-to-riches life. 

Dolly’s no dip. Self-aggrandizement is her kryptonite; she never pulls a Kardashian, despite being something of a glam ham. She’s a giver, not a taker. Indeed, she pays full college tuition for all the park’s employees. That’s on top of her other well-documented, deep-pocket altruism.

Dollywood’s no joke, either. It’s the number one theme park in the country, according to TripAdvisor (really?). Along with the nine rollercoasters (nine!) there’s a water park, wads of wholesome live shows, 25 dining spots and a trillion shops (I bought a gaudy Dollywood coffee mug with my name on it). Go when the fall leaves turn in the scenic Smokies, or now when light snow falls. I’m starting to sound like a Parton pitchman. 

Condescension is too easy, and Dollywood is too big a target. Have your fun — we did — then surrender to the facile charms of another bombastically artificial playland that at least offers a different theme than the formulaic movie characters of Disneyland and Six Flags. It’s rustic, it’s corny, it’s unassuming. (A spokesman recently told The Times that they’re working on the park’s lack of diversity. So there’s that.) 

It’s not unlike Kenny Rogers Roasters (where we actually ate in Nashville), Sammy Hagar’s Cabo Wabo (where I will never eat), Reba McEntire’s Reba’s Place or Billy Cyrus’ Car Wash and Detailing (now I’m making stuff up). Branding is hot, but Dolly — who smartly took a moment to invent a clever name for her venture — started Dollywood in the ‘80s. Ahead of the curve as always, working way more than 9 to 5. 

So there we were, part-way through our whirlwind tour of the American South. Dollywood was on our list. We made it. At first we chuckled, assuming the camp quotient would be too delicious. We weren’t Dolly diehards — I did like “Jolene,” “Here You Come Again” and “9 to 5” — but our respect for the country icon was true. 

Hokum is what we sought. But we were wrong. The craftsmen stuff was mildly interesting — whoa, he just carved out a birdhouse in like five minutes! — the Dolly stuff was tasteful if sometimes maudlin, and the overall setting was handsome and top-tier.

I spotted one of the bigger, meaner rollercoasters and we ran for it. I noticed that water sprayed up on some of the turns and curves. I hate that. I don’t like getting drenched at theme parks, not even on those splashy log-ride thingies.

We got on. It was a corker, a great, rumbling ride. I was having a blast. Until the end, the final corkscrew. The goddam thing soaked me good. The joke, at last, was on me.

I own a Dollywood mug just like this gorgeous thing.

I’m going, no matter what

Am I getting sick, dammit? Is this portentous throb in my brain the on-ramp to a massive cold? Is that familiar scratch in my throat a tease to a burning ribbit? Do those worrisome pangs in my limbs augur aches across my entire body?

Am I pissed about all this?

Yes, I am!

For one, I hate being sick — and that, reader, is the winner of the most unoriginal statement in the history of the world. 

Two, I have a date. With Philadelphia to be exact. This week. A three-day assignation with some fine art, that’s what it is. And excellent food. And an unapologetic dive bar named Dirty Frank’s. That is correct: Dirty Frank’s

Philly is only two hours away. And there happens to be two art shows worth some time there: “Matisse in the 1930s” at the Philadelphia Museum of Art (the place with the mountainous steps that Sylvester Stallone scales in “Rocky” — and why did I feel I had to mention that?), and “Modigliani Up Close” at the peerless Barnes Foundation, one of my very favorite venues for aesthetic astonishments.

And food. I will indulge in delicious vittles (and drink) at Village Whiskey (burgers, the eponymous hooch, and oodles of class) and The Dandelion, a “sophisticated homage to the British pub.” Last time I was there, I ate right next to a crackling fireplace.

We can’t overlook Dirty Frank’s, that famous cash-only, no-nonsense skank bar just around the corner from my hotel. It’s a neat, neon-splashed, Bud-in-the-bottle joint, replete with a hard-rocking jukebox, darts, pinball and miles of tats. Vice magazine calls it “a gleaming oasis of weird in a town beset by 21st-century slickening that’s always made people its primary business, no matter who those people are.” Word-for-word, my cold seems to fade at that description.

But is it actually fading? My head still thumps, my throat slightly sizzles. It’s time for three more Advils. I got a flu shot in September, so it can’t be the flu, can it? And I’ve had Covid and I don’t have any respiratory symptoms. And yet …

Take it easy, I tell myself. As I gulp down the pills, I toast good riddance to any sick and hello to Matisse, Modigliani — and Frank. Now, as further deterrence, I plop down for a nap. And I dream of Philadelphia.

A few years ago at Dirty Frank’s. The pooch and his pilsner.

The wow of Bilbao

In a fight, Madrid beats Barcelona. That’s my take. I’ve been to both Spanish cities twice now — I returned this week from the capital, Madrid — and conclude that Madrid is the real charmer, the metropolis of less sprawl, less dazzle, less tourists. If it has perhaps fewer bucket-list attractions — despite the marvelous Prado and its trove of Goyas and El Grecos, and Picasso’s overwhelming “Guernica” at the Reina Sofía — it compensates in sheer street-level charisma.   

Madrid is about its distinct, vibrant, supremely walkable barrios, humming with old-world quirks and character. Tapas, flamenco, doggies, blue-chip ham that’s cured for years, wonderful locals, seductive atmosphere. There’s something more intimate, more personal, more special about Madrid compared to big chest-thumping Barcelona. Both are world-class — I do love my Gaudí — but I could live in Madrid.

On another high note, one of my trip’s tippy-top joys was a two-day jaunt to Bilbao, far north in hilly Basque Country. If you know Bilbao, a bustling bayside city of 350,000, it’s probably because of the famous Guggenheim art museum, which is celebrating 25 years as a ridiculously successful tourist magnet.

The Guggenheim, designed with playful splendor by architect Frank Gehry, is a shimmering shrine for modern art, from Serra and Rothko to Warhol and Bourgeois. It’s a succinctly curated spread of visual greatest hits, a tantalizing survey that’s intelligently to the point. You leave filled, not fatigued. 

Naturally the Guggenheim’s star is Gehry’s woozy vessel for the art — all shiny, warped grandeur — which is not only gorgeous, but mind-boggling. How does he conjure such elaborate beauty? (Er, genius.) And how in the world was it actually built — by elves and sorcerers? It’s all so breathtaking, a fun, lavish, almost Escherian modern marvel that vaults gawkers into fits of selfie euphoria. 

Here’s a few more angles:

Louise Bourgeois’ giant spider teetering on the museum waterfront.
Inside the museum, Richard Serra’s extraordinary space-bending steel sculptures.

And some shots of Bilbao and Madrid:

Madrid flamenco. So much boot-stomping, hand-clapping, sweat-flying drama. Operatically physical.
Madrid
Bilbao
Old Bilbao
Old Bilbao
Halloweeners in Madrid (a rare sight)
Street-art dog, Madrid
Real dog, Madrid

Life, in no particular order

1. I don’t do dragons. I think they’re silly. For all their fiery tantrums and wing-flapping fury, I can’t take them seriously. Humans ride on their scaly backs like they’re horsies and fly through the sky. I crack up whenever I see that. 

So needless to say I’m not watching HBO’s “House of the Dragon” or Amazon’s “The Lord of the Rings: The Rings of Power,” big ticket fantasy orgies that by turns bore and baffle me. I don’t even know if “Rings of Power” features dragons — halitosis-impaired Smaug looms large in Tolkien’s Hobbit-verse — but I also don’t do elves or wizards, Orcs or even swords, so I’m pretty much locked out of those good times. 

But I’m not a complete dragon-phobe. My favorite dragon movie is easily “Reign of Fire,” starring Christian Bale and a bald Matthew McConaughey as gnarly post-apocalyptic dragon slayers. If you haven’t seen it, do. It’s a blast. McConaughey chews on a big fat cigar throughout. There’s fire and volcanic sludge and dragons all over the place. It’s also pretty grim. And nobody rides a dragon.

2. My brother and his wife just got back from Madrid — precisely where I am headed 20 days from now. No conspiracies, no subtext, we just happened to agree that Spain’s capital is the place to be this month, this year, right now.

What’s great is that I sent the lovely couple on a sort of expedition to scope the city, suss out all the hot tapas bars and cocktail bars, the most electric neighborhoods, what sights to see and what to skip. 

And they delivered resoundingly, finding me a better hotel in a livelier area, several hip restaurants and bars, a shrine to Goya, and a slew of invaluable practicalities. Teamwork! High five! Madrid is famous for its blaring all-night carousing. You still hear people banging bongos in the street at five in the morning. I land on Halloween. I hope it’s batshit. 

3. The ongoing saga of my misadventures in sneaker shopping — the subject of a prior post — is finally winding down. I spent the summer agonizing over what shoes to get to replace my moldered, moth-eaten collection of casual kicks. 

Halt. Mere minutes ago, after I wrote that paragraph, I ordered the final pair of sneakers I will order this year. (I hope.) Just as I was getting comfortable with some slick new Cole Haans, I stumbled on a pair of rare New Balance sneaks that I fell for instantly. Now what? I put the Cole Haans back in their box (for the moment) and clicked “Place My Order” on the New Balance. 

Which means I’ve now, since July, bought seven pairs of sneakers, an unholy sum that has me and my Visa doing barfy loop-the-loops. What else: I got another pair of New Balance, two pairs of Italian-made Oliver Cabells, a cheap pair of white Adidas Stan Smiths, and some Asics that I promptly returned. Incidentally, one pair of the Oliver Cabell shoes are all but unwearable, causing oozing blisters at each step. And it’s too late to return them. My Visa is writhing.

The indulgence is appalling. I’m no sneaker-head. I don’t collect footwear. I am not Imelda Marcos. I just need a fresh fleet of shoes to replenish the worn and rejected. If the latest New Balance are good, I will return the Cole Haans. That will mean I will own only five new pairs of sneakers. One of those causes blisters. So that means four new pairs. Not so dramatic after all. But still: really?

4. Next to Michael Mann’s cop thriller “Heat 2,” a brilliant, blistering, book-form sequel to his 1995 crime movie masterpiece “Heat,” with Robert De Niro and Al Pacino among other badasses, the best book I read this summer was Sheila Heti’s “How Should a Person Be?” — sticky auto-fiction that giddily pinballs through its meandering idiosyncrasies. This jagged, brainy book functions with the itchy buzz of life. It’s hilarious. Awkward. Wincing. Wonderful. Yeah, life.

Narrated by a 30-ish Heti, it’s aptly described as “part literary novel, part self-help manual, and part vivid exploration of the artistic and sexual impulse.” It happily recalls the sui generis first-person fictions of Rachel Cusk, Jenny Offill and Elif Batuman, currently my favorite writers. They kind of drop you mid-thought into their lives, then roll on from there with chatty, funny, unembarrassed realism. The works revel in their mundanity, which becomes a kind of magnificence.

Heti’s 2012 novel was named one of 15 “remarkable books by women that are shaping the way we read and write in the 21st century” by The New York Times. A bold but clear choice I wholly endorse. Heti has a new novel, “Pure Colour,” that I wasn’t bonkers about, but you might find worth a peek. For now, “How Should a Person Be?” is what I’m bellowing about from the mountaintop. (Me. Megaphone. A towering crag.)  

5. If you want to know something about me, read this tart and telling passage from Elizabeth McCracken’s new novel “The Hero of This Book”:

“Myself, I loathe having my picture taken. I have for as long as I can remember, even in the old days when you could go weeks without somebody trying. In all group shots I am not pictured. It’s beyond vanity and in the realm of superstition. I don’t like people looking at me. I don’t like being the center of attention except under very specific conditions. … I will not stop for a photo. I will not look at myself in a mirror for you. I will not watch myself pass in a plane-glass window.”

There. Now you know a bit more about me. Also, I’m not big on dragons. 

Autumn ecstasy, briefly

Summer is officially dead. Yes!

Yesterday, the first day of fall, landed with a beautiful bang — low 70s, intermittent cloudbursts, followed by the gauzy autumnal light that streaks so nicely through the clouds and on breeze-blown trees. I almost wept. Today’s forecast: sunshine and 63 degrees. The soundtrack: rustling leaves. Be still my beating heart.  

I banish sweat and sun, beach parties, barbecues and Birkenstocks. People moan about seasonal depression right about now. I get that in the spring; setting the clock forward is a ritual of exquisite distress. It was George Harrison who sang that euphoric earworm of misguided seasonal optimism, “Here Comes the Sun.” Damn him. 

Harrison, in my book, is inviolable. Then there are the real musical scofflaws, whose seemingly every tune is a cloying summer anthem, trilling about sand, surf, girls, cars and other frolicsome “fun.” That’s why the Beach Boys are the worst band ever.

Fall is when I shop for clothing, like a trio of chilly-ready shirts and a Bond-worthy waxed jacked from Barbour (on sale, natch). They’re perfect for my annual fall journey, this one to Spain happening the day before that quintessential fall-iday, Halloween. Face it: Halloween beats Easter, July 4th and Labor Day in any back alley brawl. 

I fall for fall. I embrace shorter days, cool weather, scattered leaves and natty scarves, while spurning the obnoxiousness of football and cutesy orgies of pumpkin-flavored confections. I read today there are people who suffer “autumnal existential dread.” The article said: “The melancholy we feel is a form of grief, mourning the lost sunlight, the ease of summertime, and the greenery that abounds in the warm weather.” Boo-hoo.

I pity you not. In fact I kick up my heels and do a leprechaun jig to the staccato rhythm of my own gleeful chuckles. Fall is here. And guess what? Winter, that frosty front of misery for most, is right around the corner. Bring it on. I’ve got the jacket for it. 

Paradise.

Rewards of the return visit

Friends, those kooks, occasionally wonder why I often return to places I’ve already traveled to instead of going somewhere new and horizon-expanding. The answers are simple and numerous. One, obviously, is that I’ve fallen for a city or country and the days I visited were but a tantalizing taste. I want more. To really get under the skin of a place. So I go back.

(It should be said that last week I was enjoying my first journey to Buenos Aires — my first time in South America — so I still seek the exotic and uncharted.)

To return to a destination is also to refresh the original experiences that made it special and to caulk the holes of crumbling memory. Right now I’m considering a revisit to Madrid, Spain, where I went like 20 years ago. That trip is a fond haze.

Besides Picasso’s gobsmacking “Guernica” and the gems of the Prado Museum — I’m specially partial to the wackadoodle Bosch triptych — I remember only a convivial Irish pub where I met some fun locals and a whiplashing green rollercoaster on the city outskirts. It didn’t even seem to be part of an amusement park, just this stand-alone adrenaline machine amid the trees. Anyway, it was a blast. 

So I’m mulling Madrid for my fall trip, with a three-day excursion north to Bilbao, which is famous mainly for its warped and woozy Frank Gehry-designed Guggenheim art museum but has, since the museum’s opening in 1997, blossomed with attractions and an arty, edgy personality all its own.

Guggenheim Bilbao

I’ve yearned to go to Bilbao for at least 15 years, but you don’t just go directly to the city, you typically go through a hub like Barcelona or Madrid then trek north by train to Spain’s autonomous and beautiful Basque Country.

Thus I’m piggybacking a new place with a place I’ve been before, but both should be rejuvenating and illuminating, since, as I said, my memories of Madrid are a scintillating smudge. 

This happens. I went to Rome in March and even though I had been there twice before, it was changed as much as I’d changed in the intervening years. Same with my January visit to Lisbon. I recognized much of the city, but it was also strikingly novel, a whole new world. It’s about layers: each visit peels back exciting ones, those you didn’t see or didn’t have time for the first go around. Discovery is fathomless.

And this is from someone who journals copiously and snaps photos like a paparazzo. But those mementos are static, mere documents, like a map or a postcard. Throbbing, breathing life is the aim, so, yeah, it’s time to go back.

Getting to the meat of Buenos Aires

I think I got swindled in the land of steaks. Here I am in Buenos Aires, which bulges with unrepentant carnivores who adore their burgers, steaks and sausages, and I thought I’d try the quintessential meat experience at legendary parrilla, or grill, Don Julio. No meat maven, I’ve only been to a steakhouse maybe twice in my life (that’s including the Sizzler). Perhaps I fell victim to culinary naïveté. 

The place and service were impeccable, if a bit frenzied, and I loved where they sat me and how I was treated in the classy, rustic setting. I ordered the basic ribeye, a side of mashed potatoes and one glass of Malbec wine. I swallowed it down. 

What I choked on was the check, which came to $155 US — for three items, pre-tip. It was my second night in Argentina and I hadn’t figured out the exchange rate and the check came in pesos, so I really couldn’t tell what I was paying until I examined my debit card statement back at the hotel. Was that a $125 steak, I keep wondering. Or a $50 glass of wine? Or, erg, $75 mashed potatoes? (Dummy that I am, I didn’t keep my receipt. I rarely do.)

Despite being slightly miffed — the meal wasn’t that great — I’m over it, and the mishap is but a faint bruise on a smashing trip. 

A metropolis of unvarnished beauty and unfailing hospitality, slathered in eye-popping street art and graffiti, teeming with leashed dogs that provide stereophonic barking and plagues of poop, Buenos Aires is a great cobblestoned colonial melange of Spanish, French and Italian — a splash of old New Orleans — that’s exhilarating in its swirling Euro-diversity. (For all that, I have to say how perplexing, and distressing, it is that in six days here I have literally seen only two Black people.)

There’s time left on the journey, but for now these are some snapshots, beginning with the offending but delicious $teak:

Doggedly loving Buenos Aires

My hotel’s neighborhood echoes with the piercing sound of dogs barking their heads off. These are happy hounds, some of the zillions scampering about Buenos Aires, a city smitten with its canines, as everyone enjoys telling this shameless dog lover who fawns over any pup that crosses his path.

And here, that path is peppered with poop. My leafy, boutiquey hood of Palermo challenges you with a minefield of feces, much of which bears the imprint of hapless sneakers. Dog walkers, and they are legion, are regular scat scofflaws, ignoring rules that you pick up your pooch’s poop. What is this, Paris?

But it’s OK. I’m just delighting in the dogs — so many, of such varied breeds! — that stroll in packs of five or more with professional dog walkers, a bona fide career in this metropolis of 15 million humans. It’s winter now in Argentina, and this week temperatures hover around 55 degrees F, so lots of the critters sport sweaters, making them even more charming, and dapper. 

Dog parks are everywhere it seems. Even on paid walking tours, I lag behind to watch packs of gamboling, barking, ball-chasing, humping and jumping mutts. (How is it such small yappy dogs are so brazen with their gigantic peers?)

I’ve been in the beautiful capital city three days, and already it’s a dog’s life.