Get up and go

Work, money, kids, pets — these variables can be holding you back from taking the plunge and taking a trip, an honest-to-god bona fide vacation, a far-flung journey to another land, preferably a place where English isn’t the primary language. (England’s great; Japan’s better.) I’m not talking the Bahamas or Cabo.

A neighborhood acquaintance and I ran into each other walking our dogs in the fallish cool today. She’s Mary, who I chat with about three times a year and was sporting a red shirt and red sunglasses. Her dog is tiny and hirsute. Like my dog, but bristly.

Niceties out of the way during this affable stop and chat, she asks, “Where are you going next?” I’m sort of known for jetting to some exotic-ish locale a couple times a year. (Jetting? We’re talking United Economy, baby.)

I tell her Budapest and Krakow, leaving in five weeks. 

Why Budapest, she says (though, oddly, she doesn’t ask why Poland). I say I’ve been meaning to go for years, but it never quite made my bucket list. But now I’m jacked. After deep-dish research, the Eastern European city beckons. (I didn’t actually use the word “beckons” in mixed company.)

“I wish I had that joie de vivre, that wanderlust,” Mary says, almost contritely. 

“But you do,” I say. “I think we all do.”

The dogs sniff each other’s buttholes.

I say that I don’t understand why people don’t travel more, don’t seize the day and make it happen. It’s about priorities. It’s about money. It’s about time. But it’s also about curiosity and interest in the world beyond. How does one not travel? Not harbor the galvanizing urge to move, see, taste, experience? 

I don’t say all that — I wasn’t giving a TED Talk — but I do tell her that travel is easier than you think. Once you finance it — travel cheap! It’s great! — the gears churn and plans get made. (I, of course, travel solo, so it’s even easier without the bulky carry-on cargo — i.e., another person.)

Mary seems flustered, like she can’t answer why she doesn’t get up and go. Which I find odd, frankly. She has a husband and a dog, no kids — that latter part is crucial. She’s practically free! 

“Where have you gone in the last five years?” she asks. 

I think I actually rubbed my chin as I tried to rattle off some destinations: Naples, Rome, Portugal, Scotland, Turkey, Japan, Paris, Bueno Aires … Then it felt show-offy and I trailed off. I did stress Istanbul as an extra special destination, and she seemed genuinely intrigued. She proposed we get together and talk about my trips and look at photos from them (with her husband, of course), emphasizing Turkey.  

She was coming around. In just minutes of gabbing on the acorn-cobbled sidewalk, she was getting the bug. Travel: it’s an infectious disease. And it’s almost totally benign.

Except for this little hitch: it will blow your mind. 

The angsty animal

It’s raining and Cubby won’t go out to poop. He’s a dog, but he’s also a scaredy-cat. 

Yet even more than drizzling drops of water, Cubby cowers at mighty gusts of wind that make the trees sway, whipping up hissing whooshes, as if the gods are sighing at we dim mortals. 

Don’t even get him started when the landscapers are out, buzzing, rumbling and roaring with fossil fuel gusto. The spooked dog melts into a quaking, head-ducking mess. His body vibrates like one of those 25-cent motel beds and he hides between our legs and under chairs.

Cubby is a wuss. And he seems to be getting wussier with age. More neurotic, less secure in his fur, clingier and whinier. 

That hasn’t stopped his predictable barking tantrums when UPS or USPS drop by. Oh them he wants to tear apart between his keening and caterwauling. How exercised he gets when someone walks upon the front porch who isn’t friend or family. He’s a little guy, so it’s almost risible, all that raucous theater. We’d snicker if his clamor wasn’t so trying.

Poor pooch. He’s torn between fear and fury. Of course there’s the sweet in-between: the daily dogginess of cuddles and belly rubs, bully bones and the Baby Yoda chew toy, naps and nuzzles, loving woofs and lazy walks. 

But now, at this moment, Cubs has risen from repose and his ears perk nervously at a chorus of cicadas that’s blossomed after a day of rain. What’s that? Realizing it’s naught, his chin hits the floor again. The old man — 50ish in human years, really not so old — is learning that every noise isn’t a trigger.

An uppity pup? Hardly. He’s a humble character, gentle and obeisant, practically a lap dog. He likes to play chase with Baby Yoda and he gladly comes when called — he practically gallops. 

Despite his fear of the big bad lawn mowers and some other anxieties that may require pills, therapy, or both — did I mention he has to be sedated with not one but two meds before vet and grooming visits? — Cubby is fine, a good dog with curly gray hair and melting brown eyes. Funny thing is, he just might have taken a whole lot after … me. 

Cubby: craven and combustible; cuddly and crazy.

Pow-wows and Pinewood Derbies

When I was six or so, my dad made me join Indian Guides, the YMCA’s pathetic version of Boy Scouts, and one festooned with astonishingly tone-deaf and un-PC Native American clichés straight out of a John Wayne western. Think tomahawks, faux-deerskin, and feathers, lots of feathers.

Each young member adopted (or just made up) cartoony “Indian” names for themselves so we felt like a real “tribe.” For some reason I was Sleeping Lizard, which, on reflection, I’m certain was a joke by my ha-ha funny dad. Apparently, a blazing warrior I was not.

Indian Guides exalted all the usual outdoorsy crap, from hiking and sharing campfires to learning how to shoot bow and arrows. We raced Pinewood Derby cars and learned, in comically broad strokes, about American Indian culture. Headdresses were involved. I’m surprised we didn’t wear red face.

One activist against the Guides has said that kids’ programs like it are “literally incubators. They take the minds of children and ingrain superficial images of the Indian people, like we don’t exist anymore. It victimizes all children.”

While “victimize” is strong sauce for what Indian Guides did to me — it mostly made me want to yank off my absurd “Indian” necklace, which was made of beads and dry macaroni, and go home and play with my “Star Wars” action figures — enough people bristled at the group’s ethos.

In the early aughts, the YMCA, under pressure from Native groups, changed the program’s name to Adventure Guides and removed all references to Indians from guidebooks and activities. There would be no more meeting invitations in the shape of little tepees, no more petty cash called “wampum,” and no more greeting others with “How How.” 

How How? For Christ’s sake. I bet we even called our meetings pow-wows.

Vintage Indian Guides. I swear that’s not me or anyone I know.

But let’s rewind to the Pinewood Derby, a storied cultural event made famous by the Boy Scouts that would seem to have zero to do with sacred Native American lore. This is where, with the considerable help of dads, kids built their own unpowered, unmanned miniature cars from wood, usually from kits containing a block of pine wood, plastic wheels, and metal axles. You painted and stuck decals on the cars, and, if savvy, attached fishing weights for maximum propulsion down the track.

Except in decorating my car, which I dubbed the Blue Bomber for it’s cobalt paint job, I did no work on it. What — was I going to use a jigsaw and a wood sander? I was six.

Never mind. Though a blur now, I set the Blue Bomber at the top of the ramp next to a half dozen other homemade racers and let her rip. I did this several times. And won every race. I walked with the day’s first place trophy. Indian Guides might have been a gross masquerade, ignorant and disrespectful, and boring as hell, but at this moment it was golden.

Sleeping Lizard crushed it.

Facing evil

Let’s not get all down about it, but I’m reading “Survival in Auschwitz,” the slim and indelible account of life in the most notorious Nazi concentration camp by Primo Levi, an “Italian citizen of Jewish race.” Published in 1947, the pages bulge with terrible and inconceivable realities, much of it learned about in any decent schooling, yet far more personal and unsparingly granular. The horrors are shattering.

So I will spare you. I’m reading the book, an autobiographical classic, because of my upcoming visit to Auschwitz, just outside of Kraków, Poland. My trip, as I’ve oft-noted, takes me to Budapest, then Kraków, where I went years ago, including the day trip to the concentration camp, which is now a haunting al fresco museum that staggers with its bleak, blunt truths. Even the gift shop (yes, gift shop) is stained with gloom.

Why do we go to such places? I know someone who said he would skip Auschwitz if he went to Kraków, a fact I find astonishing. Few places throb with such recent history and so many fresh ghosts and has shaped so much of the modern era to now. It’s living history, inescapable. To duck it, inexcusable. 

That’s just me. Genocide is vital and we should be exposed to it as a reality check and cautionary device. Visiting Auschwitz (or Duchau, which I toured in Germany) is mind-expanding. It’s not a place for morbid curiosity or ogling. It’s a place for reflection and wonder. Like any potent museum, it works intellectual muscles and, more so, wrenches emotional ones. It’s as powerful as any Holocaust memorial or, similarly, the 9/11 Memorial and Museum. Its utter humanity rumbles, and humbles.

I have a strong stomach for dark and doom. I seek out shrines to deformity and mortality, like the Mütter Museum in Philadelphia, the Museum of Forensic Medicine in Bangkok, freak shows and books about human oddities. I always make a solemn visit to Holocaust museums, be it in Amsterdam or Israel. Or, of course, Auschwitz-Birkenau. 

It’s not about luxuriating in morbidity or getting a “thrill” from death, like some sophomoric Goth, who gleans reality from graphic novels and zombie movies. It’s the opposite, being repelled by it while pondering the strength, the sheer fortitude, of the victims and acknowledging that it can’t happen again. The triteness of that statement is a reflection of its truth.

In “Survival in Auschwitz,” Primo Levi writes eloquently of struggle and endurance in the face of naked evil inside the death camp. His spirit is wounded but unbowed. Survival is paramount, and he carries on because it’s all he can do. 

He says: “Sooner or later in life, everyone discovers that perfect happiness is unrealizable, but there are few who pause to consider the antithesis: that perfect unhappiness is equally unobtainable … Our ever-sufficient knowledge of the future opposes it, and this is called, in the one instance: hope.” 

Late summer litany

1.Late summer rain, lusty breezes, 70 degrees — paradise. Fall is knocking and I’m tripping over myself to answer the door. Of course more heat is brewing — it will hit 86 on Saturday — but the wind and wet is a heartening preview of the best season of all. Autumn is when I travel. It’s when I look for clothes — jackets, long sleeve shirts, shoes maybe. I recently bought a new watch and new glasses, both of them a shimmering blue, though any color coordination was strictly fortuitous. I’m not that fashionable. I consider the items fall purchases, as the watch is largely a travel accessory and the glasses signify renewal and optimism, things, perhaps counterintuitively, I associate with fall. (Plus, my prior glasses needed a new prescription and I never did like those old frumpy frames.) So summer’s in retreat. Cooler climes and shorter days are coming. And I’m getting all celebratory.  

2.The Little Rascals they’re not. But these kids have vim and spunk and initiative, an entrepreneurial spirit that fuels their gumption to holler at passing strangers who are easily a foot taller than them: “Lemonade! Get your lemonade right here!” These neighborhood urchins, some seven girls and boys, are tracing a wholesome tradition from way back — I’m thinking Tom Sawyer days. Times have changed: Their tangy beverage is displayed in bougie glass dispensers, from Ikea or West Elm. And they demand $2 per cup (in my day we charged a quarter!). It’s the last lap of summer, and here I come strolling under shade trees lining the hood’s main artery, a sitting duck. I’m buffeted by the blandishments of piping young voices touting their wares. But I am stuck. I’m carrying no cash, and evidently they don’t take Visa. All I can do is tell them this and walk on. It’s embarrassing, a little. But it beats what happened to me when I was hawking lemonade as a seven-year-old. “Lemonade!” I yelled at a passing car. The driver turned my way and flipped me off. Those were the days.

A stock photo, but look at that wad of cash!

3. Sometimes — no, almost always — a good, hard pop song is just the thing. I’ve been rediscovering two of the best power pop bands of the ‘90s, Jellyfish and The Posies, who prove a genius for the grooving, hair-tossing, sing-alongy pop hook. Plucking styles from a sequins rainbow of catchy, often ethereal influences — Bowie, The Beatles, The Beach Boys, Queen, ELO, Supertramp, Cheap Trick, with a pinch of psychedelia and a pound of Phil Spector — Jellyfish and The Posies layered sweet melodies atop bombastic rhythms and throbbing drums: sugar-coated hand grenades. Their greatest albums, Jellyfish’s “Spilt Milk” and The Posies’ “Frosting on the Beater,” rock as hard as they pop. Lush melodies and harmonies reign. And, especially in the case of Jellyfish, their sound and look is consciously sui generis; Day-Glo and dapper, the group seems right out of Sid & Marty Krofft. Even now, the bands crackle with a big bubblegum snap. Hear them here and here. (What happened to them? Grunge happened.)

Jellyfish, working hard at being psycho-delic.

4.My trip to Budapest and Kraków is precisely two months away. I know, it seems like I’ve been gabbing about it for an eternity. That’s because I have. Vacations are like that: you plan them, book them, then hurry up and wait. For months. Two months left. Grueling, but at least summer (*#$&!) is almost over. I’m still fussing with some fine points of the trip, like booking an overnight sleeper train from Budapest to Kraków (they told me to wait till the end of the month). And netting a spot at a coveted restaurant in Budapest (they told me to wait till mid-September). See, I’m ahead of myself. I booked hotels and dinners and tours four months in advance. Question: Should I really pop 30 bucks for a 45-minute tour of the Hungarian Parliament, which is beautiful and jewel-encrusted? I’m chewing over that one. But I’m pretty sure I know the answer.

Nope.

I try to steer clear of politics, but …

“When you read the list of Trump’s purported lies, they are absolutely incredible. His claims aren’t just false; they’re transparently, incandescently stupid. This was not a sophisticated effort to overturn the election. It was a shotgun blast of obvious falsehoods.” — David French, The New York Times

Bullseye.

Celebrities in the hot, hot, hot seat

If you haven’t watched “Hot Ones,” you have to watch “Hot Ones.” 

A blazing and blistering (literally) plunge into bar-food sadomasochism, the long-running YouTube show is a micro-budget showcase for today’s brightest stars to brave the burn of some of the cruelest hot sauces known to sear the flesh off your tongue. If you want to see A-list actors and musicians writhe in their most tortured, vulnerable, teary-eyed human condition — with extra-spicy schadenfreude drizzled on top — this show’s for … well, all of us.

It goes like this: Hello, Superstar. Now, as we chat, bite into that sauce-daubed wing. Chew. Squint. Fan your mouth. Weep. Curse. Cough. Choke. Guzzle ice water. Go on about how you can’t feel your mouth. Cough some more. Bite. Chew. Cry. Tell the host he’s a son of a bitch, or worse, for subjecting you to this. 

The celebs, always great sports, do this while answering smart, probing questions about their life, work and latest projects from the host, who has diligently done his homework about their past and present. And who clearly has callouses on his tongue, for he rarely even sniffles at the nuclear scorch of sauces with names like “The Spicy Shark” and the annihilating “Da’ Bomb Beyond Insanity.”  

The setup: Host Sean Evans, bald, beaming and boyish, invites a celebrity guest to nibble hot wings with him and engage in a very casual interview. They sit at hightop tables, with chicken wings and a row of 10 hot sauce bottles aligned in order of lethal heat. Guests — who’ve included Dave Grohl, Jennifer Lawrence, Jake Gyllenhaal, Cate Blanchett, Colin Farrell, Margot Robbie, Billie Eilish and heaps more — may seem calm, but their trepidation from watching prior episodes of three-alarm distress bleeds through. 

But on they go, biting hotter and hotter wings until they can barely take it anymore. They try to laugh it off as snot, spit and tears involuntarily spray from taxed orifices. Meanwhile, a composed Sean, he of the steel maw, keeps asking them questions. (“The show with hot questions and even hotter wings,” goes the tagline.) 

Gordon Ramsay gets burned, and is NOT happy.

That’s when many of our sweet superstars shred their chaste public personas and begin cussing at him for putting them through the gauntlet of fire. Sean chuckles apologetically, but not too apologetically. Tissues, milk, ice water are the guests’ paltry balms. Such mortal salves can only do so much. Chef Gordon Ramsay, crimson-faced, spluttered 128 expletives as he burned in “Hot Ones” hell. The show is about 24 minutes.

This makes for excellent lowbrow comedy. I don’t know why, but watching Gal Godot (“Wonder Woman”) do a magnificent spit-take while trying to douse the flames in her mouth is strangely funny. So is seeing Shaquille O’Neal gargling a gallon of milk and begging for “ice cube ChapStick.” Or Charlize Theron, clearly suffering, saying, “I like spice, but this is like somebody being an asshole.”

It’s a contest of will. And pain thresholds. And stamina. And sweat. And good humor. And, really, just why-the-hell-not fun.

Celebrities, those paragons of poise, in (harmless) agony. Bliss. 

Feel the burn here

Bonus track: A highlight reel of guests frothing at the host for setting them on fire, here.

Flicks and the physician

Small talk with your various professionals, be it a masseuse or barista, is standard social glue. I gab with my barber extensively about world travel, for instance, swapping tales of our latest journeys to pass the otherwise awkward time. It’s chop and chat. (Most guys at the barbershop jaw about sports. Tedium crystallized.)

Things are different with your doctor, unless it’s with your therapist, where talk isn’t cheap but it is profuse. With medical doctors small talk is spotty, because the climate is so clenched, so clinical. For one, they always seem to be in a tizzy, a nerve-wracking rush. Two, it’s hard to shoot the breeze when they’re asking you to turn your head and cough. 

I had the biannual appointment with my primary care physician the other day, and I came away thinking how cool he is. After prattle about my prostate, gab about my gall bladder, and talk of a tetanus booster, he eyed my t-shirt and said, “That’s a great studio.” I had to look down to remember I was wearing my A24 shirt that looks like this:

A24, if you’re wondering, is the hot indie film distributor right now. The boutique shop — which (shockingly) scored a Best Picture Oscar this year with “Everything Everywhere All At Once” — is a mighty machine, celebrating 11 years in the biz with brazen and peculiar taste. Ambitiously art-oriented, A24 pushes cult films that garner lavish critical kudos and discerning viewing audiences. 

Movies like: “Ex Machina,” “Midsommar,” “Hereditary,” “Uncut Gems,” “The Tragedy of Macbeth,” “Aftersun,” “The Florida Project,” “Talk to Me” and more

And TV shows like: “Euphoria,” “Beef,” “The Idol,” “Ramy,” “Irma Vep,” “Ziwe” and more.

The good doc and I fell into a spontaneous groove, both of us animated by the splendor that is A24. We agreed that the ending of “The Witch” was spectacular and the ending of “Midsommar” sputtered. 

His favorite A24 movie is “The Lighthouse,” with Robert Pattinson and Willem Dafoe, and he loves “The Whale,” which snagged Brendan Fraser a Best Actor Oscar. I told him I like “The Witch” more than the mind-boink of “The Lighthouse,” both films directed by visionary wunderkind Robert Eggers. He was okay with that. He just nodded, knowingly.

So, yeah, A24 is badass. Dr. So and So digs it. I dig it. But I guess the point is me and my professional — a guy who actually used a stethoscope on me — forged a small connection. Everyone likes movies, and most everyone can chat them up. This, however, was specific, downright micro. It was like talking about a tiny kebab kiosk in the slimmest side streets of Istanbul that only the savviest tourist would know about. 

And then reality barged in. Suddenly, the nurse entered and jabbed me with a tetanus shot, and my fellow A24 fan was gone, vanished in the weird smelling ether of the doctor’s office.

Fade to black. Roll credits. We’ll always have “The Witch.”

Is Austin overrated? and other stray thoughts

1. Even through my teens, my two grandmas, bless their long-dead hearts, called me Chrissy, and I didn’t mind a bit (unless it was in front of my friends, then I turned a scorching shade of fuck me). Today, one of my best friends, an unassailable lady in Texas, occasionally calls me Chrissy or even Chrissy Poo in endearing texts. Born Christopher, I’ve always gone by Chris, but that’s a unisex name, and for those of you with monikers like Jamie, Terry, Jessie, Charlie, etc., you know it can get sticky. Sometimes at my newspaper gigs, I’d get hate mail addressed “Dear Sir or Madam.” But that was rare. Readers could pretty much tell I was a guy, because my reviews often had an acid tang, a little banner that said: dick. Two of my favorite names for girls are Samantha and Alexis, which of course become Sam and Alex. I almost named a pet rat Samantha. When my sister-in-law calls the dog my way, she’ll chirp, “Go see Chrissy!” I don’t blush. I kind of like it. If it’s good enough for old Cubby, it’s good enough for me.

2.If I got a bunch of dogs, these are some of the names I would give them: Bongo, Mamet, Alvy, Corn Pop, Gatsby, Heddy, Akira, Brando, Phoebe, Takeshi, Willa, Uncle Johnny, J.D. and, my favorite, Kaboom. I don’t think a single one of the dogs would be pleased with me. Too bad. That’s just for starters. (Growing up we had a little black poodle named Itai, which is Japanese for “ouch.” Just think how he felt.)

Corn Pop and Bongo going at it.

3.I just retired my 2-year-old Apple AirPods — the first generation earbuds that pop out of your head when you sneeze — and replaced them with snuggier AirPods Pro: 2nd Generation, and I made a vital sonic discovery. It’s one that many of you probably already know (this Luddite lags in the world of aural ecstasy). And that’s that the pods furnish remarkably better sound quality when used for movies and videos than plain Apple Music tunes. I do my listening on a MacBook Air, be it music, podcasts, YouTube or films. I’ve watched three movies with the new pods (including the enthralling if baffling “Arrival,” a film that pushes me even closer to hating sci-fi) and the audio excellence — sumptuous, immersive, surround-soundy — has me giddy. Even a 1950s Billy Wilder flick cranked out sound like I was in a fine, classic movie theater that actually gave a spit about its presentation. Power to the pods.

4.I once worked with a masterly, natural-born writer named Michael Corcoran, who was the newsroom’s resident curmudgeon, bristling maverick and trenchant culture critic. Now retired, the award-winning scribe, who’s also a friend, maintains a beguiling blog whose lead entry is as incisive as it is infamous, a biting takedown of his hometown Austin, TX, titled “Welcome to Mediocre, Texas.”

“Only the mediocre are always at their best, someone said, which could be why Austin is so damn proud of itself,” Corcoran begins, and continues:

“There are two cities in the U.S. that truly matter: New York and L.A. Everywhere else is bullshit. Austin is cool and fun and artistic and — most importantly, easy — but that doesn’t make it a great city. The things that make a town a city — rapid transit, a great art museum, Chinatown, pro sports — Austin is without. We’ve got L.A.’s traffic, but no one who can greenlight a project bigger than a Chili’s commercial.”

Read the full rant HERE, especially if you’re reflexively enamored with Central Texas’ ego-tropolis, which a visitor I know once compared to Sacramento and Stockton.

But it sure is purty

Watching it

My wrists are boldly bare of beads, bands or bangles. I haven’t worn a watch in too many years to count. Bracelets, even the hippie/friendship kind, are no longer my style. And it’s alien when they snap on those paper wristbands at concerts and parties; I suddenly feel over-accessorized, or worse, like an inpatient. 

In my early world travels, I would sport a cheap little watch (a Casio, I think) before I owned a cell phone. Prior to that, I wore nothing on my wrists, unless you count the spiked leather bands we’d strap on as teens at metal shows, and I’d rather not.

The other day, however, I was transfixed by a banner ad for a watch. Granted, it was for an aggressively blue Swatch, which I knew I wouldn’t pursue, but it unfurled a vista I haven’t taken in for a very long time. A watch. How novel. I mused: Is it, um, time?

I suddenly became perversely excited for something as dully utilitarian as a … wristwatch. Like the time I just had to have this pair of Italian sneakers, or got an irrational urge to go to China (which I did, and I’m glad). Every once in a while, I can get almost maniacally materialistic: I must have that — now! And so, quite obsessively, I plunged into the world of watches. 

Down the rabbit hole I went, heedless, with fierce attention to fashion and function, while avoiding the bejeweled Omega and Rolex price brackets (rackets), as well as over-compensating smartwatches. With watches, I’m strictly a dilettante, not Flavor Flav. A couple hundred bucks, tops, maybe a mite more. And hold the bells and whistles. I’m also not an astronaut.  

After some initial scouring of mostly lame watches, including a bizarre glut of Snoopy timepieces, I spotted a handsome Timex, black brushed metal with a brown leather strap, at upscale men’s fashion outlet Todd Snyder. The piece is sporty, hip, sleek.

I bought it. I got it. It failed. 

I have spectacularly small wrists, roughly the circumference of kindling, and the 41mm watch face looked like a Chips Ahoy! cookie on my arm. Mammoth. It made me sad (and hungry).

Lesson learned — hopes burned — I began searching for 36mm to 38mm sizes, anything that wouldn’t look like a hubcap on my wrist. But these sizes are relatively scarce, so I couldn’t be picky. Yet I was coming across butt-fugly contraptions barnacled with dials and buttons and faces so complex, night vision goggles are required. I wasn’t joining the Navy Seals.

And then, there it was. A classically simple, elegantly plain analog watch, subtle and smallish, with a handsome olive green face and gold hands and digits and a tasteful black strap. It’s also a Timex, released in collaboration with Todd Snyder, an exclusive limited edition, and thus a few more dollars than I wanted to spend. It’s on its way as I type this. It better kill.

The hours spent shopping for a watch were exhausting and preposterous, and I only found two I liked. But shopping is a contact sport — mean, raw, intense. Be it looking for a Honda or a house, you scour and winnow and balance a mountain of variables (unless you’re shopping for a loaf of bread, say, and then the drama drops significantly). It can be arduous, but it’s also fun, because buying stuff is fun. I think this new toy will fit the bill. Just watch.

  • Update: The watch arrived today. It’s the size of a hubcap.