Nature calls. Take a message.

As I read about Chile — the country that curls like a tongue down the Pacific coast of South America — it seems more and more to be a platonic ideal for naturists, hikers and outdoorsies. Mountains, snow, rapids, ocean, flora, fauna, all doused in a magenta sunset glow that shouts once in a lifetime experiences — that’s what I see. Alpacas! Elephant seals! Avian abundance! Maybe a merman, or a yeti! The whole thing is almost mythological in its exotic, boot-trekking glories. Binoculars mandatory.

Here’s the thing: I’m not going to Chile to hike or ski or bird watch or scale anything that’s not human-made or shaped like stairs. Or, for that matter, anything that doesn’t have numbered buttons in a metal box with sliding doors. 

More than 12 minutes of hiking reduces me to a gasping heap of implacable boredom. Snow skiing I absolutely adore, but I haven’t done it in eons and I’m afraid at this late date I’d put on my skies and immediately crash into a tree, snap untold bones and forever reside in a wheelchair, speaking with a keyboard and a pencil between my teeth. 

During my Southern California childhood, I was a fiend for the forest, creeks, lakes, waterfalls, trails and, of course, the crashing chaos of the ocean and its silken beaches. We’d roll up our Toughskins and splash in pools looking for frogs and pollywogs, snakes and lizards. We always got poison ivy, always. Beyond the Santa Barbara area, we made Yosemite and Sequoia national parks paradises of youthful plunder. It was majestic.

Today, my idea of a jaunt in the wilderness is a day trip to the countryside — like a  winery. That sounds pitifully fuddy-duddy, but I counter that impression with my love of the ricketiest rollercoasters, the loudest Metallica, a good late-night tipple, hip sneakers and an innate aversion to Adele and Hootie and the Blowfish.

What I’m saying is that I have approximately zero nature planned for my approaching trip to Chile. For one, it will be winter when I go in June and I’m not packing boots or a beanie, and I am defiantly indifferent to spotting penguins in their natural habitat. A winery or three will be the gist of my wild country safari.

That’s not to say Chile’s outdoor offerings aren’t uniquely attractive. Glossing my guide book, I note three regions that more than tempt this tent-resistant traveler: 

“Norte Chico: Beaches, Stargazing and Verdant Valleys”

“Sur Chico: Ominous Volcanoes, Pristine Waterways and Outdoor Adventures”

“Northern Patagonia: Mountains, Rivers, Glaciers and Fjords”

Wait. Maybe I

No. 

I am an urban creature, a pavement pounder, a museum roamer, a wannabe epicure, a streetwise wiseacre — whatever. I simply don’t like rocks in my shoes, rattlesnakes or hauling a backpack the size of a Kia up craggy hills.

Take me to Tokyo for the wild nights and neon sizzle. Paris for the boulevards and bouillabaisse. New York for the noise and neurotic hustle. Istanbul, Madrid, Berlin, Montreal, San Francisco … In none of those cities do I need a walking stick or a can of Off!

I’m headed to Santiago, Chile’s capital, a metropolis of turbulent colonial and Pinochet-era histories, creative hives of Nobel poet Pablo Neruda, a patchwork of neoclassical, art deco and neo-gothic architecture, museums, grand parks and hills and the rushing Mapocho River, all backdropped by the Andes Mountains. 

I’ll take day trips to the aforementioned wineries, as well as to Valparaiso Port and Viña del Mar, which provide access to the countryside, coastline and beaches, about as nature-y as I’ll get. (No, I don’t own flip-flops or sandals.)

With a population of seven million people, making it one of the largest cities in the Americas, Santiago promises a breadth of urban sensations. Really, who needs the sanity of the great outdoors when you’ve got dinner reservations at a downtown restaurant called Dementia?

Travel burnout? Ah, grow up

Fanned out before me are four travel books about Chile, my next destination — if, that is, I can get over a bruising bout of traveler’s fatigue. 

We should all be so fatigued. A first-world ailment if ever there was one, this is a disorder of the chronic whiner, that big burbling inner baby who’s pooped pulling his roller carry-on through oh-so-crowded airports and having to locate the gate for his flight. Poor little travel boy!

Fortunately these are library books.

Writing the above was cathartic. It puts matters in perspective and places my pathetic buffoonery, my puerile moaning, in high relief. I’m not suffering chronic traveler’s fatigue, wherein I actually can’t pack my bags and go. This isn’t a medical issue. This is an earth-rattling brain fart.

I know the drill. For one, I’m quite agile negotiating the human/zombie slalom course of international airports. And while getting to one’s destination may be maddening, once you’re there — be it Chile, San Francisco or Naples —  the steady delights begin to flow. (Theoretically. Technically. So they say.)

Perhaps I’m not really fatigued after all. Yet I am definitely a little worn-out from the jostling logistics of multiple back-to-back trips: the sleepless nine-hour redeye flights, the four-hour layovers, and the sleepless 12-hour redeye trains. (“Sleeper Car,” with the clanging rickety-rack all night? Refund!) 

Not to mention the extortionately priced airport food (much of it prison-grade), snaking airport security lines, and the endless stop-go choreography of the Uber circuit. Yet, as frustrating as they can be, the Uberthons are worth it.

As are other tricks of the trade. I’ve started to pay for small conveniences, like “priority” seating on United (around $40 a flight) and, better, $78 for five years of TSA PreCheck, which zips you through security, sort of like the 15 items or less line at the grocery store.

But lately, after crammed-together trips to Budapest, Poland, Sicily and Washington, DC, I thought: This is enough. Too much, too soon. Breathe. Rest. Slow. Down. After Sicily, I almost kiboshed DC. After DC, Chile seems foolhardy.

Chile, booked and all, is 10 weeks away, plenty of time to recharge and rejuvenate. Right? For now, though, I’m tired — tired of airports, planes, trains and automobiles. Hauling my junk around. Dealing with strangers. Wah-wah.

But here’s what just happened today. After a good sleep, I shook off my doubts. I was even jazzed, wide-eyed, flipping through a Chile guide book, taking notes, figuring out what is … next.

Sicily and beyond …

My brother and I bought our widowed stepmom a two-week trip to France for April, which makes an unbroken streak of family travel, as my brother just returned from Madrid with his brood, I go to Sicily in February, and my brother and his wife hit Italy this spring to visit my nephew, who will be studying in Rome. 

It sounds all jet-setty, but it’s pure coincidence. We’re hardly the Roys of “Succession,” or the Kardashians of depression. We’re strictly economy — zero legroom and chicken curry meals swathed in foil. 

But it works. It gets us there. No matter if I don’t sleep a wink during a nine-hour redeye. They say it’s not about the destination, it’s about the journey. Bull dookie. It’s totally about the destination when you’re flying United. 

I go to Sicily in a month. Never been, but I anticipate the ancient splendor of Rome and the graffitied scrappiness and coastal beauty of Naples. It’s “Godfather” country, once infested with mafioso, and I’ve booked a tour that’s actually called “No Mafia.”

Yet, if you’ve seen the Denzel Washington action flick “The Equalizer 3,” which unfurls in Sicily and is operatically violent, you might think the Italian mafia, namely the homicidal Camorra, are alive and killing. “No Mafia”? How about “Uh, I’m Afraid-So Mafia?”

Harbor of Sciacca, Sicily

Though I’ve been to Italy a few times, I’m re-learning some basic words and phrases, like “Do you speak English?,” which is a big one for me. I ask that constantly in foreign countries, often in plain English, which is both foolish and boorish. In Sicily I will politely approach a local, clear my throat nervously, and ask, “Parli inglese?” (That’s: par-lee-inglesy.) And then, most likely, be promptly bopped on the nose.

I’m really not such a klutz in my travels. I tread lightly, mindfully, and rarely find myself in awkward tangles. I keep my trap shut, until I’m desperate for a small pointer. (“Mi scusi,” I might begin. “Where is the toilet?”)

We are travelers, my family and friends. I returned from Budapest and Kraków in October and I’m already greedily charting a post-Sicily trip. Where? I haven’t a clue. For the second time, I seriously considered Ireland, but research has again left me cold and bored. Besides Guinness and grass, what is there? A plethora of pubs? Some castles? Rain? Sheep? Elves?

I read an article, “20 Cool Destinations to Escape the Summer Heat” — ditching the heat is a huge selling point for me — and it includes Alaska, Canada, Iceland, Norway, Chile, South Africa and more. 

Chile sounds aptly chilly and attractively off the beaten track. (I’ve only been to South America once, Buenos Aires in July 2022 — our sweltering summer, their swooning winter.) At a glance, Chile in July offers snow skiing, wineries and temps in the low 60s. Heavenly. I used to ski madly back in California. Though if I try to ski at this late date, I’ll wind up with two broken femurs, four cracked ribs and a neck brace. 

Meantime, Sicily, the largest island in the Mediterranean, beckons. It’s awash in zesty history, a strange (and strained) relationship with mainland Italy, world-class cannoli, singular pizza, and a people I hope will brook a humble tourist’s blundering attempts at speaking Italian. A tourist who, spongelike, yearns to soak it up, metabolize it, then, months later, jump to the next place with almost juvenile impetuosity.

As the cliché goes, I’m like a shark: I have to keep moving or I die. That’s glib, but rather true. And if it is, I’m definitely a Great White — tenacious, voracious, and dying for an authentic pizza margherita.

Poignant pups in a barky, bittersweet doc

A peculiar joy is had watching the yelping delight two stray dogs derive from the simple actions of a bouncing soccer ball or a hurled tennis ball. Prancing, dancing, they are elated, gamboling across the nail-clicky concrete of Los Reyes, the oldest skatepark in Santiago, Chile, and, in a way, we are too.
1f75b438-fee3-4d55-8de6-cf760c6f1df1.jpg
In Chilean duo Ivan Osnovikoff and Bettina Perut’s almost inadvertently poetic, profoundly moving “Los Reyes,” the camera veers from the skateboarding youth who cruise sinuous bowls to examine the laidback lives of BFFs (best furballs forever) — Football, the elder, creaky-jointed cur that resembles a mangy male lion, and Chola, the frisky female chocolate Lab mix that occasionally tries to hump a large pillow. 
 
It wasn’t supposed to be this way. The filmmakers set out to document the skaters but located more compelling subjects in the park’s two permanent residents, who have little direct contact with their human visitors, save for the sporadic ball toss. Shot over two years, the doc can’t totally avoid the skaters, and it shouldn’t. Creatively hiding their identities, it captures them in snippets, mostly arty images of their hands, bodily shadows, long shots of them skating and idle voice-over chatter detailing the troubles and trivialities of their hardscrabble lives, from drugs to home and school dramas.
los_reyes-_chola.jpg
Dispensing with music, narration and anthropomorphic cutes, this is an astonishingly patient film, relying on the dogs’ alternately mirthful and mournful antics, quizzical gazes, the way they doze unfazed among the rackety-clackety skaters, or a simple shot of Chola standing statue-still in the rain, getting soaked with the patience of a penitent.
Despite their companionship, the mutts are essentially loners and there’s an aching desolation in their struggle-filled lives. Poetry blossoms from extreme close-ups of a long, panting tongue or rapidly fluttering nostrils, flies nipping at their flesh or a pair of scraggly paws at rest.
Los-Reyes-STILL-3.jpg
In this, “Los Reyes” is deceptively shapeless, so willfully hands-off, the 75-minute movie often plays like a lyrical and lovely Terrence Malick fugue. And then scruffy old Football will put something in his mouth, be it a Coke can, a pack of discarded cigarettes or a gigantic rock, and the pensive mood melts again. And so do we.
Unknown.jpeg
In select theaters. Watch the trailer HERE.