Busload of memory

In grade school, my friends and I would take one of those long yellow school buses that picked us up at the bottom of our street. The interior of the bus was lined with green leather benches — they fit three kids, to hell with seatbelts — and it smelled funny. A little sweet but musty, like diesel and kid funk.

The bus driver was an amiable but firm 50-ish woman named Mrs. Pelton. She had short dark hair and wore a yellow polo shirt everyday like a school-district uniform. 

I don’t know what her pants were like because she was always sitting down in that lone, boxed-in driver’s seat, the one with the huge steering wheel and hissing, hydraulic lever that operated the folding door we kids clambered through.

I don’t recall Mrs. Pelton ever hollering at me to settle down and be quiet or anything like that, but once she alarmed me in a way I can’t forget. She was driving down a sloped street and something happened — what, I’m not sure. She didn’t crash or swerve or brake hard. 

But she was shaken, and she said, “I’d rather hit a dog than a child.” A cannonball hit my belly. I couldn’t believe it. Rather hit a DOG than a child? I was stricken, my callow little head not appreciating the value of human life. Like now, I was partial to animals, loved and worried about them unabashedly. 

“Rather hit a dog than a child.” I suppose I thought she should run down some snot-nosed kid instead of a poor, innocent pup. What a guy. That moment has followed me all these years. It’s the biggest thing I remember about Mrs. Pelton, who has surely passed on by now, unless she’s like 250. 

Memories, good and bad, are strange like that — random, sticky. I have a storehouse of them, and many seem to pop up daily. Like when Tom Rainbolt peed all over my back in the boy’s bathroom in third grade, or when I learned to ski, or when I kicked a hole in our hallway wall (so busted), or when my best grade-school friend, reckless Gene, hurled live shotgun shells into a bonfire, or working at the exotic dance club or landing my first newspaper job, or …

Often, when whacked with insomnia, a dusty reel of life memories unspools in a long, disjointed movie of the irrepressible past. Some of it’s joyful, a lot of it’s painful. The things done right and the endless bruising regrets. It’s the id unleashed. (Of course everybody does this.)

I have a strong memory muscle — I recall much of my childhood in blinding Technicolor — marred by minor spells of amnesia. It’s not like I forget who I am — though that would be tremendous (temporarily) — but more like I’m not as mindful, drifting off. This is bad. Memories are magic, if I can be any cornier, a pass key to the past, illuminating the present (lessons learned, etc.). Attention must be paid. OK, the homily is over.

Beyond the life-molding experiences — playing in bands, fizzled romances, getting peed on — it’s the people from the past who stand out: Mom, Dad, first-grade teacher Ms. Brose, Brandon, Janice, Roxanne, high school English teacher Mrs. Condon, Guen, Sativa, Nettie, Shannon, Laura, Nicky the dwarf — and, of course, ole Mrs. Pelton, who’d rather hit a dog than a kid, bless her sweet, sensible heart. With those few words, she locked a place in my long, crowded bus of memory.

One memory launches a hundred more

There was the one-legged kid with the giant mouth who sold us homemade firecrackers for 25 cents a pop on the playground. That was Clayton, grade four, with a wooden leg and a broad freckly face topped by a shaggy pageboy. I still don’t know why Clayton had one leg. But he got along, though with a strenuous limp that made him look like a lurching scarecrow.

Those were some times, grade school in Santa Barbara, Ca., when John Travolta, John Ritter and Jonathan Livingston Seagull soared. When skateboarding became a bowl-swooping craze and the Boogie Board vaulted bodysurfing to radical crests. And when Pong and Space Invaders rocked high-tech recreation with bleeps (and, face it, creaks). 

Jim Jones and “The Devil in Miss Jones.” Darth Vader and “Dancing Queen.” The time machine churns and Clayton, poor Clayton, is probably selling TNT to demolitionists in Arizona these days. Light the fuse …

Boom! That’s KISS, circa 1978. All fire and folderol. And, for a fourth grader, everything alluring wrapped in one blinding bundle: sex, rock ’n’ roll, explosions, noise, mayhem, tongue-flinging personas in makeup and costumes.

Not a good look. Things rarely age well, unless it’s wine, or Cheryl Ladd.

Some things last. Queen and the Ramones. “Annie Hall” and “Apocalypse Now.” Bowie and Belushi. Richard Pryor and Richie Cunningham. Didion and De Niro. Rodney Allen Rippy and priggish Charmin pitchman Mr. Whipple. And yes: “Maude.”

What we’re getting at is memory and endurance, how they’re braided, and the randomness of it all. It started with Clayton’s cheap firecrackers — painted silver, with the fuse strangely in the middle, not the top — a fond memory from when I wore Keds sneakers and Sears Toughskins and had hair like Adam Rich. 

Apparently out of nowhere I had a flash of Clayton, always with that enveloping smile, his disability be damned, and everything came rushing back in mere seconds, and with it the world.

You must remember this 

I own a stockpile of childhood memories (a disproportionate number of them featuring poo) that I access often and for the most part fondly — distant, dreamlike time travel that reminds me I’m alive and have lived. 

Randomly: There’s the time my mom got sprayed and drenched by a blubbery walrus at SeaWorld when I was 8. My first real kiss with Stephanie when I was 12. My dad taking us to a live taping of “The Tonight Show with Johnny Carson” at 14. Playing drums in my first professional rock concert at 17. And when a kid peed all over my back while I was stationed at a urinal in the boy’s bathroom. I was 7, and wearing a brand-new shirt to boot. Yeah, I bawled. (The fact that I never made a voodoo doll of that kid is miraculous.) 

Those are youthful flickers. I’m skipping adult flashbacks — like when I was detained by Hezbollah in Beirut, or when I got acupuncture and almost puked — in favor of more faded scrapbook pages, not all of them fully innocent or delightful, but mostly far enough in the past that any sting has been blunted. (Strike that: a guy pissed all over me.) 

It’s smart to wax philosophical about these things. “Memories warm you up from the inside,” writes novelist Haruki Murakami. “But they also tear you apart.”

True that. I harbor some memories that are seared in my consciousness as if by a cattle brand, and I wince to this day. Still others are sublime and soaring, pleasures to revisit and revel in, visions that, as Murakami says, “warm you up from the inside.” Memories are agents of powerful, sometimes bulldozing, emotions. They hit you right here. They are not to be trifled with.

Summer memoriesMore remembrances, good, bad, ugly: At age 9, my best friend and I got our impish hands on some shotgun shells and threw them into a backyard fire in hopes they’d blow off (they didn’t). Selling lemonade from a curbside stand, my gal pal and I — we were about 7 — beseeched a passing teenage driver to buy a tasty beverage. He flipped us off. We were scandalized between giggles. My black Lab killed the neighbors’ cat. A few of us mischief-makers planned to dig a giant hole, cover it in leaves, and invite a neighbor kid over to fall into the pit. Digging the hole was so hard, I abandoned the plan within minutes. 

These are piquant memories, fragmentary yet oddly enduring. Evoking them — like seeing that dead horse in the road after it was hit by a car when I was 6 — is bittersweet.

I retain a catalog of episodic nostalgia, musty but living organisms that are easily accessible and flicker like short films across slabs of my brain: the hippocampus, neocortex and amygdala. Exhuming them is akin to fanning a Polaroid, waiting to see the image, with great and terrible affection.