Nature calls. Take a message.

As I read about Chile — the country that curls like a tongue down the Pacific coast of South America — it seems more and more to be a platonic ideal for naturists, hikers and outdoorsies. Mountains, snow, rapids, ocean, flora, fauna, all doused in a magenta sunset glow that shouts once in a lifetime experiences — that’s what I see. Alpacas! Elephant seals! Avian abundance! Maybe a merman, or a yeti! The whole thing is almost mythological in its exotic, boot-trekking glories. Binoculars mandatory.

Here’s the thing: I’m not going to Chile to hike or ski or bird watch or scale anything that’s not human-made or shaped like stairs. Or, for that matter, anything that doesn’t have numbered buttons in a metal box with sliding doors. 

More than 12 minutes of hiking reduces me to a gasping heap of implacable boredom. Snow skiing I absolutely adore, but I haven’t done it in eons and I’m afraid at this late date I’d put on my skies and immediately crash into a tree, snap untold bones and forever reside in a wheelchair, speaking with a keyboard and a pencil between my teeth. 

During my Southern California childhood, I was a fiend for the forest, creeks, lakes, waterfalls, trails and, of course, the crashing chaos of the ocean and its silken beaches. We’d roll up our Toughskins and splash in pools looking for frogs and pollywogs, snakes and lizards. We always got poison ivy, always. Beyond the Santa Barbara area, we made Yosemite and Sequoia national parks paradises of youthful plunder. It was majestic.

Today, my idea of a jaunt in the wilderness is a day trip to the countryside — like a  winery. That sounds pitifully fuddy-duddy, but I counter that impression with my love of the ricketiest rollercoasters, the loudest Metallica, a good late-night tipple, hip sneakers and an innate aversion to Adele and Hootie and the Blowfish.

What I’m saying is that I have approximately zero nature planned for my approaching trip to Chile. For one, it will be winter when I go in June and I’m not packing boots or a beanie, and I am defiantly indifferent to spotting penguins in their natural habitat. A winery or three will be the gist of my wild country safari.

That’s not to say Chile’s outdoor offerings aren’t uniquely attractive. Glossing my guide book, I note three regions that more than tempt this tent-resistant traveler: 

“Norte Chico: Beaches, Stargazing and Verdant Valleys”

“Sur Chico: Ominous Volcanoes, Pristine Waterways and Outdoor Adventures”

“Northern Patagonia: Mountains, Rivers, Glaciers and Fjords”

Wait. Maybe I

No. 

I am an urban creature, a pavement pounder, a museum roamer, a wannabe epicure, a streetwise wiseacre — whatever. I simply don’t like rocks in my shoes, rattlesnakes or hauling a backpack the size of a Kia up craggy hills.

Take me to Tokyo for the wild nights and neon sizzle. Paris for the boulevards and bouillabaisse. New York for the noise and neurotic hustle. Istanbul, Madrid, Berlin, Montreal, San Francisco … In none of those cities do I need a walking stick or a can of Off!

I’m headed to Santiago, Chile’s capital, a metropolis of turbulent colonial and Pinochet-era histories, creative hives of Nobel poet Pablo Neruda, a patchwork of neoclassical, art deco and neo-gothic architecture, museums, grand parks and hills and the rushing Mapocho River, all backdropped by the Andes Mountains. 

I’ll take day trips to the aforementioned wineries, as well as to Valparaiso Port and Viña del Mar, which provide access to the countryside, coastline and beaches, about as nature-y as I’ll get. (No, I don’t own flip-flops or sandals.)

With a population of seven million people, making it one of the largest cities in the Americas, Santiago promises a breadth of urban sensations. Really, who needs the sanity of the great outdoors when you’ve got dinner reservations at a downtown restaurant called Dementia?

Poignant pups in a barky, bittersweet doc

A peculiar joy is had watching the yelping delight two stray dogs derive from the simple actions of a bouncing soccer ball or a hurled tennis ball. Prancing, dancing, they are elated, gamboling across the nail-clicky concrete of Los Reyes, the oldest skatepark in Santiago, Chile, and, in a way, we are too.
1f75b438-fee3-4d55-8de6-cf760c6f1df1.jpg
In Chilean duo Ivan Osnovikoff and Bettina Perut’s almost inadvertently poetic, profoundly moving “Los Reyes,” the camera veers from the skateboarding youth who cruise sinuous bowls to examine the laidback lives of BFFs (best furballs forever) — Football, the elder, creaky-jointed cur that resembles a mangy male lion, and Chola, the frisky female chocolate Lab mix that occasionally tries to hump a large pillow. 
 
It wasn’t supposed to be this way. The filmmakers set out to document the skaters but located more compelling subjects in the park’s two permanent residents, who have little direct contact with their human visitors, save for the sporadic ball toss. Shot over two years, the doc can’t totally avoid the skaters, and it shouldn’t. Creatively hiding their identities, it captures them in snippets, mostly arty images of their hands, bodily shadows, long shots of them skating and idle voice-over chatter detailing the troubles and trivialities of their hardscrabble lives, from drugs to home and school dramas.
los_reyes-_chola.jpg
Dispensing with music, narration and anthropomorphic cutes, this is an astonishingly patient film, relying on the dogs’ alternately mirthful and mournful antics, quizzical gazes, the way they doze unfazed among the rackety-clackety skaters, or a simple shot of Chola standing statue-still in the rain, getting soaked with the patience of a penitent.
Despite their companionship, the mutts are essentially loners and there’s an aching desolation in their struggle-filled lives. Poetry blossoms from extreme close-ups of a long, panting tongue or rapidly fluttering nostrils, flies nipping at their flesh or a pair of scraggly paws at rest.
Los-Reyes-STILL-3.jpg
In this, “Los Reyes” is deceptively shapeless, so willfully hands-off, the 75-minute movie often plays like a lyrical and lovely Terrence Malick fugue. And then scruffy old Football will put something in his mouth, be it a Coke can, a pack of discarded cigarettes or a gigantic rock, and the pensive mood melts again. And so do we.
Unknown.jpeg
In select theaters. Watch the trailer HERE.