Ready for takeoff

The airport security line today was groaningly long, but it moved with ease and speed and I hardly complained about the grabby strip search. Soon enough, I was on my way to Gate C123, where I’ll be boarding a Boeing something or other to Rome, an eight-hour redeye that will land tomorrow just past the crack of dawn. 

My brother, who meets me in Rome on Tuesday, drove me to the airport. I was very appreciative until he tried to fist bump me as I got out, a gesture that isn’t really in my physical vocabulary. I indulged him, with a blush — what am I going to do, reject the fist? Then I exclaimed, Ciao! Grazie!, getting into the spirit of the trip and all. He drove off, perhaps flushed with shame.

Checking in at the United kiosk, no one asked to see my Covid vaccination card, but whatever. That’s one less micro hassle. United on its website cautioned to get to the airport early due to a possible surge in spring break travelers, the worst kind. But it didn’t seem overly crowded, and only once did I hear “bro” uttered. 

I wound up overcompensating by getting to the damn airport way too early, as I almost always do. I still, now, have a little more than two hours to kill at the gate. I’ve had an $11 beer and a $13 turkey sandwich wrapped in cellophane — airport haute cuisine. Now what?

I can get some reading done. I brought along novelist Jeffrey Eugenides’ cult classic “The Virgin Suicides,” which I read long ago and have meant to reread. So here I am, and the book holds up better the second time. 

If you’ve read it, or seen Sofia Coppola’s gauzy movie, you know it’s a suburban American gothic hinged on the suicides of five teenage sisters over one year. That sounds grim, but the story, suffused with Eugenides’ glinting lyricism and arch humor, moves with a lush, dreamy drift that’s slightly removed from reality, yet remains wise and true and fine.

I’m already about halfway through the novel, which means I’ll probably have to buy another book for the return trip. Ah, the pleasurable perils of world travel …

Brilliant bite-size books

I might be a tad late on this, but I’ve just discovered the marvels that are the mighty, mini hardbacks of the Picador Modern Classics series. I’ll be brief, out of breathless excitement and, well, what can I possibly add to the unadorned fact that these books exist and that, from what I can tell, there are only 12 titles available in this novel (pun, intended) format?

So, like the books themselves, I will be compact. 

But I repeat, with a shill’s enthusiasm, I am enamored of these brilliantly itty-bitty books, which are about the same dimensions of an iPhone 11 — if thicker, more paper-y, less glassy (and, alas, devoid of Siri’s seductive, dulcet tones). 

At less than six inches tall, the books are made for pockets, but they are still chunky, quality hardbacks, running about $16 list. They’re so adorable and beautifully designed, they’re practically edible, or at least highly collectible.

I just finished Christopher Isherwood’s devastating novel “A Single Man” in the Lilliputian edition. (My review: radiant.) Now I’m re-reading Marilynne Robinson’s lyrical 1980 masterwork “Housekeeping.Rarely do I get the urge to make a phone call on it, as mostly I’m wholly aware it is a book.

Other titles in the Picador collection include Denis Johnson’s masterly, evergreen stories “Jesus’ Son”; Joan Didion’s indelible essays “Slouching Toward Bethlehem”; Jeffrey Eugenides’ breakout novel “The Virgin Suicides”; Michael Cunningham’s shrewd reinvention of “Mrs. Dalloway,” “The Hours”; and Susan Sontag’s landmark study “Regarding the Pain of Others.

That means there are five more worthy titles to check out in the series. Do so HERE.

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