The rising OK-ness of a table for one

“We love our single diners!” gushed the genial manager at Girl & the Goat in Chicago on a recent Thursday night. I believed her. She was sincere, direct and almost giddy.

I was eating alone, again, as I do when I travel solo, which is 99-percent of the time. Have no pity. This is something I relish, the quietude and solitude of dining companionless. Not that I don’t like eating with others. I do. But solo is its own sensation — cool, uncluttered, zen.

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Look at this guy. He’s dining alone, and he still looks suave.

I’ve eaten alone in restaurants around the world scores if not hundreds of times. What once might have been a mite squirmy and self-conscious is now a cinch, and a joy. Like going to the movies alone (the best way), eating singly is woefully underrated. (Haunting bars solo is a lonelier proposition, but it’s still totally doable, at times even rewarding.)

Eateries have evolved and they are now equipped, ready and happily accommodating of the one-man show. I have no, er, reservations about making a reservation for one, and the staffers on the other end never pause, hiccup or flinch when they hear that some weird single guy is coming. Nowadays a table for one is entirely normal. Any uncomfortable vibes are coming from your end only. I’ve never felt strange or alienated dining out with me and myself.

9Go. Relax. Be seated and order a cocktail or a glass of wine. I used to bring reading material to the table, a magazine or travel guide — like the hapless fellow in “The Cook, the Thief, His Wife and Her Lover” — but no more. (For one, it’s invariably too dark to read anything. I’m at the point where I have to use the light of the table’s feeble candle to read the menu.) And I’m not one to obsessively tap, scroll and stare hypnotically at my smartphone. So I instead observe, look around and listen — the time-honored sport of people watching.

When it’s early, well before the dinner crush, I’m known to sit at the bar with my laptop and have a small bite and a beer, which I did last week at Longman & Eagle in Chicago, a winsome gastropub with a kicky, rustic flair. I emailed ahead for the best hours to pull out a computer and to confirm the place has free Wi-Fi.

Any stigma attached to the idea of lone dining is dated and moribund. At Avec in Chicago I sat at the bar with an unbroken row of single diners. A few chatted with the stranger next to them, others (me) kept to themselves and saved conversation for the empathetic, fiercely attentive server who coddled me just enough that I didn’t feel fawned over.

There are perils to eating out alone. Servers tend to have the urge to rush the meal, so if I’ve ordered three courses, instead of staggering them leisurely, the server will pile them on, and I wind up with three full plates waiting to be tackled at once. I call this shoving food down your throat and shoving you out the door (this has happened to me at least three times recently). Rushing the plates, it’s as if the lone eater cannot be left without something in front of him, lest he perish from loneliness.

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View from the bar at Frenchie in Paris. Close to the action, with great, personalized interaction. That’s owner, head chef and all-around mensch Gregory Marchand. I had the best seat in the house.

Tip: Sit at the bar. Servers tend to be more attentive and personalized and there’s less of a chance of a plate pile-up because the area is busier and service slows somewhat. Communication, from illuminating details about the menu to cordial chit-chat, reigns.

Plus, the scenery at the bar is superior — a stool with a view. If you’re lucky, there’s an open kitchen, where you can witness the artful commotion of chefs in the tentacled frenzy of culinary creation. Bodies swerve and dodge, flames lick the ceiling, delicacies are chopped and seared and tossed, plates are decorated as meticulously as a Buddhist sand mandala. Art happens. For the wide-eyed foodie, it’s the frisson of salivating spectacle, a bonus main course, with extra dessert.

Eating, walking, rocking, Chicago style

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View from the 95th floor bar-lounge in the John Hancock Building.

The first thing I did in Chicago was get a drink. There for fun from last Thursday to yesterday, I took the elevator in the famed Hancock Building (at a clip of 22 mph), which was smack next-door to my hotel in the lake-kissed Gold Coast, and landed in The Signature Lounge on the 95th floor.

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My hotel abutting Hancock Building.

It’s all about the eye-popping view. But after the hassles of airport travel, it was as much about a decompressing dram. Like the view, the drink prices were waaay up.

The catch: Going one floor higher to the official observation deck costs a smidge more than a Signature drink. So it works out: same view, less money, plus a cocktail and a seat at the window. My blackberry gin and tonic, mighty fine, cost a few cents less than $19, pre-tip. Ghastly, sure. But again, a better deal than what the higher (and dryer) chumps upstairs got.

It was a refreshing and dazzling beginning to the trip, which would take me on a three-hour walking food tour (very good, but too many sweets), Millennium Park, the International Museum of Surgical Science (shoutout to blogger Jessica — you would love this place), the Art Institute of Chicago (boo — no “American Gothic”; it’s on loan), Frank Lloyd Wright’s world-famous Robie House, an exhilarating play about teenage-girl soccer players called “The Wolves” (it was a Pulitzer finalist), an iffy concert of all-female punk bands at legendary dive bar The Empty Bottle, and a superlative array of eateries running the gastronomical gamut.

Yes, I did, as sworn, order and devour the fabled roasted pig face — and it was amazing. That was at the charming and bustling Girl & the Goat, where I also ate calamari bruschetta and grilled broccoli, all of it savory and spectacular.

Chicago is like a cozier New York with a tang all its own — a little Midwest, a little metropolis. It’s thronged and noisy, but contained and sleek, despite ragged edges any city worth its urban bona fides possesses.

The “El” trains will deafen you, while its uber-original hot dogs and pizza will soothe and sate. It’s got a lake so big it looks like an ocean and it’s steeped in cracked-leather tradition that makes so much of it seem early-20th century old school. Like Al Capone old school. Like lots of restaurants called Joe’s. But it’s also ever-changing, of course, with farm to table bistros, elegant bars, hip cafes and cutting-edge art. Its modernity is palpable.

It is, in its sneaky little way, deeply seductive.

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Roasted pig face, succulent layers of meat with potato crisps under the runny egg. This signature dish at the adamantly popular Girl & the Goat was the highlight of the night, and perhaps the trip.
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Calamari bruschetta (clam baguette, goat milk ricotta, goat bacon, green apples) at Girl & the Goat. Perfectly firm yet silky squid with the creamiest, velvet-like ricotta. Kaleidoscopic flavors, sweet, tart and savory — a tastebud tango.
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Pricey drinks, priceless views, 95 stories high.
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Anish Kapoor’s glistening Cloud Gate sculpture, aka the Bean, in Millennium Park. People swarm the ginormous orb, gazing at the skyline and themselves in its curved silvery skin.
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Same, in the Loop district of the city, Millennium Park.
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Butcher steak at the phenomenal Avec, a massively in-demand Mediterranean-tinged joint that hit every note just right, with music to spare. The must-have dish, which I had and almost wept over, is the chorizo-stuffed dates. Divine. Meanwhile, this steak, piled with tender fennel, was marvelously otherworldly.
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Frank Lloyd Wright’s elegant Robie House was finished in 1910 and is part of the iconic architect’s Prairie period. It’s simple yet granular in its considered details that only Wright was doing at the time — from windows and furniture to lighting and rugs. It’s one of the most important examples of residential architecture in America. Undergoing renovations, it can be a little musty in some rooms, but the informative tour highlights what makes the building a grand marriage of form and function.
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The sublime Art Institute of Chicago boasts one of the largest collections of Impressionist paintings in the world, as well as such masterstrokes as Seurat’s giant pointillist gem “A Sunday on La Grande Jatte,” Picasso’s “The Old Guitarist,”  Hopper’s “Nighthawks” and a flotilla of other indelible works by Degas, Magritte, Dali, Warhol, Giacometti, et al, not to mention exhibits of African and Asian art and a large spread of Chicago’s specialty, architecture. Huge and handsome, the venue is like a combo of NYC’s MoMA and The Met — a magnificent aesthetic amusement park.
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The perfect classic Chicago-style hot dog, or “red hot,” that’s been, as they say, “dragged through the garden.” It overflows its poppyseed bun with celery salt, a dill pickle spear, peppers, tomatoes and onions. For three bucks at famed Portillo’s, it was a thoroughly delicious snack.