“It’s a long way to the top if you wanna rock ’n’ roll” — AC/DC
Those immortal words are screeched by the late Bon Scott in AC/DC’s 1975 crunch classic “It’s a Long Way to the Top (If You Wanna Rock ’n’ Roll),” as if you couldn’t guess. Trite as the song’s sentiment is, I doubt your everyday rock fan actually considers how categorically true it is.
A “long way”? Try an impossible way, an absolutely, maniacally preposterous way to the top. Let me, a reformed headbanger who briefly did the band thing, put it this way: If you wanna rock ’n’ roll, do it for fun and creative release and, just maybe, a spritz of ego juice. (Plus: free beer.)
Just know, you will never, ever get to the top. If that’s your goal, put the guitar down, invest in tattoo removal and return your hair to its natural hue. It’s time to stop snarling and re-enter society, as buzzkilly as that sounds, says grandpappy, wagging a wizened finger.
Because my bands went nowhere (except to storied San Francisco nightclub Mabuhay Gardens) doesn’t mean many or most bands will go poof in rock’s heartless ether. Wait. Yes, it does. But world domination isn’t the objective. Or it shouldn’t be.
Rock is hard. Still, you should rock hard.
Like some sweet tween girls I know, who are embarking on the rock walk with confidence, enterprise and a smidge of kick-ass. I don’t have a parentally-approved photo to share, but the California quartet goes by Cat-Astrophe and emphasizes cover tunes over originals, which assumedly they haven’t composed yet.
To watch a new rock group blossom is heartening, no matter the age, sex or talent. Music is a calling, and if it’s the right kind of music, that calling is loud.
Enter Cat-Astrophe. The band’s drummer and guitarist are the twin grade-school daughters of my eternal friend Tiva, who herself, in her searching twenties, co-fronted a loose garage band. It’s in the blood, this insidious rock ’n’ roll racket.
Living faraway, Tiva and I mostly text, and she’s been sharing details about her daughters’ living room rocking. When she notes they like the hard stuff, I toss out suggestions, especially drum-inspired ones. “Back in Black” by AC/DC and “Tom Sawyer” by Rush are icons of rock drumming, for instance. (Though I fear the notorious surgical precision of “Tom Sawyer” will make her hurl her drumsticks through a window.)
Recently, I sent Tiva a file of the both catchy and plodding (and, at almost nine minutes, long) “Kashmir” from Led Zeppelin. Any rock drummer should know her thwumping John Bonham beats — her Bonham fides — if she’s going to thrive. If she’s going to Rock.
But growing girls have their own ideas, and Cat-Astrophe is finicky. Here’s a text exchange with Tiva:
Tiva: OMG, I am so sad. The other girls in the band want to cover some J-Pop song. Sigh. But thank you for sending “Kashmir.” I’m not sure Led Zep is their scene. They’re ALL about Billie Eilish. I guess I’ve reached the point where they will shun any and all of my musical suggestions.😭
Me: We are ancient. Make them cover a Duke Ellington tune, or something by the Andrews Sisters.
Tiva: Seriously. The weird thing is: they like Willie Nelson. They also like Wilco, Cake, Queen, Black Sabbath, R.E.M., Joan Jett, Green Day, Nirvana and The Cure, so…
Me: Green Day and Nirvana = yay. The Cure = I never got them. Mopey, draggy, dreary.
Tiva: They only do the Cure’s “Boys Don’t Cry.”
Me: I loathe that song. And Wilco always blesses me with fits of diarrhea. (Sorry.)
Tiva: The other problem is, Cat-Astrophe’s lead singer wears crop-tops, black lipstick (ugh) and eyeliner — at age 10! We’re hoping the girls stay wholesome.
Me: Ha! Rock ‘n’ roll isn’t wholesome. If the girls don’t have groupies in, say, eight years, they have failed. Pass the Jack Daniel’s.
Failed, like my groups. Frankly, we weren’t trying that hard, distracted teens and all, and I knew pretty early that metal drumming was, for me, a dead-end — repetitive and luckless (remember “Spinal Tap”?). I was always the first guy to quit the band, and I was always relieved to be out.
So Tiva’s complaints aren’t moot. Assembling a successful group takes an exacting calculus of talent, personalities, taste, style, team work and the right shade of lipstick. The rest is all creative tension, which can either spark a flame like stone to flint (the Beatles), or ignite a brushfire, destroying all in its path (Oasis).
While the girls in Cat-Astrophe work things out, it’s fair to note that this tot rock thing is far from original. Kid bands abound, many inspired by musical incubators like School of Rock, playing what seems to be mostly hard rock: Metallica, Guns N’ Roses, Nirvana and, of course, AC/DC. (Why is that? I think because, in general, the beats are simple, the three-chord riffs are doable, and the vocals are, like, whatever.)
Tiva spots a star. In a text, she singles out her drummer daughter as “the badass of the bunch, a stoned-faced metronome. That girl does NOT miss a beat.”
Me: She’s like AC/DC’s amazingly precise 4/4 machine, Phil Rudd. I think he’s in jail.
Tiva: She already has arm muscles, and never talks about drumming. She just silently walks to the drums and wails. The looks on those girls’ faces … priceless.
And that’s the crux of great music, Hendrix to Haydn — the intoxicating magic when everything falls into place … priceless. It’s a long way to the top. But sometimes, with the talent and tenacity, the climb might just be worth it.
2 thoughts on “Smells like tween spirit”
“AC/DC’s amazingly precise 4/4 machine, Phil Rudd. I think he’s in jail.”
LOL, most people are more shocked and amazed when he’s out of jail. And my drummer friend always said his replacement in AC/DC was technically much better than Rudd himself.
And if there ever was a 4/4 machine in rock n roll it was Malcolm Young, the global idol and role model of all rhythm guitarists. A set of 0.12 guitar strings is ultra heavy and made for abusive players, Malcolm sported 0.14s on his poor guitar. That’s like super human! Also he wrote most of the AC/DC songs.
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You are so right about Malcolm being the 4/4-beat brains behind the band (RIP, Malcolm!). He was the silent genius, except when wailing on the ax. You’re also correct that Phil is out of the pen and back in the band, after his bizarro murder-for-hire conviction. But Brian Johnson can barely hear, and he will be missed.