Happy August

~ Chris ~ Leave a comment

The summer heat wave, all solar blaze and dragon’s breath, sizzles on without a whisper that it will break soon. It was 95 degrees at noon today, and still I braved a quick walk that was as pleasant as licking dynamite. I was sopped afterwards, but AC and a brawny desk fan evaporated the wet in 45 minutes or so. Summer. Yum! 

The whole time walking all I could think was: August 1st — yes. Summer’s last lap. Though September is unduly warm, it rarely hits the 90s and I get giddy waiting for it. In fall, the air smells different, earthy. Breezes are brisk, just like the cliché. The sun softens, goes fuzzy like a peach. I get to wear jeans. I take a trip (Berlin in October). Of course, there’s Halloween. So great for kids, so embarrassing for participating grown-ups. Everyone’s infantilized. And there’s Thanksgiving … yeah, well. 

When I walk, it’s an obstacle course of flora. I duck below the low-hanging branches of curbside trees and hopscotch around front yards flush with foliage curling over the sidewalk. It’s all so lush, the greenery, that I hate to say I can’t wait for it to shrivel and die in the cold. It is pretty and life-affirming, but sporting a jacket beats it anytime. The heat is my kryptonite; the chill my vitalizing spinach. (Mixed metaphors — Superman and Popeye. Apologies.) 

Ironically, workers are installing a fancy heater in the dining room today, which, if it wasn’t such a happy prelude to the cold, would be insanely counterintuitive. 

I wonder when the heater will be needed? When will we drop to 50, 40 degrees? When will we stop sweating? When will it be dark by 6 p.m.? When will all those plants die?

Tomorrow, please.

A tossed salad of topics, memoirs to movies

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In these mid-summer doldrums, a few rambling thoughts that amount to nothing in particular …

Best sentence all summer: “Her lipstick is a philosophically incomprehensible shade of chalky orange.” (From “Eve’s Hollywood” by Eve Babitz.)  

I have yet to read a memoir that didn’t bore me silly or raise an eyebrow or two. Nabokov’s “Speak, Memory” is a possible exception, and “Eve’s Hollywood” definitely is. I’m skeptical of minutiae only the writer cares about, like how their father flew planes in World War II and their sister married an alcoholic son of a bitch. I can hardly believe a word of what the authors say, especially when they do things like insert direct quotes they muttered as toddlers, forty years after the fact. (See: Mary Karr’s aptly titled “The Liars’ Club.”) It’s all magnificent hooey.

I’m sleeping like crap. Nothing new, but I’m locked in a stretch of relentless insomnia. I called my doctor and he gave me a low dose of Lunesta. It’s done nothing, even when I take more than the prescribed amount (whoopsie). I pop Benadryl and a dorky over the counter sleep aid as well. I’m all drugged up and I still don’t nod off till 4 or 5 or 6. Then I sleep till 9 and awake vaguely refreshed with murder on the mind. I feel like a Stephen King character.

Kamala’s got me revved. For now. The initial blast of flowers and fireworks — her spontaneous honeymoon — is about over, and now she must face the music … er, the monster. Trump, a hopeless buffoon, bigot and playground bully, will meet his match in the debates. Kamala will be the buzzsaw that Trump’s ignorant, lying face encounters and it will be beautiful. That ear boo-boo Trump’s so proud of will be shown for the nothing it is, except symbolic and specious martyrdom. He keeps blathering about the American “bloodbath.” Yes, indeed.

As always, I’ve been watching lots of classic movies from early and midcentury Hollywood — the Golden Age of pictures when men were either gruff or suave (and glistening with pomade) and women were silky and soft-focus, radiating unreachable glamor. Black and white was king and the best pics were positively charged with swoony cinematography and dazzling chiaroscuro. Those were the days. (And I’m someone who name-checks “Alien” and “Jaws” among his favorite films, alongside “All About Eve” and “The Big Sleep.”) Recent viewings: “The Big Heat,” a crackerjack 1953 crime thriller by Fritz Lang, starring Glenn Ford and Gloria Grahame, who gets a pot of scalding coffee tossed in her face by Lee Marvin and has to wear a giant bandage for half the movie; the unbearably charming Cary Grant and Irene Dunne in the 1937 screwball marriage/divorce romp “The Awful Truth,” which features the brilliant dog Skippy, who also plays Asta in the great “Thin Man” films; and 1955’s “The Big Knife,” where a fist-tight Jack Palance is a movie star sucked into the manipulative corruptions of fame. A rabid Rod Steiger noshes the scenery like it’s beef jerky. And that’s just three oldies I’ve recently watched (I’ve seen them all before). They beat the living crud out of big, dopey summer blockbusters any day.

I bought a hair dryer. I swear to god. It cost $15. It screams like Janis Joplin.

 

A book blooms, a Rose wilts

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Axl Rose is about as douchey a rock star as they get. This is comically, semi-tragically revealed in a long article written by John Jeremiah Sullivan for GQ and included in “Pulphead,” a collection of his essays from 2011. Last week, the book was named  # 81 on the best 100 books of the past 25 years list in The New York Times.

As I was reading the Rose profile, “The Final Comeback of Axl Rose,” Guns N’ Roses’ familiar songs thwumped through my head, be it “It’s So Easy” to “Paradise City.” The music — hard, transgressive and nasty-catchy — has few metal peers.

GNR owns many great songs, almost all of them on their debut “Appetite for Destruction.” On a later album is the ballad “November Rain,” one of the band’s worst songs (next to their godawful cover of Dylan), yet beloved by millions. Pandering and juvenile, it’s a big sloppy dog kiss about a laughably clichéd love affair. (Google the lyrics. They’re shocking.) 

“November Rain” is as cotton-candy as a fawning celebrity profile by Maureen Dowd in the Times, or a Nancy Meyers rom-com, but in soft-focus with buckets of moody rain. Gummy, cloying. You want to gag.

Still, GNR fans regard it a masterpiece. They are distressingly mistaken. 

Metal power ballads are always troublesome. Most are dreadful. Take Poison’s “Every Rose Has Its Thorn” to Def Leppard’s “Love Bites” and all the synth-soaked dreck in between. (They’re not all bad: “Dream On” by Aerosmith, “Nothing Else Matters” by Metallica, “Wanted Dead or Alive” by Bon Jovi.)

“November Rain” is worse than all that. It’s flat-out embarrassing, a soapy tearjerker that only jerks something unprintable here. Slash is metal guitar royalty, but even his virilely earnest solo belongs on a Yacht Rock cruise to Night Ranger Island.

Though he notes it in passing, Sullivan doesn’t express an opinion of “November Rain,” which is too bad because he’d probably decimate it with atomic wit. (Unless  he likes it, then we’d have a serious discussion.)

Amazingly, “Rain” isn’t even GNR’s worst song. That would go to the above mentioned Dylan cover, “Knockin’ on Heaven’s Door,” in which Axl Rose torments then strangles the classic tune to screeching death. It has to be the most mangled and irresponsible cover song in rock history. (The band also managed to muck-up Paul McCartney’s “Live and Let Die” in an overblown, histrionic rendition for which they clearly thought they were ideally heavy, but missed the point entirely.)

What I’m getting at in a wildly circuitous way is that you should read “Pulphead,” for its offhand humor, literary punch, throwbacks to New Journalism, and overall entertainment value. 

John Jeremiah Sullivan with ‘Pulphead’

Sullivan’s prose and approach favorably remind me of fellow culture essayist Chuck Klosterman. Pages are paved in irreverence. Laser insights tango with lacerating opinions. Laughs are plentiful. And you’re all the smarter for reading them.

Like so many witty essays that graze the indulgent — be it Sullivan, Klosternan, Eve Babitz or the late Michael Corcoran —  they’re delightfully devastating. And there’s the kick. 

P.S.: After some 35 years, a cornrow-headed Axl Rose is still trying to keep together an iteration of GNR for recording and touring. I have no idea how that’s going. But I do know that in 2018, Rose appeared in an episode of “New Looney Tunes” as himself, singing an original song “Rock the Rock.” In 2021, Rose again appeared as himself in a cartoon, this time “Scooby-Doo and Guess Who?”

Perfect. One of rock’s natural cartoon characters has actually become one.

Axl in his 1980s heyday.

The ‘best’ books of the last 25 years

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Think of the hundreds — no, the thousands upon thousands — of books published in the United States from Jan. 1, 2000 to today (elbow nudge: that’s 25 years). Mounds, mountains, miles of bound pulp, if you consider only traditional paper books that you flip the pages of and place on neatly arranged shelves, while ignoring their electronic ilk. 

Now, pick the best books from that teetering heap, or actually the 100 best books, both fiction and non-fiction. That’s the gargantuan task The New York Times has undertaken this week in its selection of “The 100 Best Books of the 21st Century So Far.” 

We’re talking the smartest, zestiest, funniest, fiercest, most important and most influential tomes over the past 25 years. A gallery of luminaries — writers, actors, critics, editors and more — voted, and you can find them and the whole Times project here, including the final list of the 100 “best” books. 

It’s pure gimmickry. It’s subjective folly. It’s a game. Let’s play.

I’ll give you a taste. Here are the Times’ top 10 picks (spoiler alert): 1. “My Brilliant Friend” by Elena Ferrante. 2. “The Warmth of Other Suns” by Isabel Wilkerson. 3. “Wolf Hall” by Hilary Mantel. 4. “The Known World” by Edward P. Jones. 5. “The Corrections” by Jonathan Franzen. 6. “2666” by Roberto Bolaño. 7. “The Underground Railroad” by Colson Whitehead. 8. “Austerlitz” by W.G. Sebald. 9. “Never Let Me Go” by Kazuo Ishiguro. 10. “Gilead” by Marilynne Robinson.

It’s a robust mix, though heavy on the historical, I think. The top 11-20 is a bit lighter, with titles like Junot Díaz’s funny “The Brief Wondrous Life of Oscar Wao” and Michael Chabon’s delightful “The Amazing Adventures of Kavalier & Clay” (yet it also includes Joan Didion’s grief journal “The Year of Magical Thinking”).

Conveniently, the project provides an online tool that makes it easy to tally how many books you’ve read from its mega-compilation. Me, I’ve read 39 of the 100 chosen titles — not great, not bad. But it’s not a contest. I won’t list all of them here. Instead, I’ve picked five of my favorite books from my personal tally, a peek into my pea brain and what I look for between covers.

  1. “The Human Stain” by Philip Roth — A disgraced professor is smeared by a career-crushing lie all while he’s weighted by his own monumental secret in this shattering portrait of America in 1998. Roth propels the story with tart literary gusto and his patented moral vehemence. One of his best.

2. “The Amazing Adventures of Kavalier & Clay” by Michael Chabon — Gleefully spanning lands and history, this teeming picaresque is about a magician and an escape artist who figure out life by creating globe-trotting comic books. But that’s just a sliver of their “amazing adventures.” Chabon, who won a Pulitzer for his 600-page romp, uses every trick in the book to entertain and edify, and handily succeeds. 

3. “Behind the Beautiful Forevers” by Katherine Boo  — An unvarnished plunge into the slums — and humanity — of Mumbai, India. An award-winning journalist, Boo’s unflinching but empathetic reporting is both devastating and bracing. It sticks with you like a troubling dream.

4. “The Road” by Cormac McCarthy — Biblical, apocalyptic, rife with death, despair and cannibalism, McCarthy’s unrelenting opus takes us through hell with ash, blood and savagery, and stingy glints of light. A Pulitzer winner, this riveting knockout is all about being human in the abyss.

5. “Gilead” by Marilynne Robinson — This deeply spiritual Pulitzer-winning novel almost defies description. An epistolary story told in the forms of journals and memoirs, it showcases Robinson’s otherworldly command of language and astute thinking about the divine. Not the easiest read, it still blew me away.

Rounding up to 10: “My Brilliant Friend” by Elena Ferrante; “White Teeth” by Zadie Smith; “The Corrections” by Jonathan Franzen; “Outline” by Rachel Cusk; “Train Dreams” by Denis Johnson.

Tripped up on trips

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One of the more jackassy things I’ve done lately is buy a small stack of books about Berlin, where I travel to in October, and buy a smaller stack of books about Hong Kong, where I’ve rather rashly decided I will travel to in January. That means I’m planning two big trips at once and it’s not financially healthy nor psychologically joyful. It’s kind of driving me crazy. It’s what is called, in polite society, a dick move.

I’m getting greedy. Or antsy. My wanderlust is in labor, twin trips ready to pop out. Travel is one of my prime passions, and when it’s piqued, I gotta scoot. Move over Berlin, Hong Kong is a’calling. 

After marinating for weeks in all things Berlin, I’m now thinking about Hong Kong more than the German capital. Honestly, I haven’t even read all my Berlin books and here I am scouring hotels on an overpopulated island with precarious ties to China. It’s like I’m leapfrogging, snarfing down dessert before the second course has even arrived.

Before I decided on Berlin, I made two false starts in my annual travel plans. I bought a ticket to Santiago, Chile, why I’m not quite sure. I scuttled that. Toronto (wha?) was next, until I ditched that idea, too. Then somehow Berlin — massive history, fine fall weather, beer, bratwurst and beer — zapped in my brain like a neon laser in a sweaty, druggy East Berlin club. Haven’t been there in many years, I mused, let’s check it out as a real adult, which is an entirely relative concept.

Berlin. Cool. Right on. My brother’s coming. Six days. It will be a blast.

And then Marrakesh beckoned. That’s right. 

In the midst of planning Berlin, the travel bug — a venomous, cackling black widow — bit again. It left an awful, itchy wound that somehow led me to Morocco’s great, dusty, tout-teeming desert carnival, even though I’ve been there before, if briefly. I stocked up on Marrakesh guides from the library. I viewed YouTube travelogues. I re-watched Hope and Crosby’s “Road to Morocco” (not really, but now I want to; it’s sublimely funny). 

But Marrakesh quickly proved a desert mirage. That place is hard work — posh but primitive, hagglers hectoring you incessantly, too many redundant souks or bazaars, and, this one gets me right here, open animal abuse, from chained-up performing monkeys to broken-down donkeys. I’m in no mood for a personal PETA patrol.

Back to square one in planning trip number two, which, recall, is preposterous as I’m still shaping up Berlin. So I decamp to the attic, where I read and research trips. The attic is my hermitage, my retreat, my man cave (wait, scratch that last one). After I nixed Marrakesh, I brainstormed places to go in January: Singapore, Taiwan, Croatia, Switzerland, Brussels, even Slovenia. Fail, all. 

I alighted on Hong Kong for myriad reasons: cool, dry winter weather, world-class cuisine, zesty street culture, neon insanity amid forests of skyscrapers and breathtaking mountains, island getaways, ravishing exoticism, Jackie Chan. 

And so I juggle two journeys, one in fall, one in winter. I try to keep my angst in check — the costs! the logistics! — and I think I’m holding it together.

“Boo-hoo,” you say. 

“Such problems,” you cluck.

I know, I know, I reply, face the shade of a ripe radish.

B-sides: Beatles to Berlin

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Lying in bed, listening to music, the Beatles’ “Strawberry Fields Forever” comes on, and I’m entranced anew. What a weird, wondrous thing it is, this John Lennon tune from 1967. Not quite rock, not quite orchestral, the four-minute track is something like psychedelic balladry meets woozy dreamscape. Yet it grooves and sways. Lennon’s cryptic poetry garlands the song’s kaleidoscopic effects — strings, horns, Mellotrons, tape loops — arranged by studio wiz George Martin. The result is marvelously sui generis. Listening in a nocturnal haze, it hits me that “Strawberry Fields,” a late-period masterpiece, may be my favorite Beatles song, a strong statement considering how many stone-cold gems the band produced in a mere seven and a half years together. I love so many Beatles songs — “Here Comes the Sun” to “Blackbird”; “I Am the Walrus” to “In My Life” — that I’d be here all day typing titles I can hardly live without. I’ll take “Lovely Rita” and “Norwegian Wood” over “Across the Universe” and “Come Together,” but that’s like saying I’ll take oxygen over water. Impossible. Their music is that gloriously essential.

The wonder boys.

In Berlin, where I’m headed this fall, I’ve signed up for a whack-sounding tour called Get in the Van! DIY & Subculture City Tour, in which you board a classic 1972 Ford Econoline van and “explore Berlin’s subculture and all things DIY, past and present, from the 1970’s until now: the bars, the squats, the venues, the backyards and the basements.” David Bowie’s heralded Berlin years, with pals Iggy Pop, Lou Reed and Brian Eno, are covered, as is the post-Wall cultural efflorescence of the ‘80s and ‘90s. The tour is run by the planet’s only legit Ramones Museum, a punk paradise bulging with artifacts and more from the fugliest band ever. The Ramones, who I saw live twice, were deep-dyed New Yorkers. A museum in Berlin? Besides the fact bassist Dee Dee Ramone grew up in Berlin, another reason for its existence there is that the so-called biggest Ramones fan resides in the city and opened the shrine to all things Ramones. I hear he shouts “Gabba gabba hey!” unprovoked. One can hope.

Don’t sweat it. Yeah, right.

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Not even summer and already I’m sweating like swine. It seemed nice out, about 80 degrees, a soothing breeze, sky marbled with clouds. And then I began my walk and promptly sensed something was off. The atmosphere was thick, dense. Then it was gooey, like clam chowder.

I love clam chowder, but this was just gross. I was getting damp. My hair curled into a Medusa ‘fro. Liquid beads lined my upper lip. For a moment, I felt like an Olympian.

It’s not the heat, it’s the humidity, goes the old saw, which I wish I never saw. I should have known swamp conditions were rife with a New Orleans exuberance: The day’s forecast showed a lightning bolt shooting out of dark clouds with a temperature of 84. Soup du jour.

I was mid-walk. No turning back, just forge ahead. An ample puddle formed in the small of my back. My brow bubbled with warm dew. My pits were the pits. The nightmare of swamp butt was becoming a wincing reality. 

By the time I got home, I was nearly sodden. And the sweat kept coming. I toweled off, though I wasn’t shower wet, just sticky and irrationally moist. About ten minutes later the body faucets petered out. I stood in front of the fan to finish the job. I’ll probably catch pneumonia.

That’s the trouble with sun, heat, humidity, sweat and all that other summery crap. It’s a prolonged hazard, from sunstroke and sunburn, to day boozing and clammy underwear.

But really — am I right? — it comes down to sweat. That’s the worst of it all, the bane of the season. Of course it’s a necessary evil, our own physiological AC, even if it feels like the opposite. The process of sweating is to help keep the body cool when the perspiration evaporates from the skin. Dogs, cats and birds pant. Humans, so beautifully evolved, perspire in buckets. We get antiperspirants and, if we’re John McEnroe, rocking headbands. 

Sweat isn’t all summer’s fault. Occasionally I’ll wake up in a panicky sweat, courtesy of nightmares about a particular recent felon. When I’m drumming I often break a healthy sweat the way meatheads at the gym do, by sheer physical exertion. That’s the good kind. Then there’s nervous sweat, aka flop sweat, like the time in high school when I gave an oral report about Mozart and a dribble of the wet stuff ran from my forehead down my nose, onto my 3×5 cards. You can tell I’m traumatized because I remember it 100 years later. 

By the way, my opening line was a lie. Swine, like dogs, do not actually sweat; they don’t have sweat glands. Lucky pigs.

Back in black

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After an unintentional hiatus of chronic brain farts, here are a few bite-size entries:

Tripping over trips

I bought a flight to Chile. And scrapped it. I bought a flight to Toronto. And scrapped it. Fickle? Right. Even after planning and paying I decided neither destination would slake my thirst for culture, art, food, action. So I scotched them in favor of the capital of the European Union’s most populous nation, that mad beehive of historical and cultural abundance, Berlin. Chile would have happened this month, Toronto last month, and Berlin, well, it’s a ways off — October. Yet as with any trip, I’m already committing vigorous reportage, booking tours and meals, boning up on the history and italicizing gotta-see sights, from the fabled Reichstag and remnants of the Wall (now vibrant murals) to Hitler’s bunker (that fetid suicide pit) and the enticing Museum Island — five museums colonizing a mid-city isle on the lovely Spree river. Sounds great, I think. Equally terrific: I got full refunds for the Chile and Toronto trips. Did I mention my brother is coming along? Fine company, he’s also a crack navigator, which is perfect for me who gets hopelessly lost the second I step out of the hotel. I’m the guy holding a huge, creased paper map upside down, battling fluttering winds.

Doggy style

I don’t laugh out loud very often while reading, but I did, a lot, soaking in Miranda July’s new novel “All Fours,” a warm, warped, touching, unashamedly naughty and riotous love story that goes places you’re never quite prepared for. It’s a joy. The story follows the romantic zigzags of a 45-year-old artist who’s a married mother but stumbles upon unlikely love with a much younger man who likes to dance. Sex, perimenopausal panic and motel redecorating ensue. It’s conventional until it’s not, both bawdy and bizarre, with just the right touch of July’s signature kookiness. Never has the writer — who’s also an actress and filmmaker — been more in control of her habitual twee impulses. And never has she been so seamlessly funny.

Doggy style part II

Cubby the magical mutt is, I’m afraid, getting old. The guesstimate age for this chipper rescue pup is seven to eight, solid middle-age in human years — paunches and ear hair, janky joints and jowls, gray and grumbles. Yet while he can be a bit creaky scrambling up the stairs and some tiny warts have mushroomed on his compact body, Cubs still plays chase with his stuffed Yoda and barks with shattering verve at the random car horn and rumbling UPS truck, more than ever in fact. But he’s also more neurotic than he was in his slavering, carefree youth. Sometimes if landscapers are extra noisy or the wind rustles the trees in violent whooshes the dog will quiver and hide under my legs or behind a chair. Also, his outside duties (doodies?) seem harder to coax out of him. Otherwise Cubby’s a hale old boy, snapping up treats and begging for belly rubs. He sleeps well, too, though his snoring can register 7.5 on the Richter scale. Those little earthquakes are a thing of most assured comfort.

His head looks enormous.