Summer strolling

Even in the Spielbergian suburb, an idyllic vista of tidy yards and shiny cars, odd things can strike, eliciting a gasp or a giggle. 

I was strolling the neighborhood on the cracked, buckled sidewalks and practically stepped on the words, fat and all-caps, “STOP FASCISM” scrawled in pink hopscotch chalk. I snickered. Then, about a block further, I stumbled on banana yellow chalk that declared “FUCK TRUMP,” hot and mean. I actually muttered “Ha!” before ambling on. It’s a beautiful day in the neighborhood.

I wondered who, even in this admittedly progressive area, would chance such bulletins. It’s unlikely some precocious kids wrote the prickly imperatives. Or is it? Either way, the seditious slogans won’t last. The hood maintains a certain decorum. Just look at those coiffed lawns and perfect shade trees, boys shooting hoops and pups wrassling in the dog park. No, the chalk will go. (Within days, it was gone.)

The skies are ashen, the humidity stifling. The air is jagged with the farts and crackles of a revving chopper, straddled by a guy with a beard in a sleeveless red t-shirt whose faint smile says he savors the vroom-vroom grumble. He glances at two tween boys walking by. They look past him, unimpressed. Me too. 

When I suddenly hear tinkling chimes, I think either someone is taking advantage of the breeze or Rush is playing nearby. I peer over a fence and catch a summer solstice sound bath in progress, a half-dozen women lying on yoga mats for an immersive meditation session marking the longest day of the year. Says the web: “Practitioners use soothing vibrations from crystal or metal singing bowls, gongs and chimes to align the mind and body, promote deep relaxation and set intentions for the new season.” 

Dismissing it as well-intentioned harmless hooey, I move on and immediately run into the friendliest dog in the hood, big ole Bo, a sturdy white labradoodle with a smile wider than Julia Roberts’ and the tail-wagging neediness of Jimmy Fallon. Bo seems to be everywhere and he walks without a leash so he’s always bounding right at you as eager as a campaigning senator. I call him the mayor of the neighborhood. He knows all his constituents and he gets things done. Like making our days. 

A sprawling park and playground is right there, right next to Bo’s house, and it teems with tykes and their tired mothers, who push the kids on the swings and chat with each other about who knows what (school, summer vacations, bedtime, food, doctors, streaming shows — I’m spitballing here). 

The children are boisterous, alive and weirdly screechy. They are smart and smart-alecky, creatures to pay attention to. Maybe, possibly, they’re the ones with the colorful chalk and the big ideas. Tiny geniuses. 

Lunacy on the lawn

Trump’s mortifying, dip-shitty U.F.C. birthday bash on the White House lawn Sunday was exactly what was intended — a sickening, self-aggrandizing trailer-trash circus as couth and classy as a cockfighting match or demolition derby. Call it pummel porn, with high kicks to the face and low blows to a former First Lady, Michelle Obama, whose grace, race and brilliance intimidates the hell out of a certain type of man. 

They’re the real-life Toxic Avengers — bloodlust thugs with brains of rocks and mashed potatoes.

The MAGA mob was predictably whipped into a testosteronic tizzy, slavering U.S.A.! U.S.A.! with brainless brio. I’m all for the U.S.A.; I just don’t like it spewed with the kind of jingoist venom that denotes a dangerous and juvenile insecurity. It’s hollow flag flapping by “reg’lar” folks who haven’t a clue what it actually means. It would be embarrassing if it wasn’t so frightening.

Trump is a child, a big fat man-baby who has the vocabulary of a third-grader and the aesthetic sophistication of a finger painter. He gets off on the gauche and garish and ruffling his opponents with indisputable bad taste. His cage-fighting birthday bash — emphasis on bash — was the peak of his puerility.

“Only the hackiest screenwriter imaginable would script America’s decline this way,” Michelle Goldberg wrote in the Times about Trump’s shit-show, which she accurately called “macho kitsch.” 

Needless to say, we demand a much better screenwriter to script America’s future: Aaron Sorkin? Shonda Rhimes? AOC? The kid who wrote “Backrooms”?

Rewrite! And fast.

Things du jour

Quote of the day

I am not a recluse. I live like an unsociable person; it is different. People get on my nerves.” 

Brigette Bardot, actress, animal activist 

Book of the day

“Bel Canto,Ann Patchett’s 2001 novel about love, opera and hostage-taking, is one of those contemporary classics you should have read but never got around to, and now, 25 years on, it feels too late. It’s not. I started this book five years ago and put it aside for inexplicable reasons. That diss has haunted me and last week I gave “Bel Canto” another shot. The result was transcendent.

The plot is a small knot that unravels beautifully: A throng of international guests have gathered at the mansion of the vice president of an unnamed South American country for the birthday celebration of a Japanese businessman. A world-famous American opera soprano has been invited to regale the group, and soon, through her exotic talent and beauty, becomes the cynosure of the story. The party is abruptly crashed by leftist guerrillas looking to kidnap the nation’s president, who rather comically skipped the party so he could watch his beloved soap opera at home. Stymied, the invaders take the revelers hostage for what starts as hours, then weeks, then months. Thus the mansion becomes a human incubator, a constellation of international players, some of whom align as unlikely allies, others as peculiar romances fraught with forbidden yearning. It’s a rich tapestry that echoes the diners trapped for months in a similar mansion in “The Exterminating Angel,” Buñuel’s classic takedown of the gilded class. But Patchett is a gentler, less partisan observer, underscoring the universal languages of music, love and language itself for something divine. The book is so meticulously engineered — the many characters are spryly choreographed — and so big of heart that it dashes hopes of ever writing your own novel because it couldn’t brush these literary heights. There’s the hitch: You almost hate “Bel Canto” because it’s so stupid good.

Movie of the day

My love affair with Iranian cinema is long and varied, spanning Jafar Panahi’s charming debut “The White Balloon” to Abbas Kiarostami’s rigorously philosophical “Taste of Cherry.” Spare, talky and played mostly by untrained actors, the films are often covertly political, critical of the Iranian regime in as coded terms possible, secret messages packed with time bombs. But Panahi has used his recent movies for brazen broadsides and as such they are banned in his home country. Yet the director shrewdly snakes around these restrictions and his latest moral thriller “It Was Just an Accident” won the Palme d’Or at the 2025 Cannes Film Festival. It’s a bold gesture tracing what happens when a band of former political prisoners kidnap and confront the man they believe brutally tortured them during their imprisonment. Amid the moral complexities of revenge — do they even have the right man? — comes relief via mordant humor and absurdist touches that goose the overall lunacy. (Note the wry allusions to “Waiting for Godot.”) Panahi has made a tough and moving portrait of keeping one’s humanity in an impossible situation. Its stubborn ambiguity is a hallmark of Iranian cinema, and this one’s a classic. 

Drink of the day

That’d be Mr. Pickles Gin. My newly discovered sip is named for the distiller’s pit bull rescue, Mr. Pickles, who nobly emblazons the spirit’s label as the official mascot and makes me like it that much more.

Time to taste. Open the senses to a bouquet of dog urine. No. The fragrance is lovely, the gin superb. Its aroma is juniper, citrus, pepper, with a whiff, I think, of dill. It owns a strong herbal flavor with earthy undertones and tinges of orange, pepper and, aptly, a speck of dill pickle. And I swear on Mr. Pickles’ fuzzy head that is not just the power of suggestion. Made in Oregon by Wolf Spirit Distillery, the drink features 12 botanicals, including green tea, blood orange, pink peppercorns and marshmallow root (I have no idea). If it’s not as grand and complex as my revered Monkey 47, which boasts a whopping 47 botanicals and that I drink neat, Mr. Pickles will be a snappy refresher during the dog days of summer.

Photo of the day

They say a picture speaks a thousand words. This one speaks four words: I am so screwed.

A petrified pup, a brilliant book, a nip of neurosis

The dog keeps staring at me. 

Outside, gusty winds render trees, shrubs and bushes lashing percussion fit for a Nine Inch Nails concert. I’m gazing into the helpless eyes of a small Schnauzer-terrier that’s terrified of the thrashing flora this warm spring day has unleashed.

Cubby the Super Hound — he should have a cape and rubber suit with nipples on it — has his kryptonites, and one of them is blustery winds that rattle objects into outdoor cacophonies. There goes a recycling bin and all its clattering innards. Whoosh-bang, a gate door swings open and shut, on repeat. And those whipping, whistling trees are declamations of the devil. For him, it must be like dwelling in a haunted house, terrorized by loud, chilling sounds of unseen provenance.

As long as the wind blows, he follows closely wherever I go, as if my pockets are stuffed with treats (they are not). At rest, he cautiously climbs on my lap and quakes like a 25-cent motel bed. 

He looks up at me, pleadingly. I look back at him, pitifully. It’s a staring contest between man and beast. Alas, the poor pup wins every time.

I’m re-reading a deep, delightful little novel titled “The Friend,” which is about writers and writing, friendship, dogs and suicide — a perfect brew of the contemplative, canine and emotionally punchy. It stars a nameless narrator, a middle-aged writer, who’s in a ghostly, one-sided conversation with her close friend, also a writer, who killed himself. It also stars a depressed Great Dane the size of a zebra. The 2018 book won the National Book Award and the author, Sigrid Nunez, has a wry, gently profound way with words and ideas. She has a lot to say about creativity, loss and bonding and does so with chiseled economy washed in a beauty that’s unshowy but electric. “The Friend” runs a mere 212 pages — a wisp, a wonder — but contains worlds of hilarious, heartbreaking humanity. It was made into a movie starring Bill Murray and Naomi Watts, but I won’t watch it. I don’t want to upset the novel’s unruffled perfection.

The South Korea trip — that again — is creeping closer and the old pre-trip jitters are manifesting. Things like: Will I get through customs with Xanax in my luggage? The anti-anxiety meds are a controlled substance and bringing them into Korea requires reams of draconian paperwork, including an absurd handwritten note from your doctor. I’m going to chance it; they don’t always ask. If they do stop me and confiscate it, well, I hope they enjoy. It’s a blast!

I’m also getting flustered, a churning storm in my gut, about possible TSA lines that run longer than a Frederick Wiseman documentary. I can’t stand long lines, and for some reason airport security lines make me irrationally nervous. I find them stressful, mania-inducing, like I did something wrong and I’m about to get busted by some granite-faced goon. I’ve purchased TSA PreCheck, which allows small security short cuts (e.g., you don’t have to take off your Nikes) and theoretically provides shorter waits. We’ll see about that during this latest Congressional crisis. Where’s the Xanax?

How I spent last Saturday, all cheers, jeers and blaring car horns. The signage — priceless:

It was cathartic.

A few things hijacking my brain

During the post-holiday malaise, things poke and peck at my addled brain, fretting about the good, the bad, the grotesque …

Starting with the latter — the elaborate idiocy, the vomit-inducing venality of the so-called Donroe Doctrine, whose cutesy moniker makes me wonder: Who is he kidding with this crap? The perverted man-child is not kidding with, in his words, “my own morality,” which includes everything from ICE to Iran, a rogue’s gallery of revulsion. I pray that crippling tragedy looms in his wretched future. His crew of groveling lapdogs? Same.

On the good side, I’ve cracked a newish book that’s been called by critics “a magnificent vision,” “transcendent,” “spectacular” and “not so much a novel as a marvel.” That would be Kiran Desai’s “The Loneliness of Sonia and Sunny,” which is relatively slim for its daunting 700 pages. Yet what it lacks in girth it makes up in thudding weight. I could curl it and achieve Himalayan biceps.

I’m only on page 50 in this (let the publisher describe it) “story of two young people whose fates intersect and diverge across continents and years — an epic of love and family, India and America, tradition and modernity,” and I’m hooked. 

It’s one of those chunky novels with character/family trees for a prologue, like “War and Peace” or “One Hundred Years of Solitude,” which can trigger the scram instinct in me. I don’t relish flipping back every twenty pages to recount who’s who.

But so far, very good. Desai conjures scenes and characters with creamy eloquence and imagery as supple as a Degas. The prose is wise and true, and funny, too. I only have 650 pages to go (sound of me lifting a cinder block).

Planning for two imminent journeys — Southern France in February and, implausibly, Nashville in March — continues unabated. It’s kind of a chore, but, like cooking or Lego building, it becomes a stimulating hobby, a minor challenge with low stakes.

I’m doing well so far in this First World folly, but the fine tuning feels endless. A Nashville restaurant I booked just emailed to say, sorry, your reservation is canceled because we are now “permanently closed.” The same happened with the Patsy Cline Museum (maybe these closings qualify for the “bad” in my opening paragraph), which a dear friend hinted is better than the popular Johnny Cash Museum. Call me “Crazy,” but I’m more interested in Cline than Cash. Bummer. 

I voluntarily bailed on a street-art tour in Marseille, France, as I came to my senses that $194 is obscenely too much for a two and half-hour stroll amidst what’s essentially glorified graffiti. I don’t even know how I got myself tangled in that scam.

But I do that a lot. I plan trips with wide eyes and a growling stomach at first, and then, as the dates approach, I reel myself in and get sensible. Like, do I really want to do that whiskey distillery tour and tasting in Nashville? Well, yes. Yes, I do.

Denis Johnson’s “Train Dreams,” an exquisite novella I’ve read twice, once some years ago, once this winter, has been adapted for the small screen (Netflix) with mostly luminous results. Directed and co-scripted by Clint Bentley, the movie tells the story of a lumberjack razing towering forests in the Pacific Northwest to make way for the nation’s railroads. He marries. He has a child. Life intrudes.

Honoring the book’s ethereal touch, the movie aches to be a Terrence Malick epic: languid voice-overs, long traveling shots, fetishized natural beauty, breezes blowing through rustling trees, time-jumping episodes in place of linear plot. 

It’s commanded by sylvan abundance and the honed, minimalistic performance by Joel Edgerton, whose eerie quietude is near-tragic if well-earned. Though cast in shadow, there is joy here — family, friends, sharp epiphanies. I was moved by the story’s rich poignancy and tender humanity. It’s as delicate as a dandelion. 

Quote of the day: nailed it

“Though I tend to think it’s usually a waste of space to devote a column to President Trump’s personality — what more is there to say about the character of this petty, hollow, squalid, overstuffed man? — sometimes the point bears stressing: We are led by the most loathsome human being ever to occupy the White House.”

opinion columnist Bret Stephens

Playing with dolls, and fire

On hot days like this, of relentless and arrogant sunshine, when breezes are miserly and shade revels in its scarcity, I like to hole up and construct voodoo dolls of ole Mother Nature, pins at the ready. Even more, I like to do the same of climate deniers, using power drills instead of pins. Their heads are much thicker.

It’s a grim business, but so is the ever-changing weather, the cataclysmic climes of now. We’re all just one flood or wildfire from unthinkable calamity. To those who actually believe it’s an elaborate liberal hoax — for fucksake — I hope disaster strikes them first, because it will ineluctably strike, and soon. (Retribution?)

The heat is feral today, following a streak of enveloping fall-like weather occasioned by a mean Hurricane Erin pinwheeling up the Atlantic Coast, another portent of global warming. From the Times: “As the planet warms, scientists say that rapidly intensifying hurricanes are becoming ever more likely.” And: “Hurricane season could ramp up with storms supercharged by warmer ocean waters fueled by human-caused climate change.”

Awesome.

This isn’t a sermon or a call to action. By now we should know of the horrors ahead. Yet many don’t, willfully and aggressively, and their ignorance, flat-out stupidity, permeates the highest offices in the land. Planet-saving regulations are being excised with the slash of a pen, and a diabolical grin.

The brevity of this post is purposeful. Preaching to the choir is redundant. And name-calling is for presidents. It’s a squib of personal reportage, this, describing my fabulous arts and crafts.

Notice how I’m making a fat, scowling, orange voodoo doll. Pins not required. I’ll just light it on fire and flush the ashes down the toilet. There’s your wildfire and hurricane in one fell swoop.

KISS-ing ass, Trump style

As a childhood KISS fan, this makes my stomach twist. Trump has tapped the grizzled glam rockers as inductees to the Kennedy Center Honors this year, a tribute so perfectly tawdry, I don’t think many get the irony, the hilarity.

KISS, whose integrity has always been dubious, is reportedly not a fan of our portly prez, calling Trump a “true danger to democracy,” but now of course say they’re “honored.” Trump says he picked the bawdy band because they’ve “made a fortune,” which is true, but a repugnant reason to exalt them. He’s also trying to irk the libs, of course. Funniest snub: Tom Cruise dissed Trump’s induction. That’s why he’s a big-screen action hero who can practically fly, without a cape. (Seen the Photoshop illustration of Trump as Superman, cape and all? You’ll vomit.)

Trump’s so stupid he doesn’t even know what culture is. He also elected disco queen Gloria Gaynor for the honors, evidently unaware that her biggest hit “I Will Survive” is a celebrated gay anthem — a song he loves with ignorant gusto. It’s much like the Village People’s comically transparent “YMCA,” a Trump theme during his campaigns that he would clap to like a bloated orange oaf.

The bigot is blind. And deaf. Our tinpot despot has a tin ear.

KISS-asses, selling their souls.

Newsflashes

Keeping it light, some recent news plucked from the headlines …

RIP Ozzy Osbourne, madman and mensch, who amazingly didn’t die of rabies. He was the gentle, doddering Prince of Darkness, whose live shows brought out the crowd-pleasing celebrant, all cackles and hand claps. He would hop like a pogo stick. I saw him in concert when I was 13, my first metal show. I can’t shake it decades later. Satan is smiling. 

Trump can’t elude the loaded Epstein case, and he’s shaking in his loafers and pissing his pants as he tries to deflect the pressure. Wipe your brow, sir; the flop sweat is showing. And on a scathing “South Park,” so is your talking micro-penis.

The New York Times posted its 100 best films of the past 25 years just to tick me off. While I agree with the bulk of the choices, if in different order, some make me want to throttle the voters. For starters, “Parasite” (#1 ?!), “Mulholland Drive” (#2 ?!), “Inglourious Basterds,” “Hereditary,” “The Master,” “Amélie,” and I’m just getting going. But bless them for including “Melancholia,” “The New World,” “Grizzly Man,” “School of Rock,” and so many other gems. Still, I don’t know why I read such lists. I don’t need the aggravation.

She perched gracefully atop sign posts, fences, rocks and cars, like a canine ballerina, poised and pliant. Maddie the spotted coonhound was the subject of her owner’s lustrous photography, clearly in the spirit of William Wegman’s whimsical photos of his preternaturally patient Weimaraners. Maddie’s charming pictures boast 1.2 million Instagram followers and comprise two books. But there will be no new pup pics, as Maddie died this week at age 14. I just got acquainted with her visual poetry, and still I’m crestfallen. Her loving obit.

Chuck E. Cheese got mouse-trapped. “Come with me, Chuck E.,” said the policeman who arrested the human-sized mouse — er, a human in a mouse costume — at the children’s pizza chain in Tallahassee, Fla., this week. The un-mousey behavior? Credit card fraud. Somewhere Mickey Mouse is blushing. “Astonished children wondered why the restaurant’s mascot was seemingly done for the day even as they continued to eat pizza and play arcade games,” said one report. “How do you explain this to a 4 and a 6 year old?” asked a witness. A youngster wanted a photo with the mighty mouse, but “a cop out of nowhere grabs his arm and says: ‘Chuck E.’s busy right now.’” Dying to know how his fellow inmates take to his gaudy outfit, big plastic head and all.

Hulk Hogan, a hideous human being, did the world a favor — he died. 

Quote of the day: Trump? Thank these numbskulls

 “In recent decades, young men have regressed educationally, emotionally and culturally. Among women matriculating at four-year public colleges, about half will graduate four years later; for men the rate is under 40 percent. This disparity surely translates to a drop-off in the number of novels young men read, as they descend deeper into video games and pornography. Young men who still exhibit curiosity about the world too often seek intellectual stimulation through figures of the ‘manosphere’ such as Andrew Tate and Joe Rogan.” — David J. Morris