August 31, 2010

Apple, peeling

The scabrous Dix pix. The jagged-creamy Matisses. A gallery (Neue Galerie), a museum (MOMA).

Brooklyn children splashing in fireworks of hydrant water. It is hot.

Too hot for that stroll through Greenwood Cemetery, which is green and hilly, spacious, grave markers allowing plenty of room for the resting to rollick or to roll over in their … Lacking: shade trees. Find Leonard Bernstein with ease. Basquiat, way out there. Hot. Not making that journey.

John DeFore, colleague and friend. We walk Williamsburg Bridge after Matisse. Hot. East River breeze is charitable. Bikers pump by, subway train shreds the bridge in two, shrieking.

Friends in Williamsburgh. (T-shirt idea: “You’re Too Old For That. All of it.”) The pull of New York. Must answer a trivia question about “The Late Show with David Letterman” to secure two seats. “What does Dave toss at the backdrop while he’s sitting at his desk?” I almost reply, “Don’t insult me, my good man.” But we covet those tickets. Tomorrow. The guests are a mystery.

August 16, 2010

Celebrity encounters of the fraught kind

A few years ago in Elgin, Texas, on the barbecue-joint set of the movie “Friday Night Lights,” Billy Bob Thornton remembered me.

We’d spoken on the phone that November, and on this arctic evening he told me: “Sure, I remember you.” His smile spread, his eyes twinkled. (Those teeth — an unearthly orthodontic marvel.) He took a sip from a cold can of Budweiser.

I appreciated that. I also appreciated that he didn’t break my kneecaps for the scabrous review I gave “Bad Santa” and my touchy characterization of his performance as lackadaisical. Instead, he shook my hand, joked around and granted me his unstinting attention.

He noted how in the previous interview we talked not about “Bad Santa” but the rumored troubles with “The Alamo,” which he shot in and around Austin the prior summer. (I wasn’t permitted to interview Thornton then; I was officially banned from the “Alamo” set after a story of mine peeved the film’s entire crew. Babies.) He didn’t even have to mull it; he just knew who I was by the name of the paper I represent.

How do movie stars, so famously harried and hounded, remember such picayune passings-by? My theory is that the nicer the celebrity, the more they retain. It’s an attention thing, a sincere interest in what this unremarkable but devastatingly charming journalist has to say. It’s a reciprocation thing, too: I demonstrate a genuine curiosity in what they do, and they return the favor.

Or maybe I just stick something in their craw that won’t go down. Perhaps Thornton took note of my asking so few questions about the movie he was obliged to plug. (Miramax, which released “Bad Santa,” had a tizzy about me wasting Thornton’s time on “The Alamo” and not plugging their cruddy product.)

In Elgin, I asked Thornton if he got chewed out, too, and he cracked, “Are you kidding? I’m an international superstar! They don’t mess with me.”

It’s always my nicest interview subjects who remember my words, it seems. Because they are so affable, so dog-darn pleasant, I’ve spent a lot of time talking separately to director Robert Rodriguez and actor Matthew McConaughey.

But they are also the only two major celebrities who have repeated back to me things I’ve written that they deemed unflattering. Some time ago, I had Rodriguez on the phone and asked him if he’d do me a favor and contribute some comments to a story. He said OK, but then quoted a line from my review of “John Carpenter’s Vampires,” in which I said that Rodriguez’s similarly fanged movie, “From Dusk Till Dawn,” had “quickly drowned in Latex pandemonium.” It was like he was letting me know he was really doing me a favor. Oof.

At least Rodriguez was reciting a phrase that, at the time, was of recent vintage. McConaughey, who has been nothing but gracious to me, recited a line from something I had written four years earlier, almost verbatim. I was at once mortified, wildly impressed, and a wee flattered.

It happened at the 10th anniversary bash for Richard Linklater’s “Dazed and Confused.” McConaughey was ambling down the press line, ignoring us all, until he heard me shout his name. He stopped in his tracks, turned, squinched his eyes at me and said: “Tell them I was ‘conspicuously chewing a piece of gum.’ You got that?” He practically sneered, turned on his heel and sauntered away. And, yes, he was chewing gum, conspicuously.

I had no idea what he was talking about. Then it hit me that I’d reported something about him and gum a long time ago. Back at the office I searched the archive. He had been paraphrasing a line from a deadline piece I wrote in 1999, in which I noted that when he strolled down the red carpet, “The actor noshed conspicuously on a wad of gum.”

He’d been carrying that around in his head for years. I felt bad, but I glowed. He’s paying attention. He’s read my stuff. Cool.

Keep reading →

August 9, 2010

Somewhere s’mores happened, too. I just chose not to mention them

Landing in Newark, New Jersey, is as dread and discombobulating as it sounds. Kick it up a notch when your 7-year-old nephew pulls to the curb in the mini-van — father and 5-year-old niece fellow cargo – splattered with Gene Simmons’ spiky black stars around his wide blue eyes.

Like I was at 9, the child is smitten with the inane theatrics and vapid tunesmithery of Kiss. I love every second of his adoration, reliving the tingles of something so novel that your virgin eyeballs nearly catch fire. His favorite songs: “Detroit Rock City,” “Rock ‘n’ Roll All Nite,” “War Machine” and, er, “I Was Made for Lovin’ You” (let the kid have his fun).

He has CDs, the rather demonically over the top (fangs?) Simmons action figure and the growly spirit of Kiss uncontainment. I observe and mutter, YES.

So I am in Bloomfield, NJ, a healthy distance from Newark (which I know only from fetid rumors and numerous Philip Roth novels). I stay with my brother’s four-piece family, plus a bossy, hairy sack-of- potatoes feline, to decompress.

This is what I am doing: Avoiding the cat. Playing with the children, who are benign, high-pitched velociraptors. Not shaving. Begging to go to Coney Island, immediately. Snoozing deeper than Woody Allen’s “Sleeper.” Enjoying reading The New York Times on inky paper instead of the distancing computer. Ripping through Lee Childs’ Reacher thriller “Bad Luck and Trouble.” (I could not get into Atwood’s “A Handmaid’s Tale,” though I had fun re-reading “The Adventures of Huckleberry Finn.”)

So far, I’ve savored moments of imperative tutelage with the kids. Today’s lesson was the culinary ecstasy of biting the ends off a Twizzler and using the sweet red tube as a straw to suck up lemonade. The children’s newfound enlightenment will prove a lifelong utility.

I have experienced my own educational interludes. That is, don’t show a young boy YouTube clips of horror movies, no matter how strident (and abrasive) are his giddy blandishments.

How joyful it was last night to hear Nick bawling as mom and dad tried to put him down to bed. A marathon of tears and howls. It ended at around 12:45 a.m. I was so busted.

What really snapped him were the transformation scene in “An American Werewolf in London” and a nanosecond glance of a still photo of Linda Blair in you know what.

(Heck, I saw “Jaws” at 7 and every Universal horror flick from ages 5 to 7, as well as Hitchcock’s lurid “Frenzy” at age 6. We had pay TV in the ‘70s. Again, thank you Mom, Dad.)

A highlight during the two and half days here: basking in the unrivaled enchantments of my shiny iPhone 4, which happens to be my first cell phone ever. I have been archeologically exhumed from Jurassic epochs, beaming, quaking with touch-screen euphoria, fathomless degrees of cyber orgasms and heaps of virtual Easter egg astonishments.

I, a besotted boy locked in the intoxicating warrens of a practical strain of video game, pure-out stoned on the magically aglow rectangle that will even unfurl, genie-like, the lyrics, music and concert footage of a silly supergroup called Kiss.

July 18, 2010

Acts of kindness, not so random

Dogs are always cadging something — a soupçon of meat from your plate (their vigils are prayerful, eyes upwards at you, lord and master); a tennis ball (the old wag and yelp); a demanding belly-rub; and those rightly named Beggin’ Strips (“It’s bacon!!” — crap.)

Yesterday the dogs were out in force, begging. No. Their mortal custodians from wonderfully beneficent dog rescue outfits were out, begging. No. Just asking nicely. Donations, adoptions, smiles.

It was roasting out. The young pups panted, napped on the cool sidewalk, tummies rapidly pumping (the sprawled, I’m-wiped-out pant), receiving free pets and hugs with sloppy glee.

I stroked two young doggies. Then, as always, I smelled my hands.

The whiff released the unmistakable bouquet of “dog hand,” a genial funk, an admixture of vague flea medication, dirt, sweat and just plain … dog.

Then I went inside the pet store, in front of which the dog-donation carnival was erected. If you bought a bag of a certain kind of dog food — Nature’s Variety — the brand would match it with the same size.

I bought the $25 bag. The purchase came with a raffle ticket for a bunch of dog stuff. I told them if I win to donate it.

The program was a blazing success. Like this:

Food purchased for donation = 3,740 lbs.

Food matched by Nature’s Variety = 3,740 lbs.

Total food donated to rescue groups = 7,480 lbs.

I’m all happy now.

On a flipped note, one about begging humans — the stop-light homeless, ragged signs in hand — I’ve been performing another kind of succor. You might find it disgraceful. You are wrong.

I’ve been handing out bottles of booze to these people. You know scores of them are incorrigible alkies; they need the fix, it brings them joy and respite. No fooling yourself.

The deed is dignified and of value. What was I doing? This: I’m clearing the house, and untapped bottles of the stuff was just sitting around: a pint of vodka, a pint of Maker’s Mark, two very nice bottles of port, a strangely tiny bottle of champagne and a towering bottle of gourmet tequila.

One by one, I handed the bottles off to our fellow men and women, first asking if they drank (only one declined), then asking what they like. Soon enough, the last folks — beggars really can’t can’t be choosers — had no choice; they hungrily took what was left.

Unorthodox charity at work. Smiles — some crooked and bereft of teeth — all around.

July 2, 2010

Child’s play: A cautionary tale

Young children: Adorable tiny people. Irresistible imps. Spazzy simians. Shrieking demons.

Satan.

My niece and nephew, Natalie and Nick, are all of the above. It’s something. 

As they age — Nat’s 5, Nick 7 — they become appreciably more interesting, smarter, wittier, more engaged, sillier. Insane. Bonding happens. We crack each other up, often with floridly infantile scatology, except when Nat leaps on me like a large, hypercharged dog, not realizing she’s getting too big for NFL tackles while I’m still in bed. She laughs and squeals in my face, rolling, clambering. I grimace. I monitor vigilantly where her small bony knees land.  

There I am, enfolded in Nick’s rococo “Transformers” sheets (recalling, fondly, my “Star Wars” bedding), topped by Nat’s pink coverlet, feeling like Gulliver in Lilliput, feet poking out the end of the child-size bed. 

During my recent visit to Bloomfield, New Jersey, where my brother, his wife (whom I’ve known since high school in, like, 1915) and the kids live, I stayed in Nat’s bedroom, surrounded by girly accoutrements, details of blooming youth: Easter-pink walls, 500 stuffed animals (a pensive moose, a grinning terrier, an inflatable Dalmatian), a rainbow butterfly mobile, crayon and finger paint Picassos.

I especially enjoyed this juxtaposition: On the night stand, Nat’s piggy bank and Hello Kitty alarm clock jostled with David Mamet’s book “Theatre” and Philip Roth’s “The Anatomy Lesson,” both of which I would read late-night, wrapped in images of Optimus Prime and Bumblebee, a J&B on the rocks in hand.  

Brother Craig and I spent much time in a sweltering Manhattan, with jaunts through Brooklyn and Astoria, Queens. I spent half a day with my ex-Austin friend Shannon in Williamsburg. Great to see her, as always, and neat to hang out in an exotic environment far from wearisome Austin. We drank much water. Vietnam-scale heat, humidity.

Craig and I, per tradition, shopped with distaff enthusiasm (great jeans, but stay away from the former CBGBs, now an extravagantly overpriced rock-themed haberdashery), ate fine food all over and caught Mamet’s latest play “Race” on Broadway, which I quite liked, despite new cast member Izzie Izzard blowing lines like a squall. He repeatedly muffed Mamet’s surgical rhythms to distraction. Miscasting is the culprit.

The trip was capped by a visit to the New Jersey State Fair at the Meadowlands. (Just imagine.) Hot as hell, withering. I took Nick on his first rollercoaster, a thrashing contraption on which I had to wrap my arm around the child. (He later braved the other rollercoaster and had even more of a blast.)

Nick and I (looking vaguely like Luke Wilson) post-rollercoaster. I am wearing shorts in public for the first time in 24 years. I apologize to all fair-goers.

 

Nick was enthralled by the quasi-freak-show “Smallest Woman in the World” — a poor little person plopped in a small box — and we chatted with her at length. I asked her where she lived (on the grounds, with the carnies), made her laugh, and she offered a post card portrait of herself for a nominal donation. Heartbreakingly, I had to inform her I only had a 20 spot.

Earlier, I came this close to barfing on the spinny tea cup ride I rode with Nat. The devil child kept spinning the wheel in the middle till we became a whooshing blur. As my nausea grew, Nat kept laughing and demanding, “Spin it, Uncle Chris!!” (She had no idea what she was messing with.) 

They have height limits on all the rides. Why not age limits? “No one over 40 should ride this or you will lose your past three meals to the sky.”

A child’s obliviousness to adult limitations. Cute as hell.

June 12, 2010

Would also make a fine card table

I guess it’s grilling time. (However you get your kicks; cooking outdoors is like eating outdoors: a wincing ordeal.)

Paul showed us how it’s done last night in the very humid high-80s on his patio. Fire and the blaze of summer — isn’t that the biblical Hell Dante almost wet his pants describing, although without the hamburger patties, beer and buns?

Those patties — why we’re here. Paul bought them at Whole Foods or Central Market, one of those paradisiacal food repositories not described in the Bible, reasons unexplained.

Jesus. The patties were perfect pink Frisbees, each crammed with a vegetable garden and a small farm. Jalapeno peppers, bell peppers, cheese, bacon, onions, probably wildebeest and pistachio nuts, as well.

Vaguely, kind of, a little bit something like this

They looked like mini-pizzas, but thicker. I’ve seen these artifacts in glossy magazines and mythical tomes of yore, but I had never eaten one.

It was something. Delicious, of course, dense as a hockey puck, moist and salty as tears. Your mouth looked absurdly ravenous at each bite. I felt like a dragon.

Be not too titillated. This is nothing but a record that I ate three cows embedded with entire worlds, on one bun, lived to tell, and had a fine time with friends.

We ate indoors.

June 6, 2010

Rooting through Beirut

Last year, The New York Times listed 40 places to visit in 2009. First on the list: Beirut, Lebanon.

Funny, that. Just two months before I’d spent a week in Beirut, a city not quite as sexy and exhilarating as the one-time “Paris of the Middle East” was trumpeted to be by the Times, which always seems to recommend the chi-chiest, Western-tailored places to stay, shop and party.

The Time’s travel section must be tailored to the coddled upper-middle-class seeking as little local authenticity as possible, without having to interact with swindlers, regular folks, grubby happy children, funny cabbies driving beaten Corollas from 1976 or the occasional food-borne poopies.

It’s the Four Seasons/Hilton crowd, lodging that shields flinchy, ick-averse travelers from the boggling dilapidation and ruin and crushed spirits of a war-torn city.

For younger comers, Beirut’s sold as a destination to get your party on in douchey DJ clubs, where the cover charge is $55 (often literally) and the hair gel and cologne on each predatory male would arrive at the same sum.

The newspaper of record came back May 2 this year with one of those pretty cool “36 Hours in …” pieces:  “36 Hours in Beirut” . It was passable.

Yes, Beirut’s seaside promenade, the Corniche, is pleasant, where folks can spend a wad on patio view eateries and drinkeries, puff on hookas, known in these parts as narghile pipes.

View off the Corniche

But I’m a Lonely Planet/Rough Guide/Let’s Go kind of trotter. More like the Times’ Frugal Traveler, who susses out paths untrod, bargains and local color, the hues of which can blind.

My trip was homemade, hand-sketched, sometimes random, always independent, and once blatantly terrifying. Listen to everyone and anyone who tells you “No photo” when you decide to tromp about in Hezbollah-controlled South Beirut.

I was heedless. And I was detained by hollering, hectoring goons for 40 minutes after I took a harmless picture. Shit-pants-time. Ultimately, they were just humans, even sympathetic and soothing. I was an interloper, doing a dumb thing. I left relieved, if tear-stained, and sort of liking them. Probably because they didn’t kill me.

This photo got me busted. Click on it.

The Times is correct: Nightlife in Beirut’s red-hot Christian district of Gemmayzeh is off the hook. Bars, clubs, glamour, drinks, style, very late-night action.

I stumbled upon the loo-sized Torino Express, cramped, packed with the casual crowd, with a terrific DJ who owns the place and spins classic ’70s and ’80s rock. I write in my journals at night, and one time, the good-natured bartender barked at me, “Stop writing!” As in: loosen up, drink, join the party. It was great. I put away many Almaza pilsners (“since 1933”).

Torino Express

I met wonderful, chatty locals there, including the terrific Lina, who taught me some basic Arabic, which she scribbled in my journal (“hello” = marhaba; “thank you” = shukran). Later in the week — her birthday week — she drove us north to beautiful Byblos on the water. We ate fish, rode in a speed boat.

On most nights, en route to Gemmayzeh, I ate at a spacious, airy restaurant packed with students and families eating, smoking narghiles and playing backgammon, called Al Falamanki on Damascus Road in the Achrafieh district. Best hummus I’ve had.

Dinner.

My hotel, in the coveted Hamra area, was the classic, historic, musty  Mayflower Hotel, the antithesis of the Four Seasons, etc. A wee rundown, it felt like the real deal and my worn room was huge.

Anti-semitism is poorly concealed. At a juice bar, a drink called the “Hitler” was served. In the dusty old bookstore across from my hotel, where I picked up the daily English Lebanese paper every morning, copies of “Mein Kampf” and Nietzsche tomes were proudly displayed in the window.

Meanwhile, riding in dilapidated taxis driven by mostly older men with iffy English (“Hezbollah no good! Boom-boom!”), white United Nations SUVs would pass by. Up high, military helicopters swoofed over head.

Now that’s a vacation.

Bullet-riddled ruins.

Man of prayer.

May 28, 2010

Alabama song

This happened a long time ago, in a small Alabama town, rural and farmy.

A little boy had a horse. He loved the horse. The family had another horse, too. There were two horses that roamed a green pasture in Alabama. Sweet air, sunshine, grass.

The people next door grew corn in a vast field, rows and rows of corn. The neighbor man decided one day to toss his cornhusks into the pasture where the horses grazed.

The horses, wise and noble, saw food. They ate the husks, which one can hope, had some corn with them.

They ate and ate and ate. Then the horses died. They ate themselves to death. It was an endless banquet, all-you-can-eat. They would not stop. Engorged, they dropped.

Later, a big truck arrived. It was loaded with dead livestock, odd creatures, possibly gathered from a circus sideshow: cows with two heads, sheep with six legs, that sort of thing. A 4-H Club nightmare. A child’s trauma.

A metal crane with a claw at the end picked up the dead horses, huge, sagging animals, bloated on cornhusks, clogged and choked.

They were driven off, on their way to be made into soap, the boy was told. He didn’t use soap for a year.

The child’s heart shattered. Forty-five years later, he is still crestfallen. His face tells it all.

This is a true story. I heard it today.

May 22, 2010

Kiss them bye-bye

When I woke up, Mom and Dad are rolling on the couch./Rolling numbers, rock and rolling, got my Kiss records out. — Cheap Trick, “Surrender”

Yesterday I got my Kiss records out. For the last time. It was bittersweet, something I never thought I would do. My non-existent children were supposed to see them, see what daddy-o listened to from ages 9 to 12. They were supposed to go nuts over the live version of “I Stole Your Love.”

My collection of Kiss LPs, vinyl, were the original deals. I didn’t have all of their records, just the best from the ‘70s and very early ‘80s — “Dressed to Kill,” “Rock and Roll Over,” “Alive,” “Destroyer,” “Love Gun,” “Alive II,” the four solo albums, “Double Platinum,” “Dynasty,” “The Elder,” “Unmasked.”

(All right. Perhaps not the best. I’m talking to you, Peter Criss solo album, “The Elder” and “Unmasked.”)

Anyway, I’m cleaning house, mercilessly, selling stuff off, things I’ve been carrying but haven’t used for too many years. The things I carried included those records, which I cherished. (Not a totally tragic saga, this; there is a new format called digital, you know.)

Still, I’d held on to the records since their releases and kept them clean and tidy in a plastic bag. I bought some at the local record store in Santa Barbara, Calif., others from the Columbia Record Club, which, when those square, hard-packed boxes arrived, surpassed Christmas. What, like 10 albums for a penny? A penny that you actually taped to a mail order card. Rock.

Whenever I got a new Kiss record I plopped it on the turntable, then, as “Calling Dr. Love” or “Detroit Rock City” or “God of Thunder” hit their poppy hard-rock grooves, I would sniff the album sleeve. They had an inky, factory-fresh smell that was intoxicating. A fanboy’s drug, you might say.

And with Kiss records, besides the lurid cover art, you always got a treat, a promotional bonus of some kind. Like the prize in a Cracker Jack box.

“Kiss Alive II” (my first and favorite Kiss record, ‘78), for instance, was stuffed with garish Kiss tattoos, a flashy photo album and, as always, a merchandise order form and a draft card to join the Kiss Army. (I still can’t believe I never signed up for that specialized unit, cooler than the Navy Seals.)

“Kiss Alive II” also boasted a gatefold sleeve that contained my favorite Kiss photo of all time:

Inside the “Love Gun” album was a cardboard pop gun, a so-called Love Gun that, even for this 10-year-old, was patronizingly inane.

The Kiss solo albums were an unprecedented stunt: Never before had each member of a band released a solo record on the very same day. My little head spun. What to do? How to get all of them, now?

Worse, this was the “Star Wars” era. I had pre-ordered the very first Darth Vader action figure (I was crushed at how tiny it was, some dinky five inches tall).

I went to pick it up. It cost five dollars. I went two doors down to the record shop and staring at me were all four members of Kiss — the damn solo records, taunting me. They were five dollars each, as well.

Magnificent dilemma. The kind of formative cultural moment in a kid’s life you never forget. I know I took home Darth. I know soon after, if not that same day, I walked with Gene Simmons’ solo record.

I couldn’t believe he covered, without a spit of irony, Disney’s  “When You Wish Upon a Star.” I still can’t. I might never forgive him.

So that’s my tale. It’s sad. It rends the heart. Loss. Grief.

And yet a slim silver lining:

I’ve kept, jealously, my original Kiss comic book — the one with actual Kiss members’ blood mixed in the ink! — and original Kiss dolls of Ace Frehley and Paul Stanley. Rock.


May 13, 2010

Our body, our blech

Mom was in town. Had to show her a fun time. The eve of Mother’s Day. Only one choice.

An exhibit of real (dead) human bodies, most of them stripped of flesh, revealing the serpentine skeins of veins and arteries and capillaries, the pickled organs and pulled-pork layers of pink sinew. Ossified bones, knobby joints, bleached skulls streaked with fine fissures as though bitty earthquakes had trembled below in their brains.

(Brains, too. Lots of them. Gray gobs of furrowed Jell-O.)

With enforced bemusement and a jot of museum-y boredom, we sauntered through “Our Body: The Universe Within” in the Stark Center at the University of Texas. It’s billed as an educational show, which it is, and it’s not quite as gnarly or eye-popping as you’d hope. I wanted shock and ew. I got mostly ho and hum, yet not without unstinting curiosity.

Under glass (the countless glass cases were incessantly dusted by a tedium-deflated crew of pacing students) were a pair of cancerous lungs, looking shriveled and ready to be put under a wire grill for a patio barby-cue.

Mom smoked. “My lungs,” she said, peering at the ruins, even though she quit many butts ago, and the info card assured us that human lungs get better and better each year a stinky smoker has kicked the habit. Hers are probably a handsome shade of pewter.

Sullen warnings were posted for the fetal quarter, which was cordoned off like a construction zone. It was upsetting to see humans the size of thumbs, hamsters and dolls floating in their miraculous, tragic glory. A wake up call that vaporizes the unreflective fog of abstraction. Buzzkill.

That part of the gallery beheld other revelations. It showed me where I came from. My dad’s well-traveled story about discovering the infant me on the porch, rubber-banded with the morning paper? A shrewd fiction of sinister provenance, after all.

There was a full skeleton riding a stationary bike, getting her requisite cardio and unnecessarily burning fat; a skinless fellow high-kicking a shiny new soccer ball; a whole body sliced in sections like bread on an enormous cheese platter.

How they make these waxen but all too real bodies is a novel preservation technique called “‘polymer impregnation’ or ‘plastination,’ a process that replaces the body’s water and fat with reactive plastics … enabling the bodies to be placed in many life-like positions. The specimens are completely dry and odorless.”

Odorless? What would they smell like otherwise? Wet ink? Chicken?

Controversy vexes body exhibits like this one. Some cities have banned them, worried that “the corpses might have come from executed Chinese prisoners. … Two human rights groups obtained a court ban on a show, which features preserved body parts from 17 Chinese men and women, fearing the corpses were former prisoners. ‘Our Body: The Universe Within’ (the show Mom and I were at!!) was closed down after running for two months in Paris.”

During our hour-long stroll, I told Mom that I’d thought I’d heard about the bodies being Chinese people. She brushed me off as ridiculous, a common occurrence.

Moral issues have a way of wriggling into everything. Contemplation ensues, requiring our blobs of Jell-O to break out of their plastinated coats and get to work.